{"product_id":"eos-r6-mark-iii","title":"EOS R6 Mark III","description":"\u003cscript type=\"application\/json\" id=\"canon-product-data\"\u003e\n{\n  \"version\": \"1.0\",\n  \"sections\": [\n    {\n      \"type\": \"tab\",\n      \"title\": \"Ultra-High\\nSpeed x High Image Quality\",\n      \"banner_src\": \"https:\/\/canonhk.myshopify.com\/cdn\/shop\/files\/DILC_EOS_R6_III_R6_III_01_Banner.jpg\",\n      \"blocks\": [\n        {\n          \"type\": \"flow\",\n          \"content\": \"\u003cdiv\u003e\u003cdiv\u003e\u003cdiv\u003e\u003c\/div\u003e\u003c\/div\u003e\u003ch2\u003e\u003cspan\u003e\u003cstrong\u003e32.5MP Full Frame CMOS Sensor\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h2\u003e\u003cp\u003e\u003cspan\u003eThe EOS R6 Mark III is equipped with Canon's newly developed 32.5MP Full Frame CMOS Sensor, which supports high-speed image processing with a High Speed DIGIC X digital image processor to deliver high-quality images. \u003cbr\/\u003eThe standard ISO range for EOS R6 Mark III is 100 - 64000 and is expandable to ISO 102400 to capture clear, low-noise images even in low light environments. \u003cbr\/\u003eThe increased resolution of EOS R6 Mark III makes it ideal for portrait and landscape photography. Moreover, images maintain high resolution even when cropped, making it useful in settings with faraway subjects such as sports and wildlife.\u003c\/span\u003e\u003c\/p\u003e\u003cimg src=\\\"https:\/\/canonhk.myshopify.com\/cdn\/shop\/files\/DILC_EOS_R6_III_R6_III_01_CMOS.jpg\\\"\/\u003e\u003chr\/\u003e\u003ch2\u003e\u003cspan\u003e\u003cstrong\u003e40 FPS High Speed Shooting\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h2\u003e\u003cp\u003e\u003cspan\u003eEven with the increased pixel count from approx. 24.2M to approx. 32.5M, high-speed drive equivalent to the EOS R6 Mark II is achieved. EOS R6 Mark III supports high speed continuous shooting up to approx. 40FPS\u003csup\u003e1\u003c\/sup\u003e with AF \/ AE using Electronic Shutter\u003csup\u003e2\u003c\/sup\u003e, while the mechanical shutter \/ electronic first curtain shutter shoot continuously up to 12 FPS\u003csup\u003e6\u003c\/sup\u003e. \u003cbr\/\u003eElectronic shutter is useful for shooting wildlife and in theaters, concert halls, golf tournaments, and other situations where shutter noise is unwanted\u003csup\u003e7\u003c\/sup\u003e. \u003c\/span\u003e\u003c\/p\u003e\u003cimg src=\\\"https:\/\/canonhk.myshopify.com\/cdn\/shop\/files\/DILC_EOS_R6_III_R6_III_01_40FPS_EN.jpg\\\"\/\u003e\u003chr\/\u003e\u003ch2\u003e\u003cspan\u003e\u003cstrong\u003ePre-continuous shooting\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h2\u003e\u003cp\u003e\u003cspan\u003eEOS R6 Mark III newly supports the Pre-continuous shooting function\u003csup\u003e3\u003c\/sup\u003e , which lets users capture continuous still photos from the previous 20 shots immediately before fully-pressing the shutter button. This provides peace of mind with less risk of failed shots when shooting difficult subjects that photographers in the past had to rely on their intuition and experience to capture. Users can choose from RAW\/C-RAW\/JPEG\/HEIF recording formats. This feature can also be registered as a customized button to call it up only when needed. \u003c\/span\u003e\u003c\/p\u003e\u003cimg src=\\\"https:\/\/canonhk.myshopify.com\/cdn\/shop\/files\/DILC_EOS_R6_III_R6_III_01_Pre_Continuous_Shooting_EN.jpg\\\"\/\u003e\u003ch2\u003e\u003cspan\u003e\u003cstrong\u003eBoost in Maximum Burst\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h2\u003e\u003cp\u003e\u003cspan\u003eEOS R6 Mark III enables a higher number of continuous shots with high-speed drive performance thanks to enhanced buffer. Maximum burst up to approx. 330 JPEGs or approx. 150 RAW\u003csup\u003e8\u003c\/sup\u003e is possible during 40FPS\u003csup\u003e2\u003c\/sup\u003e High-speed continuous shooting+. EOS R6 Mark III offers higher pixel count and longer continuous shooting time, letting users capture moments without fail.\u003c\/span\u003e\u003c\/p\u003e\u003chr\/\u003e\u003ch2\u003e\u003cspan\u003e\u003cstrong\u003eIn-Body Image Stabilizer with 8.5-stop shake compensation\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h2\u003e\u003cp\u003e\u003cspan\u003eEOS R6 Mark III features improved 5-axis In-Body Image Stabilization which provides up to 8.5-stop shake compensation at center and 7.5-stop shake compensation at peripheral\u003csup\u003e9\u003c\/sup\u003e. Improvements in the camera’s algorithm make it possible to suppress even the subtle blurs that can occur at fast shutter speeds (around 1\/focal length). This lets users capture detailed still photos that fully utilize the lens’s high resolution, even with scenes like indoor portraits.\u003cbr\/\u003ePeripherical coordinated control is also supported with compatible lens.\u003c\/span\u003e\u003c\/p\u003e\u003cimg src=\\\"https:\/\/canonhk.myshopify.com\/cdn\/shop\/files\/DILC_EOS_R6_III_R6_III_01_IBISxOIS_En.jpg\\\"\/\u003e\u003chr\/\u003e\u003ch2\u003e\u003cspan\u003e\u003cstrong\u003eCreative Imaging Functions\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h2\u003e\u003ch2\u003e\u003cspan\u003e\u003cstrong\u003eSpecial Scene Mode: Smooth Skin\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h2\u003e\u003cp\u003e\u003cspan\u003eThe Smooth Skin Special Scene Mode, a first for the EOS R series Full Frame mirrorless camera, uses a new Smooth Skin processing algorithm. \u003cbr\/\u003eCompared to the same feature on previous models, it preserves natural and smooth skin texture while concealing blemishes and pores, making skin look more beautiful. This enables a synergy effect with the generous bokeh and three-dimensional style unique to full-frame sensors to provide even more beautiful portraits\u003c\/span\u003e\u003c\/p\u003e\"\n        },\n        {\n          \"type\": \"grid\",\n          \"cols\": 2,\n          \"items\": [\n            \"\u003cimg src=\\\"https:\/\/canonhk.myshopify.com\/cdn\/shop\/files\/DILC_EOS_R6_III_R6_III_01_Smooth_Skin_3.jpg\\\"\/\u003e\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eSmooth Skin effect “3”\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\",\n            \"\u003cimg src=\\\"https:\/\/canonhk.myshopify.com\/cdn\/shop\/files\/DILC_EOS_R6_III_R6_III_01_Smooth_Skin_STD.jpg\\\"\/\u003e\u003cp\u003e\u003cstrong\u003e\u003cspan\u003ePicture Style: Standard\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\"\n          ]\n        },\n        {\n          \"type\": \"flow\",\n          \"content\": \"\u003ch2\u003e\u003cspan\u003e\u003cstrong\u003eHDR Mode [Moving Subjects]\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h2\u003e\u003cp\u003e\u003cspan\u003eIn addition to the conventional HDR PQ (Single shot) and HDR mode [Dynamic range] priority (3 shots composite), EOS R6 Mark III also includes \u003cstrong\u003e[Moving Subjects]\u003c\/strong\u003e\u003csup\u003e10\u003c\/sup\u003e option in HDR Mode. People, animals, and vehicles, which were difficult to shoot because the subject moved between frames while shooting three shots, can be captured while a wide range of gradations is expressed through a single shot, even in scenes with a wide dynamic range and a large difference in brightness.\u003c\/span\u003e\u003c\/p\u003e\u003cimg src=\\\"https:\/\/canonhk.myshopify.com\/cdn\/shop\/files\/DILC_EOS_R6_III_R6_III_01_HDR_Mov.jpg\\\"\/\u003e\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eHDR Mode: [Moving Subjects] shooting\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\u003c\/div\u003e\"\n        }\n      ]\n    },\n    {\n      \"type\": \"tab\",\n      \"title\": \"Advanced\\nAF\",\n      \"banner_src\": \"https:\/\/canonhk.myshopify.com\/cdn\/shop\/files\/DILC_EOS_R6_III_R6_III_02_Banner.jpg\",\n      \"blocks\": [\n        {\n          \"type\": \"flow\",\n          \"content\": \"\u003cdiv\u003e\u003cdiv\u003e\u003cdiv\u003e\u003c\/div\u003e\u003c\/div\u003e\u003ch2\u003e\u003cspan\u003e\u003cstrong\u003eHigh Precision AF Tracking\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h2\u003e\u003cp\u003e\u003cspan\u003eEOS R6 Mark III features the renowned Dual Pixel CMOS AF II, providing up to 100％ AF coverage area\u003csup\u003e11\u003c\/sup\u003e  with 1,053 frame zones. Enhanced algorithm improves AF stability over the EOS R6 Mark II for people and animal.\u003c\/span\u003e\u003c\/p\u003e\"\n        },\n        {\n          \"type\": \"grid\",\n          \"cols\": 4,\n          \"items\": [\n            \"\u003cimg src=\\\"https:\/\/canonhk.myshopify.com\/cdn\/shop\/files\/DILC_EOS_R6_III_R6_III_02_Tracking_point_1.jpg\\\"\/\u003e\",\n            \"\u003cp\u003e\u003cspan\u003e\u003cstrong\u003e“Grabs” subject quickly and easily\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan\u003eIf AF is started when the subject is close, the camera appropriately detects the subject and focus position as if it were “grabbing” onto the subject. Also, tracking is enabled from various AF area settings (1-point, spot, flexible zone, etc.). \u003c\/span\u003e\u003c\/p\u003e\",\n            \"\u003cimg src=\\\"https:\/\/canonhk.myshopify.com\/cdn\/shop\/files\/DILC_EOS_R6_III_R6_III_02_Tracking_point_2.jpg\\\"\/\u003e\",\n            \"\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eContinues “grabbing” and following subject even if it moves\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan\u003eThe EOS R6 Mark III can continue tracking so that the AF keeps working even if there is camera shake or subject movement within the screen. In sports, the camera can follow the original subject even when different subjects cross.\u003c\/span\u003e\u003c\/p\u003e\",\n            \"\u003cimg src=\\\"https:\/\/canonhk.myshopify.com\/cdn\/shop\/files\/DILC_EOS_R6_III_R6_III_02_Tracking_point_3.jpg\\\"\/\u003e\",\n            \"\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eMore stable tracking performance \u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan\u003eImproved AF tracking performance even subject change posture or brightness change by applying deep learning technology to extract subject features during subject tracking, which applies to animals, vehicles and any other subjects selected by user.\u003c\/span\u003e\u003c\/p\u003e\"\n          ]\n        },\n        {\n          \"type\": \"flow\",\n          \"content\": \"\u003chr\/\u003e\u003ch2\u003e\u003cspan\u003e\u003cstrong\u003eAdvanced Subject Recognition\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h2\u003e\u003cp\u003e\u003cspan\u003eEOS R6 Mark III features AF algorithm developed using Deep Learning technology for high performance Subject Recognition and AF tracking of people, animals\u003csup\u003e12\u003c\/sup\u003e and vehicles\u003csup\u003e13\u003c\/sup\u003e. Enhanced algorithm improves AF stability over the EOS R6 Mark II for people and animal.\u003c\/span\u003e\u003c\/p\u003e\u003cimg src=\\\"https:\/\/canonhk.myshopify.com\/cdn\/shop\/files\/DILC_EOS_R6_III_R6_III_02_DAF.jpg\\\"\/\u003e\u003cp\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\\n\u003ctable\u003e\\n\u003ctbody\u003e\\n\u003ctr\u003e\\n\u003ctd class=\\\"canon-table-head\\\" style=\\\"min-width: 250px;\\\"\u003e\\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eSubject to detect\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\\n\u003c\/td\u003e\\n\u003ctd\u003e\\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eFeatures\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\\n\u003c\/td\u003e\\n\u003c\/tr\u003e\\n\u003ctr\u003e\\n\u003ctd class=\\\"canon-table-head\\\" style=\\\"min-width: 250px;\\\"\u003e\\n\u003cp\u003e\u003cspan\u003eAuto\u003c\/span\u003e\u003c\/p\u003e\\n\u003c\/td\u003e\\n\u003ctd\u003e\\n\u003cp\u003e\u003cspan\u003eAuto Subject Detection detects and selects people, animals or vehicles as subject automatically. Users can take photos of people, animals, and vehicles without considering the camera settings.\u003c\/span\u003e\u003c\/p\u003e\\n\u003c\/td\u003e\\n\u003c\/tr\u003e\\n\u003ctr\u003e\\n\u003ctd class=\\\"canon-table-head\\\" style=\\\"min-width: 250px;\\\"\u003e\\n\u003cp\u003e\u003cspan\u003ePeople\u003c\/span\u003e\u003c\/p\u003e\\n\u003cp\u003e \u003c\/p\u003e\\n\u003c\/td\u003e\\n\u003ctd\u003e\\n\u003cp\u003e\u003cspan\u003eSupports eye \/ face \/ head \/ body detection, Right Eye priority or Left Eye priority also available with Eye Detection AF.\u003c\/span\u003e\u003c\/p\u003e\\n\u003c\/td\u003e\\n\u003c\/tr\u003e\\n\u003ctr\u003e\\n\u003ctd class=\\\"canon-table-head\\\" style=\\\"min-width: 250px;\\\"\u003e\\n\u003cp\u003e\u003cspan\u003eAnimals\u003c\/span\u003e\u003c\/p\u003e\\n\u003c\/td\u003e\\n\u003ctd\u003e\\n\u003cp\u003e\u003cspan\u003eSupports detection of dogs, cats, bird and horses (racing horses, zebra and ponies, etc) even with riders\u003csup\u003e12\u003c\/sup\u003e. Right Eye priority or Left Eye priority also available with Eye Detection AF.\u003c\/span\u003e\u003c\/p\u003e\\n\u003c\/td\u003e\\n\u003c\/tr\u003e\\n\u003ctr\u003e\\n\u003ctd class=\\\"canon-table-head\\\" style=\\\"min-width: 250px;\\\"\u003e\\n\u003cp\u003e\u003cspan\u003eVehicles\u003c\/span\u003e\u003c\/p\u003e\\n\u003c\/td\u003e\\n\u003ctd\u003e\\n\u003cp\u003e\u003cspan\u003eVehicle Detection covers train (high speed trains, conventional trains and steam locomotives) and airplane (jet planes and helicopters) in addition to motorsports (automobiles and motorcycles)\u003csup\u003e13\u003c\/sup\u003e. With Spot detection setting, the driver cab of high-speed train or cockpit of airplane can be detected.\u003c\/span\u003e\u003c\/p\u003e\\n\u003c\/td\u003e\\n\u003c\/tr\u003e\\n\u003c\/tbody\u003e\\n\u003c\/table\u003e\u003chr\/\u003e\u003ch2\u003e\u003cspan\u003e\u003cstrong\u003eRegister People Priority\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h2\u003e\u003cp\u003e\u003cspan\u003eEOS R6 Mark III newly features \u003cstrong\u003eRegister People Priority\u003c\/strong\u003e. By registering up to 10 people in the camera in advance, it becomes possible to detect a specific person preferentially with the same performance as the EOS R3 even when there are multiple people in the AF area\/point\u003csup\u003e4\u003c\/sup\u003e. The feature is available when shooting movies as well as still photos, and is effective for group scenes, press conferences, and other such settings.\u003c\/span\u003e\u003c\/p\u003e\u003cimg src=\\\"https:\/\/canonhk.myshopify.com\/cdn\/shop\/files\/DILC_EOS_R6_III_R6_III_02_Register_People_EN.jpg\\\"\/\u003e\u003chr\/\u003e\u003ch2\u003e\u003cspan\u003e\u003cstrong\u003eWhole Area Tracking Servo AF\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h2\u003e\u003cp\u003e\u003cspan\u003eEOS R6 Mark III’s Whole Area Tracking Servo AF is possible from any one of the 8 AF Area modes, including 1-point AF or Flexible Zone AF, for flexible AF operability.  If AF is started when the subject is close, the camera appropriately detects the subject and focus position as if it were “grabbing” onto the subject.\u003cbr\/\u003eTracking subject can be switched during AF or continuous shooting. Whole Area Tracking Servo AF can be turned on or off during AF or continuous shooting.\u003cbr\/\u003eFor users who prefer stay focused on the set AF area without tracking, 4 AF areas with Whole Area Tracking AF OFF have been added to EOS R6 Mark III.\u003c\/span\u003e\u003c\/p\u003e\u003cimg src=\\\"https:\/\/canonhk.myshopify.com\/cdn\/shop\/files\/DILC_EOS_R6_III_R6_III_02_AF_Area_EN.jpg\\\"\/\u003e\u003chr\/\u003e\u003ch2\u003e\u003cspan\u003e\u003cstrong\u003eFocus Preset\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h2\u003e\u003cp\u003e\u003cspan\u003eFocus preset function has up until now been only available on fast super-telephoto lenses, but it can now be assigned to any of the camera buttons or the lens function button (L.Fn) and used with all RF lenses that support AF. \u003c\/span\u003e\u003c\/p\u003e\u003cimg src=\\\"https:\/\/canonhk.myshopify.com\/cdn\/shop\/files\/DILC_EOS_R6_III_R6_III_02_Focus_Preset_En.jpg\\\"\/\u003e\u003chr\/\u003e\u003ch2\u003e\u003cspan\u003e\u003cstrong\u003eEnhanced Manual Focus Operability\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h2\u003e\u003cp\u003e\u003cspan\u003eEOS R6 Mark III offers a new feature that cancels magnified view by half-pressing the shutter release button without having to press the magnify button when returning to full-screen view from magnified view in manual focus. This way, users can quickly proceed to shooting after magnifying to adjust focus or check the subject.\u003c\/span\u003e\u003c\/p\u003e\u003cimg src=\\\"https:\/\/canonhk.myshopify.com\/cdn\/shop\/files\/DILC_EOS_R6_III_R6_III_02_Half_Press_Cancel_Magnification_EN.jpg\\\"\/\u003e\u003chr\/\u003e\u003ch2\u003e\u003cspan\u003e\u003cstrong\u003eReproduce the Focus Skill of Professionals\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h2\u003e\u003cp\u003e\u003cspan\u003eEOS R6 Mark III’s Movie Servo AF features the focusing acceleration\/deceleration algorithm found in the Cinema EOS C400\/C80 that recreates the deliberate focus control of professional camera operators. This uses autofocus to replicate the smooth focusing work of an expert focus operator, responding to the visual expression needs of creatives.\u003c\/span\u003e\u003c\/p\u003e\u003cimg src=\\\"https:\/\/canonhk.myshopify.com\/cdn\/shop\/files\/DILC_EOS_R6_III_R6_III_02_Focus_Algorithm_EN.jpg\\\"\/\u003e\u003chr\/\u003e\u003ch2\u003e\u003cspan\u003e\u003cstrong\u003eMovie Servo AF Speed and Tracking Style\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h2\u003e\u003cp\u003e\u003cspan\u003eWith the EOS R6 Mark III, the AF specifications are designed to be common with the EOS C50, and Movie Servo AF speed can be adjusted to ten levels from slow to fast to suit the situation and subject movement, making shooting smoother and more accurate. Subject switching sensitivity can also be customized to five levels.\u003c\/span\u003e\u003c\/p\u003e\"\n        },\n        {\n          \"type\": \"grid\",\n          \"cols\": 2,\n          \"items\": [\n            \"\u003cimg src=\\\"https:\/\/canonhk.myshopify.com\/cdn\/shop\/files\/DILC_EOS_R6_III_R6_III_02_Movie_Servo_AF_Speed_EN.jpg\\\"\/\u003e\u003cp\u003e\u003cspan\u003eThe Movie Servo AF speed can be adjusted in a range of 1–10 to cope with shooting style.\u003c\/span\u003e\u003c\/p\u003e\",\n            \"\u003cimg src=\\\"https:\/\/canonhk.myshopify.com\/cdn\/shop\/files\/DILC_EOS_R6_III_R6_III_02_Subjest_Switch_Sensitivity_EN.jpg\\\"\/\u003e\u003cp\u003e\u003cspan\u003eSet how easily the focus switches if a new subject is detected during movie recording.\u003c\/span\u003e\u003c\/p\u003e\"\n          ]\n        },\n        {\n          \"type\": \"flow\",\n          \"content\": \"\u003chr\/\u003e\u003ch2\u003e\u003cspan\u003e\u003cstrong\u003eTrack after focusing\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h2\u003e\u003cp\u003e\u003cspan\u003eWhen Movie servo AF is enabled, the focus ring of the lens\u003csup\u003e14\u003c\/sup\u003e can be used to temporarily switch to manual focus and switch subjects with focusing control at the user’s desired speed. When lens focus ring operation is completed, the lens will maintain focus on the subject in focus and resume tracking\u003csup\u003e15\u003c\/sup\u003e.\u003cbr\/\u003eCombined use is also possible with the Subject to detect (People\/Animals\/Vehicles\/Auto) set via the menu and Eye detection features. This allows switching of the main subject using just lens operation and without using the camera buttons or touch screen while in Movie servo AF mode, improving operability during movie shooting.\u003cbr\/\u003e\u003c\/span\u003e\u003c\/p\u003e\u003cimg src=\\\"https:\/\/canonhk.myshopify.com\/cdn\/shop\/files\/DILC_EOS_R6_III_R6_III_02_Track_after_Focusing_EN.jpg\\\"\/\u003e\u003c\/div\u003e\"\n        }\n      ]\n    },\n    {\n      \"type\": \"tab\",\n      \"title\": \"Color Modes\",\n      \"banner_src\": \"https:\/\/canonhk.myshopify.com\/cdn\/shop\/files\/DILC_EOS_R6_III_R6_III_03_Banner.jpg\",\n      \"blocks\": [\n        {\n          \"type\": \"flow\",\n          \"content\": \"\u003cdiv\u003e\u003cdiv\u003e\u003cdiv\u003e\u003c\/div\u003e\u003c\/div\u003e\u003ch2\u003e\u003cspan\u003e\u003cstrong\u003eNew COLOR button\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h2\u003e\u003cp\u003e\u003cspan\u003eThe new color mode button (COLOR) lets users swiftly select from three available color modes: Picture style, Color Filter and Custom Picture\u003csup\u003e16\u003c\/sup\u003e. \u003c\/span\u003e\u003c\/p\u003e\u003cimg src=\\\"https:\/\/canonhk.myshopify.com\/cdn\/shop\/files\/DILC_EOS_R6_III_R6_III_03_Color_Mode_EN.jpg\\\"\/\u003e\u003chr\/\u003e\u003ch2\u003e\u003cspan\u003e\u003cstrong\u003eColor Filter\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h2\u003e\u003cp\u003e\u003cspan\u003eThe Color Filter feature, a first for the EOS R series Full Frame mirrorless camera, allows users to easily apply 14-type of Color Filter\u003csup\u003e17\u003c\/sup\u003e effects while checking the actual color and atmosphere of the image with the viewfinder or monitor. Even those without knowledge of color grading can create impressive video or images (without RAW development) using only the camera. This feature is useful for simple projects, events, social media posts, and other uses where instant delivery is needed, and it allows users to craft images according to their own imaginations, even straight out of camera.\u003cbr\/\u003eCanon’s amazing color tones can be applied to easily provide the experience of being a true creator with creative expressive capabilities\u003c\/span\u003e\u003c\/p\u003e\"\n        },\n        {\n          \"type\": \"grid\",\n          \"cols\": 3,\n          \"items\": [\n            \"\u003cimg src=\\\"https:\/\/canonhk.myshopify.com\/cdn\/shop\/files\/DILC_EOS_R6_III_R6_III_03_Color_Filter_StoryTeal_Orange.jpg\\\"\/\u003e\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eStoryTeal\u0026amp;Orange\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\",\n            \"\u003cimg src=\\\"https:\/\/canonhk.myshopify.com\/cdn\/shop\/files\/DILC_EOS_R6_III_R6_III_03_Color_Filter_StoryBlue.jpg\\\"\/\u003e\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eStoryBlue\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\",\n            \"\u003cimg src=\\\"https:\/\/canonhk.myshopify.com\/cdn\/shop\/files\/DILC_EOS_R6_III_R6_III_03_Color_Filter_AccentRed.jpg\\\"\/\u003e\u003cp\u003e\u003cstrong\u003e\u003cspan\u003e AccentRed\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\"\n          ]\n        },\n        {\n          \"type\": \"flow\",\n          \"content\": \"\u003ch2\u003e\u003cspan\u003e\u003cstrong\u003e14-Type of Color Filter\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h2\u003e\u003cimg src=\\\"https:\/\/canonhk.myshopify.com\/cdn\/shop\/files\/DILC_EOS_R6_III_R6_III_03_Color_Filter_EN.jpg\\\"\/\u003e\u003chr\/\u003e\u003ch2\u003e\u003cspan\u003e\u003cstrong\u003eCustom Picture (CP)\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h2\u003e\u003cp\u003e\u003cspan\u003eIn addition to existing Picture Style and Color Filter, the EOS R6 Mark III also includes Custom Picture, a common feature with the Cinema EOS series, for the first time. 6 CP Presets (Canon 709 \/ Canon Log 2 \/ Canon Log 3 \/ PQ \/ HLG \/ BT.709 Standard) are provided and 14 User setting are provided for users to select the best gamma and color space for their intended use.\u003cbr\/\u003eFor example, users can select BT.709-based settings and HDR settings that can be used straight out of camera (SOOC) without the need for color grading, enabling imaging that is compatible with the Cinema EOS series.\u003cbr\/\u003eAs a feature unique to Custom Picture, it is possible to configure knee, black gamma, detailed color and contrast, and other settings.  \u003c\/span\u003e\u003c\/p\u003e\u003cimg src=\\\"https:\/\/canonhk.myshopify.com\/cdn\/shop\/files\/DILC_EOS_R6_III_R6_III_03_Custom_Picture_EN.jpg\\\"\/\u003e\u003ch2\u003e\u003cspan\u003e\u003cstrong\u003eIncludes Canon Log 2 for the First Time \u003c\/strong\u003e\u003c\/span\u003e\u003c\/h2\u003e\u003cp\u003e\u003cspan\u003eIn addition to Canon Log 3, Canon Log 2 has also been added to EOS R6 Series for the first time in EOS R6 Mark III.\u003cbr\/\u003eCanon Log 2 and Canon Log 3 are gammas designed with grading in mind. Canon Log 2 provides a wide dynamic range of 15+ stops\u003csup\u003e5\u003c\/sup\u003e. \u003cbr\/\u003eUsers can choose the one that fits their workflow and post-production imaging needs. \u003c\/span\u003e\u003c\/p\u003e\u003cimg src=\\\"https:\/\/canonhk.myshopify.com\/cdn\/shop\/files\/DILC_EOS_R6_III_R6_III_03_Canon_Log_2_EN.jpg\\\"\/\u003e\"\n        },\n        {\n          \"type\": \"grid\",\n          \"cols\": 2,\n          \"items\": [\n            \"\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eCanon Log 2 prioritizes details in dark areas\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan\u003eCanon Log 2 has characteristics closer to film and preserves details in dark in medium to dark areas than Canon Log 3. It also enables linear output over a wider range, enabling exposure control (editing) while preserving details and minimizing color changes when brightness is changed. This Log is highly compatible with production settings that are created based on Cinema-Log, such as film production.\u003c\/span\u003e\u003c\/p\u003e\",\n            \"\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eCanon Log 3 enables noise reduction in dark areas \u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan\u003eCanon Log 3 is known for its ease of handling, helping users craft images even with simple grading to adjust tones. By tightening the dark areas, it generates less noise compared to Canon Log 2, enabling reduced noise in dark areas while maintaining a wide dynamic range. \u003c\/span\u003e\u003c\/p\u003e\"\n          ]\n        },\n        {\n          \"type\": \"flow\",\n          \"content\": \"\u003ch2\u003e\u003cspan\u003e\u003cstrong\u003eApplying LUT (Look File) in Camera\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h2\u003e\u003cp\u003e\u003cspan\u003eLUTs (Look Up Table) are color presets that respond to specific needs of image creators trying to achieve a distinctive visual beauty and color creation.\u003cbr\/\u003eApply an LUT of choice to movies shot with the EOS R6 Mark III with Look File settings to convert it to a desired color style.\u003cbr\/\u003eLUTs set in Look File settings can be recorded in movies as well as displayed on the LCD monitor, making post-shoot grading more efficient. This streamlines grading work, which can be a challenge for entry-level videographers, and allows users to upgrade their visual works.\u003cbr\/\u003e\u003cbr\/\u003eNow, Canon’s official \u003ca href=\\\"https:\/\/color.ssw.imaging-saas.canon\/color\/en\/pc\/index.html\\\" rel=\\\"noopener\\\" tabindex=\\\"0\\\" target=\\\"_blank\\\"\u003eCanon LUT Library website\u003c\/a\u003e provides 41 varieties of LUTs designed for movie editing software, useful for converting colors and other aspects. Users can also download the files onto a smartphone using Camera Connect and apply them immediately on-set.\u003cbr\/\u003e\u003c\/span\u003e\u003c\/p\u003e\u003cimg src=\\\"https:\/\/canonhk.myshopify.com\/cdn\/shop\/files\/DILC_EOS_R6_III_R6_III_03_Look_File_EN.jpg\\\"\/\u003e\u003c\/div\u003e\"\n        }\n      ]\n    },\n    {\n      \"type\": \"tab\",\n      \"title\": \"7K Open Gate Video\",\n      \"banner_src\": \"https:\/\/canonhk.myshopify.com\/cdn\/shop\/files\/DILC_EOS_R6_III_R6_III_04_Banner.jpg\",\n      \"blocks\": [\n        {\n          \"type\": \"flow\",\n          \"content\": \"\u003cdiv\u003e\u003cdiv\u003e\u003cdiv\u003e\u003c\/div\u003e\u003c\/div\u003e\u003ch2\u003e\u003cspan\u003e\u003cstrong\u003eOpen Gate Recording\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h2\u003e\u003cp\u003e\u003cspan\u003eThe EOS R6 Mark III is the first EOS R series Full Frame mirrorless camera to feature 7K Open Gate video recording. Open Gate recording using the sensor’s full 3:2 angle of view allows the recording of 7K 30p Open Gate RAW at 6960×4640 pixels or MP4 at 6912×4608 pixels\u003csup\u003e18\u003c\/sup\u003e. This enables higher-resolution recording with a wide angle of view for improved video quality. \u003cbr\/\u003eWith the ability to reframe in both horizontal and vertical formats in a single shot, 7K's high resolution flexibly meets the needs of crafting cinematic widescreen films or social-ready vertical edits. \u003c\/span\u003e\u003c\/p\u003e\u003cdiv\u003e\u003cdiv\u003e\u003cdiv\u003e\u003ciframe allowfullscreen=\\\"\\\" frameborder=\\\"0\\\" src=\\\"https:\/\/www.youtube.com\/embed\/LASLOlSBzrE?autoplay=0\\\"\u003e\u003c\/iframe\u003e\u003c\/div\u003e\u003c\/div\u003e\u003c\/div\u003e\u003chr\/\u003e\u003ch2\u003e\u003cspan\u003e\u003cstrong\u003eA Variety of Movie Recording Formats\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h2\u003e\u003cimg src=\\\"https:\/\/canonhk.myshopify.com\/cdn\/shop\/files\/DILC_EOS_R6_III_R6_III_04_Video_Usage.jpg\\\"\/\u003e\"\n        },\n        {\n          \"type\": \"grid\",\n          \"cols\": 4,\n          \"items\": [\n            \"\u003cimg src=\\\"https:\/\/canonhk.myshopify.com\/cdn\/shop\/files\/DILC_EOS_R6_III_R6_III_04_7K_RAW_EN.jpg\\\"\/\u003e\",\n            \"\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eInternal recording of 7K 60p RAW\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan\u003eIn addition to 7K 30p Open Gate RAW recording, EOS R6 Mark III allows internal recording of 7K 60p RAW (Light) movies to a CFexpress card at up to 60 fps with DCI aspect ratio (17:9).\u003cbr\/\u003e\u003cbr\/\u003eFootage can be developed in Cinema RAW Development or Digital Photo Professional and can be edited with NLE software using a plugin. \u003cbr\/\u003e\u003cbr\/\u003eA 2K DCI MP4 Proxy movie or new 4K DCI Fine MP4 sub movie can be recorded simultaneously.\u003c\/span\u003e\u003c\/p\u003e\",\n            \"\u003cimg src=\\\"https:\/\/canonhk.myshopify.com\/cdn\/shop\/files\/DILC_EOS_R6_III_R6_III_04_4K_Oversampling_EN.jpg\\\"\/\u003e\",\n            \"\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eOversampled 4K DCI \/ UHD Fine 60p MP4\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan\u003eEOS R6 Mark III supports non-cropped oversampled 4K DCI \/ UHD Fine 60p MP4 as well as non-cropped 7K oversampled 4K DCI \/ UHD 30p MP4\u003csup\u003e19\u003c\/sup\u003e. The oversampling process helps reduce moiré, false colors, and noise in the footage.\u003c\/span\u003e\u003c\/p\u003e\",\n            \"\u003cimg src=\\\"https:\/\/canonhk.myshopify.com\/cdn\/shop\/files\/DILC_EOS_R6_III_R6_III_04_2K_Oversampling_EN.jpg\\\"\/\u003e\",\n            \"\u003cp\u003e\u003cspan\u003e\u003cstrong\u003e3.5K oversampled 2K DCI \/ FHD 60p MP4\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan\u003eThe EOS R6 Mark III adds support for the 2K DCI (2048 x 1080) format, allowing recording of non-cropped 3.5K oversampled 2K DCI \/ FHD MP4 video up to 60p. The oversampling process helps reduce moiré, false colors, and noise in the footage.\u003cbr\/\u003e\u003c\/span\u003e\u003c\/p\u003e\",\n            \"\u003cimg src=\\\"https:\/\/canonhk.myshopify.com\/cdn\/shop\/files\/DILC_EOS_R6_III_R6_III_04_4K_120p_EN.jpg\\\"\/\u003e\u003cimg src=\\\"https:\/\/canonhk.myshopify.com\/cdn\/shop\/files\/DILC_EOS_R6_III_R6_III_04_2K_180p_EN.jpg\\\"\/\u003e\",\n            \"\u003cp\u003e\u003cspan\u003e\u003cstrong\u003e4K 120p \u0026amp; 2K DCI \/ FHD 180p MP4 \u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan\u003eFor normal 4K recording, the EOS R6 Mark III can capture up to 4K DCI \/ UHD MP4 video up to 120p with audio support\u003csup\u003e20\u003c\/sup\u003e, and up to 2K DCI\/FHD MP4 video up to 180p\u003csup\u003e21\u003c\/sup\u003e with audio support\u003csup\u003e20\u003c\/sup\u003e.\u003cbr\/\u003e\u003cbr\/\u003eIt also supports cropped 4K DCI \/ UHD 60p MP4 video and 2K DCI \/ FHD MP4 video up to 120p with audio support\u003csup\u003e20\u003c\/sup\u003e.\u003cbr\/\u003e\u003cbr\/\u003eVideos recorded at frame rates above 60p will play back at normal speed in-camera. These movies can be used as slow-motion footage during post-editing, while also producing movies that play at normal speed.  Therefore, by recording a single movie, you can create both normal speed and slow-motion movies simultaneously.\u003c\/span\u003e\u003c\/p\u003e\"\n          ]\n        },\n        {\n          \"type\": \"flow\",\n          \"content\": \"\u003ch2\u003e\u003cspan\u003e\u003cstrong\u003eSlow \u0026amp; Fast-Motion Movie Mode (S\u0026amp;F)\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h2\u003e\u003cp\u003e\u003cspan\u003eThe new \u003cstrong\u003eSlow \u0026amp; Fast-Motion Movie Mode\u003c\/strong\u003e\u003csup\u003e22\u003c\/sup\u003e  lets users easily create emotion-filled images through techniques such as slowing down fast movements, compressing the passage of time, or capturing a subjective POV(Point Of View). Settings are enabled from 60x fast (NTSC) to 5x slow (NTSC) in 4K DCI \/ UHD, and from 60x fast (NTSC) to 7.5x slow (NTSC) in 2K DCI \/ Full HD.\u003c\/span\u003e\u003c\/p\u003e\u003cimg src=\\\"https:\/\/canonhk.myshopify.com\/cdn\/shop\/files\/DILC_EOS_R6_III_R6_III_04_S_F_En.jpg\\\"\/\u003e\u003ch2\u003e\u003cspan\u003e\u003cstrong\u003eHDMI Type-A \u0026amp; HDMI RAW\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h2\u003e\u003cp\u003e\u003cspan\u003eThe EOS R6 Mark III features a highly versatile HDMI Type-A output terminal that offers stability in connection. When connected via HDMI with a compatible ATOMOS recorder, it offers Apple ProRes RAW external recording up to uncropped 7K 30p or 4.3K 60p (cropped). The ProRes RAW ensuring compatibility with post-production workflows. This makes utilization of EOS R6 Mark III easier in production-related uses. \u003cbr\/\u003eA 2K DCI MP4 proxy data can also be recorded simultaneously to an SD card with the ProRes RAW, making post-production handling more efficient.\u003c\/span\u003e\u003c\/p\u003e\u003ch2\u003e\u003cspan\u003e\u003cstrong\u003eSelect either Camera or HDMI for Menu Display and Playback \u003c\/strong\u003e\u003c\/span\u003e\u003c\/h2\u003e\u003cp\u003e\u003cspan\u003eUsers can now choose to have menu and playback screens output to either the camera or via HDMI during HDMI connection. This improves operability when using HDMI output.\u003c\/span\u003e\u003c\/p\u003e\u003cimg src=\\\"https:\/\/canonhk.myshopify.com\/cdn\/shop\/files\/DILC_EOS_R6_III_R6_III_04_HDMI_Menu_En.jpg\\\"\/\u003e\u003ch2\u003e\u003cspan\u003e\u003cstrong\u003eEOS VR System Support\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h2\u003e\u003cp\u003e\u003cspan\u003eEOS R6 Mark III supports RF5.2mm F2.8 L DUAL FISHEYE in the EOS VR System, allowing users to shoot high-quality 3D 180\u003csup\u003eo\u003c\/sup\u003eVR videos. When shooting with the RF-S3.9mm F3.5 STM DUAL FISHEY, the camera saves the time-series inertial sensor information and other information as metadata in the movie file\u003csup\u003e23\u003c\/sup\u003e. The metadata helps shortening the time required for Digital Image Stabilization in EOS VR Utility and also improves effectiveness.\u003c\/span\u003e\u003c\/p\u003e\u003cimg src=\\\"https:\/\/canonhk.myshopify.com\/cdn\/shop\/files\/DILC_EOS_R6_III_R6_III_04_DualFishEye.jpg\\\"\/\u003e\u003chr\/\u003e\u003ch2\u003e\u003cspan\u003e\u003cstrong\u003eProfessional File System\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h2\u003e\u003cp\u003e\u003cspan\u003eEOS R6 Mark III adopted the XF-AVC S\/XF-HEVC S from Cinema EOS, a new professional-standard file system that enables workflows not possible with conventional DCF-compliant MP4. \u003cbr\/\u003eIt has common specifications with Cinema EOS, enabling processing using a common workflow in shoots that combine a mixture of cameras such as EOS and Cinema EOS, helping to streamline the editing process.\u003c\/span\u003e\u003c\/p\u003e\u003cimg src=\\\"https:\/\/canonhk.myshopify.com\/cdn\/shop\/files\/DILC_EOS_R6_III_R6_III_04_File_Format_EN.jpg\\\"\/\u003e\u003ch2\u003e\u003cspan\u003e\u003cstrong\u003eNews ML-G2 standard News Metadata\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h2\u003e\u003cp\u003e\u003cspan\u003eNews Metadata is a standard XML-based format that enables integrated presentation of news content, metadata, structures, and context. By adding metadata compatible with the NewsML-G2 standard to a movie file, it supports workflows for news TV broadcasters. \u003cbr\/\u003eNews Metadata editing and export can be done before shooting with a computer or after shooting using Content Transfer Professional.\u003c\/span\u003e\u003c\/p\u003e\u003chr\/\u003e\u003ch2\u003e\u003cspan\u003e\u003cstrong\u003eLPCM 24-bit \/ 4-ch Audio Recording\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h2\u003e\u003cp\u003e\u003cspan\u003eNew audio input features are included to enable 24-bit audio recording. It also supports 4-channel audio input, which enables combinations of external microphone input from Multi-function Shoe and built-in microphone or other external microphone connected to microphone input terminal for situations such as interview recording, simultaneous recording of ambient noise, live recording with separate mics for instruments and vocals.\u003c\/span\u003e\u003c\/p\u003e\u003ch2\u003e\u003cspan\u003e\u003cstrong\u003eThree Microphones Noise Reduction Technology\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h2\u003e\u003cp\u003e\u003cspan\u003eIn addition to stereo microphones for audio input, the three microphones system in EOS R6 Mark III features a third internal mic that detects and reduces drive noise during autofocusing. \u003cbr\/\u003eIt also includes audio processing technology to reduce white noise (floor noise)\u003csup\u003e24\u003c\/sup\u003e.\u003c\/span\u003e\u003c\/p\u003e\u003chr\/\u003e\u003ch2\u003e\u003cspan\u003e\u003cstrong\u003eMultiple Recording Methods\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h2\u003e\u003ch2\u003e\u003cspan\u003e\u003cstrong\u003eSimultaneous Proxy Recording\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h2\u003e\u003cp\u003e\u003cspan\u003eWhen shooting 7K Open Gate RAW, 7K DCI RAW or 4K DCI \/ UHD and 2K DCI \/ FHD MP4 up to 60fps, a lighter-sized 2K DCI \/ FHD proxy data for offline editing can be recorded simultaneously\u003csup\u003e25\u003c\/sup\u003e. \u003cbr\/\u003eThis helps to reduce lead times by transferring the lighter proxy movie to the editing team in advance via FTP transfer, image.canon transfer, or transfer to Frame.io via image.canon, making editing work more efficient.\u003c\/span\u003e\u003c\/p\u003e\u003ch2\u003e\u003cspan\u003e\u003cstrong\u003eMain \/ Sub Movie\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h2\u003e\u003cp\u003e\u003cspan\u003eWhile shooting the 7K RAW (Standard\/Light) main movie to \u003cbr\/\u003eCard 1, a sub movie (MP4 movie fixed to 4K DCI Fine) can be recorded to Card 2. \u003cbr\/\u003eSeparating recording for specific purposes lets users avoid having to convert RAW movies.\u003c\/span\u003e\u003c\/p\u003e\u003ch2\u003e\u003cspan\u003e\u003cstrong\u003eRelay Recording\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h2\u003e\u003cp\u003e\u003cspan\u003eNew Relay recording allows continuous movie recording by automatically switching recording card when a card is full during recording\u003csup\u003e26\u003c\/sup\u003e.  \u003c\/span\u003e\u003c\/p\u003e\u003chr\/\u003e\u003ch2\u003e\u003cspan\u003e\u003cstrong\u003eExtended Movie Recording Time\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h2\u003e\u003cp\u003e\u003cspan\u003eThe EOS R6 Mark III employs a heat dissipation structure that transfers heat from the sensor through the graphite sheet and aluminum back plate to the magnesium back cover. \u003cbr\/\u003eThe design also enables heat to be released from each board to the outside via the graphite sheet. This efficiently dissipates internal heat in movie recording and allows an extended recording time.\u003c\/span\u003e\u003c\/p\u003e\u003cimg src=\\\"https:\/\/canonhk.myshopify.com\/cdn\/shop\/files\/DILC_EOS_R6_III_R6_III_04_Heat_dissipation_EN.jpg\\\"\/\u003e\u003ch2\u003e\u003cstrong\u003e\u003cspan\u003eMovie Continuous Recording Time\u003c\/span\u003e\u003c\/strong\u003e\u003c\/h2\u003e\\n\u003ctable\u003e\\n\u003ctbody\u003e\\n\u003ctr\u003e\\n\u003ctd class=\\\"canon-table-head\\\" rowspan=\\\"3\\\" style=\\\"min-width: 250px;\\\"\u003e\u003cspan\u003e\u003cstrong\u003eMovie recording quality\u003c\/strong\u003e\u003c\/span\u003e\u003c\/td\u003e\\n\u003ctd colspan=\\\"2\\\"\u003e\u003cspan\u003e\u003cstrong\u003eAvailable continuous recording time\u003csup\u003e26\u003c\/sup\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003c\/td\u003e\\n\u003c\/tr\u003e\\n\u003ctr\u003e\\n\u003ctd colspan=\\\"2\\\"\u003e\u003cspan\u003e\u003cstrong\u003eAuto power off temperature\u003c\/strong\u003e\u003c\/span\u003e\u003c\/td\u003e\\n\u003c\/tr\u003e\\n\u003ctr\u003e\\n\u003ctd\u003e\u003cspan\u003e\u003cstrong\u003eStandard\u003c\/strong\u003e\u003c\/span\u003e\u003c\/td\u003e\\n\u003ctd\u003e\u003cspan\u003e\u003cstrong\u003eHigh\u003c\/strong\u003e\u003c\/span\u003e\u003c\/td\u003e\\n\u003c\/tr\u003e\\n\u003ctr\u003e\\n\u003ctd class=\\\"canon-table-head\\\" style=\\\"min-width: 250px;\\\"\u003e\\n\u003cp\u003e\u003cspan\u003e7K RAW 59.94 fps, Light (RAW) + \u003cbr\/\u003e2K Proxy Standard LGOP\u003c\/span\u003e\u003c\/p\u003e\\n\u003c\/td\u003e\\n\u003ctd\u003e\\n\u003cp\u003e\u003cspan\u003eApporx. 23mins\u003c\/span\u003e\u003c\/p\u003e\\n\u003c\/td\u003e\\n\u003ctd\u003e\\n\u003cp\u003e\u003cspan\u003eApporx. 23mins\u003c\/span\u003e\u003c\/p\u003e\\n\u003c\/td\u003e\\n\u003c\/tr\u003e\\n\u003ctr\u003e\\n\u003ctd class=\\\"canon-table-head\\\" style=\\\"min-width: 250px;\\\"\u003e\\n\u003cp\u003e\u003cspan\u003e4K DCI 119.9 fps, Standard LGOP\u003c\/span\u003e\u003c\/p\u003e\\n\u003c\/td\u003e\\n\u003ctd\u003e\\n\u003cp\u003e\u003cspan\u003eApporx. 28mins\u003c\/span\u003e\u003c\/p\u003e\\n\u003c\/td\u003e\\n\u003ctd\u003e\\n\u003cp\u003e\u003cspan\u003eApporx. 35mins\u003c\/span\u003e\u003c\/p\u003e\\n\u003c\/td\u003e\\n\u003c\/tr\u003e\\n\u003ctr\u003e\\n\u003ctd class=\\\"canon-table-head\\\" style=\\\"min-width: 250px;\\\"\u003e\\n\u003cp\u003e\u003cspan\u003e4K DCI FINE 59.94 fps, Standard LGOP\u003c\/span\u003e\u003c\/p\u003e\\n\u003c\/td\u003e\\n\u003ctd\u003e\\n\u003cp\u003e\u003cspan\u003eApporx. 23mins\u003c\/span\u003e\u003c\/p\u003e\\n\u003c\/td\u003e\\n\u003ctd\u003e\\n\u003cp\u003e\u003cspan\u003eApporx. 23mins\u003c\/span\u003e\u003c\/p\u003e\\n\u003c\/td\u003e\\n\u003c\/tr\u003e\\n\u003ctr\u003e\\n\u003ctd class=\\\"canon-table-head\\\" style=\\\"min-width: 250px;\\\"\u003e\\n\u003cp\u003e\u003cspan\u003e4K DCI 59.94 fps, Standard LGOP\u003c\/span\u003e\u003c\/p\u003e\\n\u003c\/td\u003e\\n\u003ctd\u003e\\n\u003cp\u003e\u003cspan\u003eNo restrictions due to overheating\u003c\/span\u003e\u003c\/p\u003e\\n\u003c\/td\u003e\\n\u003ctd\u003e\\n\u003cp\u003e\u003cspan\u003eNo restrictions due to overheating\u003c\/span\u003e\u003c\/p\u003e\\n\u003c\/td\u003e\\n\u003c\/tr\u003e\\n\u003ctr\u003e\\n\u003ctd class=\\\"canon-table-head\\\" style=\\\"min-width: 250px;\\\"\u003e\\n\u003cp\u003e\u003cspan\u003e4K DCI FINE 29.97 fps, Standard LGOP\u003c\/span\u003e\u003c\/p\u003e\\n\u003c\/td\u003e\\n\u003ctd\u003e\\n\u003cp\u003e\u003cspan\u003eNo restrictions due to overheating\u003c\/span\u003e\u003c\/p\u003e\\n\u003c\/td\u003e\\n\u003ctd\u003e\\n\u003cp\u003e\u003cspan\u003eNo restrictions due to overheating\u003c\/span\u003e\u003c\/p\u003e\\n\u003c\/td\u003e\\n\u003c\/tr\u003e\\n\u003ctr\u003e\\n\u003ctd class=\\\"canon-table-head\\\" style=\\\"min-width: 250px;\\\"\u003e\\n\u003cp\u003e\u003cspan\u003e4K DCI 29.97 fps, Standard LGOP\u003c\/span\u003e\u003c\/p\u003e\\n\u003c\/td\u003e\\n\u003ctd\u003e\\n\u003cp\u003e\u003cspan\u003eNo restrictions due to overheating\u003c\/span\u003e\u003c\/p\u003e\\n\u003c\/td\u003e\\n\u003ctd\u003e\\n\u003cp\u003e\u003cspan\u003eNo restrictions due to overheating\u003c\/span\u003e\u003c\/p\u003e\\n\u003c\/td\u003e\\n\u003c\/tr\u003e\\n\u003ctr\u003e\\n\u003ctd class=\\\"canon-table-head\\\" style=\\\"min-width: 250px;\\\"\u003e\\n\u003cp\u003e\u003cspan\u003e2K DCI 179.8 fps, Standard LGOP\u003c\/span\u003e\u003c\/p\u003e\\n\u003c\/td\u003e\\n\u003ctd\u003e\\n\u003cp\u003e\u003cspan\u003eApporx. 120mins\u003c\/span\u003e\u003c\/p\u003e\\n\u003c\/td\u003e\\n\u003ctd\u003e\\n\u003cp\u003e\u003cspan\u003eApporx. 120mins\u003c\/span\u003e\u003c\/p\u003e\\n\u003c\/td\u003e\\n\u003c\/tr\u003e\\n\u003ctr\u003e\\n\u003ctd class=\\\"canon-table-head\\\" style=\\\"min-width: 250px;\\\"\u003e\\n\u003cp\u003e\u003cspan\u003eOpen Gate (MP4) 29.97 fps, Standard LGOP\u003c\/span\u003e\u003c\/p\u003e\\n\u003c\/td\u003e\\n\u003ctd\u003e\\n\u003cp\u003e\u003cspan\u003eApporx. 24mins\u003c\/span\u003e\u003c\/p\u003e\\n\u003c\/td\u003e\\n\u003ctd\u003e\\n\u003cp\u003e\u003cspan\u003eApporx. 36mins\u003c\/span\u003e\u003c\/p\u003e\\n\u003c\/td\u003e\\n\u003c\/tr\u003e\\n\u003c\/tbody\u003e\\n\u003c\/table\u003e\\n\u003cp\u003e \u003c\/p\u003e\u003chr\/\u003e\u003ch2\u003e\u003cspan\u003e\u003cstrong\u003eFeatures Improving Efficiency\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h2\u003e\u003ch2\u003e\u003cspan\u003e\u003cstrong\u003eNew Tally Lamp\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h2\u003e\u003cp\u003e\u003cspan\u003eEOS R6 Mark III newly includes a tally lamp that allows operators to check recording status and lets performers, crew members, and other people nearby see when movie recording has started or stopped. The lamp lights during movie recording, letting users check the camera status even during remote control.\u003cbr\/\u003eMoreover, \u003cstrong\u003eRecording emphasis\u003c\/strong\u003e function supports display a red frame around the screen during movie recording, letting operators know recording status visually and reducing recording mistakes.\u003cbr\/\u003e\u003c\/span\u003e\u003c\/p\u003e\u003cimg src=\\\"https:\/\/canonhk.myshopify.com\/cdn\/shop\/files\/DILC_EOS_R6_III_R6_III_04_TallyLamp.jpg\\\"\/\u003e\u003ch2\u003e\u003cspan\u003e\u003cstrong\u003eMovie Digital IS\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h2\u003e\u003cp\u003e\u003cspan\u003eThe EOS R6 Mark III provides greater blur reduction through coordinated control\u003csup\u003e28\u003c\/sup\u003e when used with an RF lens with an in-lens image stabilization mechanism. And coordinated control with Movie digital IS\u003csup\u003e29\u003c\/sup\u003e provides even greater reduction for major camera shake blur. \u003cbr\/\u003eMoreover,  the camera’s built-in five-axis image stabilization lets users shoot movies with less camera-shake blur even when using a lens without an optical IS system.\u003cbr\/\u003eThis enables shooting with powerful shake correction without a gimbal or other special equipment, even in situations with significant camera shake, such as shooting while walking.\u003cbr\/\u003e\u003c\/span\u003e\u003c\/p\u003e\u003cimg src=\\\"https:\/\/canonhk.myshopify.com\/cdn\/shop\/files\/DILC_EOS_R6_III_R6_III_04_Movie_IS_En.jpg\\\"\/\u003e\u003ch2\u003e\u003cspan\u003e\u003cstrong\u003eSubject Tracking IS\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h2\u003e\u003cp\u003e\u003cspan\u003eFeatures \u003cstrong\u003eSubject tracking IS\u003c\/strong\u003e\u003csup\u003e30\u003c\/sup\u003e for the first time in EOS camera to help stabilizing subject position to keep main subject in frame. The subject can be kept in the center of the frame or at a designated position while walking and shooting, making it easy to track the subject even during outdoor sports activities.\u003c\/span\u003e\u003c\/p\u003e\u003cimg src=\\\"https:\/\/canonhk.myshopify.com\/cdn\/shop\/files\/DILC_EOS_R6_III_R6_III_04_Subject_tracking_EN.jpg\\\"\/\u003e\u003ch2\u003e\u003cspan\u003e\u003cstrong\u003eNew Waveform Monitor (WFM)\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h2\u003e\u003cp\u003e\u003cspan\u003eIn addition to False Color and Zebra display, EOS R6 Mark III also includes \u003cstrong\u003eWaveform Monitor \u003c\/strong\u003ecommon to professional production. Waveform monitor shows input signal brightness levels in real time (Line \/ RGB). This lets users shoot while constantly checking the brightness levels of the entire image. The waveform monitor can now be turned on or off using the \u003cstrong\u003e\u003cinfo\u003e\u003c\/info\u003e\u003c\/strong\u003e button. \u003c\/span\u003e\u003c\/p\u003e\u003cimg src=\\\"https:\/\/canonhk.myshopify.com\/cdn\/shop\/files\/DILC_EOS_R6_III_R6_III_04_WFM.jpg\\\"\/\u003e\u003ch2\u003e\u003cspan\u003e\u003cstrong\u003eMagnified Recording Display\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h2\u003e\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eMagnified recording display\u003c\/strong\u003e is added to EOS R6 Mark III for the first time. Magnification display of 2x\/5x\/10x is supported\u003csup\u003e32\u003c\/sup\u003e during movie recording, allowing users to accurately check focus status. Viewfinder\/monitor display is also supported, and magnification rates and positions can be changed.\u003c\/span\u003e\u003c\/p\u003e\u003cdiv\u003e\u003cdiv\u003e\u003cdiv\u003e\u003ciframe allowfullscreen=\\\"\\\" frameborder=\\\"0\\\" src=\\\"https:\/\/www.youtube.com\/embed\/IalX98Xnua8?autoplay=0\\\"\u003e\u003c\/iframe\u003e\u003c\/div\u003e\u003c\/div\u003e\u003c\/div\u003e\u003ch2\u003e\u003cspan\u003e\u003cstrong\u003eElectronic Level Display During Movie Shooting\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h2\u003e\u003cp\u003e\u003cspan\u003eElectronic level can now be displayed even during movie recording in EOS R6 Mark III. Users can also select the size of the electronic level displayed on the LCD monitor.\u003c\/span\u003e\u003c\/p\u003e\u003cimg src=\\\"https:\/\/canonhk.myshopify.com\/cdn\/shop\/files\/DILC_EOS_R6_III_R6_III_04_Electronic_Level_Small_83287edf-90b4-4854-80c3-c34362f7b5c2.jpg\\\"\/\u003e\u003ch2\u003e\u003cspan\u003e\u003cstrong\u003eDisplay of 2 Aspect Markers\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h2\u003e\u003cp\u003e\u003cspan\u003eThe Aspect Marker allows users to display marker that matches the aspect ratio of playback during shooting. EOS R6 Mark III can now display 2 Aspect Markers simultaneously, for example, both 16:9 and 9:16 Aspect Markers can be displayed when recording Open Gate (3:2) video to make composition easier.\u003c\/span\u003e\u003c\/p\u003e\u003cimg src=\\\"https:\/\/canonhk.myshopify.com\/cdn\/shop\/files\/DILC_EOS_R6_III_R6_III_04_Aspect_Marker.jpg\\\"\/\u003e\u003ch2\u003e\u003cspan\u003e\u003cstrong\u003eNaturally Switches White Balance\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h2\u003e\u003cp\u003e\u003cspan\u003eFeatures that assist in natural white balance settings when shooting movies have been expanded. For both auto and manual settings, white balance settings can be effortlessly changed when switching scenes. This enables video production that suits the intentions for the work and the creator‘s preferences.\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eExpanded auto white balance features\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\"\n        },\n        {\n          \"type\": \"grid\",\n          \"cols\": 4,\n          \"items\": [\n            \"\u003cimg src=\\\"https:\/\/canonhk.myshopify.com\/cdn\/shop\/files\/DILC_EOS_R6_III_R6_III_04_AWB_response_EN.jpg\\\"\/\u003e\",\n            \"\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eAWB response\u003csup\u003e32\u003c\/sup\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan\u003eWhen using AWB, speed of response to white balance can be adjusted to three levels. \u003cbr\/\u003eIt can be set according to the scene to switch gradually or quickly.\u003c\/span\u003e\u003c\/p\u003e\",\n            \"\u003cimg src=\\\"https:\/\/canonhk.myshopify.com\/cdn\/shop\/files\/DILC_EOS_R6_III_R6_III_04_AWB_Lock_EN.jpg\\\"\/\u003e\",\n            \"\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eAWB Lock\u003csup\u003e32\u003c\/sup\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan\u003eThis feature temporarily fixes white balance when AWB is set. When the user does not wish to change white balance, the customized button can be pressed to continue shooting without changing color tone.\u003c\/span\u003e\u003c\/p\u003e\"\n          ]\n        },\n        {\n          \"type\": \"flow\",\n          \"content\": \"\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eExpanded manual white balance features\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\"\n        },\n        {\n          \"type\": \"grid\",\n          \"cols\": 4,\n          \"items\": [\n            \"\u003cimg src=\\\"https:\/\/canonhk.myshopify.com\/cdn\/shop\/files\/DILC_EOS_R6_III_R6_III_04_Shockless_WB_EN.jpg\\\"\/\u003e\",\n            \"\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eShockless WB\u003csup\u003e32\u003c\/sup\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan\u003eWhen manually changing white balance settings (color temperature or pre-settings) while in standby when shooting movies, this feature smooths the transition between adjustments, letting users record natural images even with changes in scenes or light sources.\u003c\/span\u003e\u003c\/p\u003e\",\n            \"\u003cimg src=\\\"https:\/\/canonhk.myshopify.com\/cdn\/shop\/files\/DILC_EOS_R6_III_R6_III_04_Switch_Color_Temp_EN.jpg\\\"\/\u003e\",\n            \"\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eSwitch color temperature\u003csup\u003e33\u003c\/sup\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan\u003eUp to four manual settings for color temperature (Kelvin value) can be stored. Users can also quickly call up color temperature settings registered to preferred buttons with button customization. Also available during still photo shooting.\u003c\/span\u003e\u003c\/p\u003e\"\n          ]\n        }\n      ]\n    },\n    {\n      \"type\": \"tab\",\n      \"title\": \"Operability\\n\u0026 Reliability\",\n      \"banner_src\": \"https:\/\/canonhk.myshopify.com\/cdn\/shop\/files\/DILC_EOS_R6_III_R6_III_05_Banner.jpg\",\n      \"blocks\": [\n        {\n          \"type\": \"grid\",\n          \"cols\": 4,\n          \"items\": [\n            \"\u003cimg src=\\\"https:\/\/canonhk.myshopify.com\/cdn\/shop\/files\/DILC_EOS_R6_III_R6_III_05_EVF.jpg\\\"\/\u003e\",\n            \"\u003cp\u003e\u003cstrong\u003e\u003cspan\u003e0.5-inch 3.69M-dot OLED EVF \u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan\u003eEOS R6 Mark III features a high precision 0.5-inch 3.69M-dot 0.76x OLED electronic viewfinder with up to 120FPS display frame rate.\u003cbr\/\u003e\u003cbr\/\u003eOVF simulation view assist is provided to reproduce the view of an SLR optical viewfinder by displaying more natural highlights and dark gradations with HDR technology.\u003cbr\/\u003e\u003cbr\/\u003e\u003c\/span\u003e\u003cspan\u003eEOS R6 Mark III is also equipped with a high definition 3.0-inch 1.62M-dot side-opening Vari-angle Clear View II LCD Touch Monitor.\u003c\/span\u003e\u003c\/p\u003e\",\n            \"\u003cimg src=\\\"https:\/\/canonhk.myshopify.com\/cdn\/shop\/files\/DILC_EOS_R6_III_R6_III_05_Top.jpg\\\"\/\u003e\",\n            \"\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eCamera Switches Design\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan\u003ePower switch is on the right side for swift operation immediately after holding the camera. Camera start up time is an Ultra-fast 0.6 sec\u003csup\u003e34\u003c\/sup\u003e.\u003cbr\/\u003e\u003cbr\/\u003e\u003c\/span\u003e\u003cspan\u003ePhoto\/Movie mode switching lever on the left side lets user quickly switches between photo and movie modes without operating the mode dial.\u003c\/span\u003e\u003c\/p\u003e\",\n            \"\u003cimg src=\\\"https:\/\/canonhk.myshopify.com\/cdn\/shop\/files\/DILC_EOS_R6_III_R6_III_05_Movie_button.jpg\\\"\/\u003e\",\n            \"\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eEnlarged Movie Shooting Button\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan\u003eThe movie shooting button is made larger than the one on the EOS R6 Mark II for easier handheld movie shooting.\u003c\/span\u003e\u003c\/p\u003e\",\n            \"\u003cimg src=\\\"https:\/\/canonhk.myshopify.com\/cdn\/shop\/files\/DILC_EOS_R6_III_R6_III_05_M_Fn_button.jpg\\\"\/\u003e\",\n            \"\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eInstantly send images to a smartphone\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan\u003ePress the \u003cstrong\u003e\u003cm-fn\u003e\u003c\/m-fn\u003e\u003c\/strong\u003e button during image playback to directly display the [Send images to smartphone] screen. This is convenient for instantly sending favorite just-shot images to a smartphone for sharing on social media.\u003c\/span\u003e\u003c\/p\u003e\",\n            \"\u003cimg src=\\\"https:\/\/canonhk.myshopify.com\/cdn\/shop\/files\/DILC_EOS_R6_III_R6_III_05_Customize_Menu_EN.jpg\\\"\/\u003e\",\n            \"\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eNew Customized Control Menu\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan\u003eWith the same \u003cstrong\u003eCustomized Control\u003c\/strong\u003e menu as the EOS R1 and EOS R5 Mark II, dials and buttons can be customized for ease of use and flexibility.\u003c\/span\u003e\u003c\/p\u003e\",\n            \"\u003cimg src=\\\"https:\/\/canonhk.myshopify.com\/cdn\/shop\/files\/DILC_EOS_R6_III_R6_III_05_Customize_playback_EN.jpg\\\"\/\u003e\",\n            \"\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eCustomize buttons for playback\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan\u003e\u003cstrong\u003e[Customize buttons]\u003c\/strong\u003e has now been divided into \u003cstrong\u003e[Customize buttons for shooting]\u003c\/strong\u003e and [\u003cstrong\u003eCustomize buttons for playback]\u003c\/strong\u003e, this allows the user to assign different functions to the same buttons for shooting and playback.\u003c\/span\u003e\u003c\/p\u003e\",\n            \"\u003cimg src=\\\"https:\/\/canonhk.myshopify.com\/cdn\/shop\/files\/DILC_EOS_R6_III_R6_III_05_Dual_Card_Slot.jpg\\\"\/\u003e\",\n            \"\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eDual Card Slots\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan\u003eDual card slots supporting CFexpress 2.0 Type B card (VPG400) and SD \/ SDHC \/ SDXC (UHS-II) card with a variety of recording options for users to choose from based on their needs.\u003c\/span\u003e\u003c\/p\u003e\",\n            \"\u003cimg src=\\\"https:\/\/canonhk.myshopify.com\/cdn\/shop\/files\/DILC_EOS_R6_III_R6_III_05_Multi_shoe.jpg\\\"\/\u003e\",\n            \"\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eMulti-function Shoe\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan\u003eEOS R6 Mark III adopts the next generation multi-function shoe with communication capabilities and power supply\u003csup\u003e35\u003c\/sup\u003e functionality. Compatible with various accessories, such as Speedlite EL-5, Multi-function Shoe Directional Stereo Microphone DM-E1D and Speedlite Transmitter ST-E10.\u003c\/span\u003e\u003c\/p\u003e\",\n            \"\u003cimg src=\\\"https:\/\/canonhk.myshopify.com\/cdn\/shop\/files\/DILC_EOS_R6_III_R6_III_05_LP-E6P.jpg\\\"\/\u003e\",\n            \"\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eHigh Power Battery \u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan\u003eEOS R6 Mark III is powered by high-power Battery Pack LP-E6P\u003csup\u003e36\u003c\/sup\u003e. It features a higher maximum continuous discharge current of 6.0A, allowing for higher performance and functionality in EOS R6 Mark III.\u003cbr\/\u003eImproved power consumption design of EOS R6 Mark III bring battery life up to 620 shots.\u003cbr\/\u003e\u003cbr\/\u003eEOS R6 Mark III also supports battery charging and power supplying via USB-C terminal.\u003cbr\/\u003e\u003c\/span\u003e\u003c\/p\u003e\",\n            \"\u003cimg src=\\\"https:\/\/canonhk.myshopify.com\/cdn\/shop\/files\/DILC_EOS_R6_III_R6_III_05_DWR_EN.jpg\\\"\/\u003e\",\n            \"\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eReliable Body Design\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan\u003eEOS R6 Mark III’s high precision shutter unit comes with a 500,000-cycle durability\u003csup\u003e37\u003c\/sup\u003e.\u003cbr\/\u003e\u003cbr\/\u003eEOS R6 Mark III features a rigid and lightweight Magnesium Alloy chassis and back cover with dust and water resistant\u003csup\u003e38\u003c\/sup\u003e design. The body weights 609g only (699g with battery and memory card).\u003cbr\/\u003e\u003cbr\/\u003e\u003c\/span\u003e\u003c\/p\u003e\"\n          ]\n        },\n        {\n          \"type\": \"flow\",\n          \"content\": \"\u003chr\/\u003e\u003ch2\u003e\u003cspan\u003eEnvironmental Protection\u003c\/span\u003e\u003c\/h2\u003e\u003cp\u003e\u003cspan\u003eCanon is working to reduce the amount of plastic materials used in product packaging.\u003c\/span\u003e\u003c\/p\u003e\\n\u003cp\u003e\u003cspan\u003eIn EOS R6 Mark III, the product and other items are wrapped in bags that use plant-derived non-woven fabrics and paper materials. This reduces the amount of plastic used in packaging, thereby reducing our impact on the environment.\u003c\/span\u003e\u003c\/p\u003e\u003c\/div\u003e\"\n        }\n      ]\n    },\n    {\n      \"type\": \"tab\",\n      \"title\": \"Network \u0026 Connectivity\",\n      \"banner_src\": \"https:\/\/canonhk.myshopify.com\/cdn\/shop\/files\/DILC_EOS_R6_III_R6_III_06_Banner.jpg\",\n      \"blocks\": [\n        {\n          \"type\": \"flow\",\n          \"content\": \"\u003cdiv\u003e\u003cdiv\u003e\u003cdiv\u003e\u003c\/div\u003e\u003c\/div\u003e\u003ch2\u003e\u003cstrong\u003e\u003cspan\u003eTo meet the need for Professional Workflow\u003c\/span\u003e\u003c\/strong\u003e\u003c\/h2\u003e\"\n        },\n        {\n          \"type\": \"grid\",\n          \"cols\": 2,\n          \"items\": [\n            \"\u003cimg src=\\\"https:\/\/canonhk.myshopify.com\/cdn\/shop\/files\/DILC_EOS_R6_III_R6_III_06_Network_Function_EN.jpg\\\"\/\u003e\",\n            \"\u003cul\u003e\\n\u003cli\u003e\u003cspan\u003eSupports high speed and stable 5GHz Wi-Fi (IEEE802.11ac) wireless network. \u003c\/span\u003e\u003c\/li\u003e\\n\u003cli\u003e\u003cspan\u003eBuilt-in Bluetooth® low energy technology for easy Smartphone connection, GPS information acquisition, remote control from smartphone and continuous shooting with Wireless Remote Controller BR-E1. \u003c\/span\u003e\u003c\/li\u003e\\n\u003cli\u003e\u003cspan\u003eBuilt-in USB-C (USB 3.2 Gen 2) digital terminal for 10Gbps high-speed transmission. \u003c\/span\u003e\u003c\/li\u003e\\n\u003cli\u003e\u003cspan\u003eWired connection to Camera Connect App with full function is support for iPhone\u003csup\u003e39\u003c\/sup\u003e and Android\u003csup\u003eTM\u003c\/sup\u003e smartphone. \u003c\/span\u003e\u003c\/li\u003e\\n\u003cli\u003e\u003cspan\u003eHigh-speed transfer of movie and still photo files using FTP Transfer or using Content Transfer Professional\u003csup\u003e40\u003c\/sup\u003e via a 5G \/ LTE device.\u003c\/span\u003e\u003c\/li\u003e\\n\u003c\/ul\u003e\"\n          ]\n        },\n        {\n          \"type\": \"flow\",\n          \"content\": \"\u003chr\/\u003e\u003ch2\u003e\u003cstrong\u003e\u003cspan\u003eUSB (UVC\/UAC) Streaming\u003c\/span\u003e\u003c\/strong\u003e\u003c\/h2\u003e\u003cp\u003e\u003cspan\u003eWith UVC\/UAC support on EOS R6 Mark III’s USB 3.2 Gen 2 Terminal (10Gbps), the camera is recognized as a high-quality webcam, offering stable, sharp video with minimal setup. \u003cbr\/\u003eWhen connected to a computer via USB (UVC\/UAC), live streaming is available in 4K 30p, 4K 60p, FHD 60p, or FHD 30p\u003csup\u003e41\u003c\/sup\u003e, Smooth skin video is also supported.\u003cbr\/\u003e\u003cbr\/\u003eThis setup is ideal for creators, educators, and professionals who want clean, up to 4K streams without the clutter. Plus, with USB power delivery\u003csup\u003e42\u003c\/sup\u003e, the camera can keep running for hours, making it perfect for long sessions or all-day events.\u003c\/span\u003e\u003c\/p\u003e\u003cimg src=\\\"https:\/\/canonhk.myshopify.com\/cdn\/shop\/files\/DILC_EOS_R6_III_R6_III_06_Streaming_EN.jpg\\\"\/\u003e\u003chr\/\u003e\u003ch2\u003e\u003cstrong\u003e\u003cspan\u003eHDMI Streaming\u003c\/span\u003e\u003c\/strong\u003e\u003c\/h2\u003e\u003cp\u003e\u003cspan\u003eConnect the EOS R6 Mark III to an HDMI switcher for a studio-ready livestream setup with pro-level control. Switch between cameras, screens, and visuals in real time, perfect for game streams, talk shows, or hybrid productions. The clean HDMI output ensures crisp, lag-free footage for a premium viewer. \u003cbr\/\u003e\u003cbr\/\u003eThis setup gives users the flexibility to scale their livestream to match their vision, from single-camera simplicity to full multi-cam control. With the EOS R6 Mark III’s professional Input\/Output, it fits easily into both simple and advanced switcher workflows.\u003c\/span\u003e\u003c\/p\u003e\u003cimg src=\\\"https:\/\/canonhk.myshopify.com\/cdn\/shop\/files\/DILC_EOS_R6_III_R6_III_06_HDMI_Streaming_EN.jpg\\\"\/\u003e\u003c\/div\u003e\"\n        }\n      ]\n    },\n    {\n      \"type\": \"tab\",\n      \"title\": \"Product Videos\",\n      \"banner_src\": \"\",\n      \"blocks\": [\n        {\n          \"type\": \"flow\",\n          \"content\": \"\u003cdiv\u003e\u003ch2\u003e\u003cstrong\u003e\u003cspan\u003eEOS R6 Mark III Product Features\u003c\/span\u003e\u003c\/strong\u003e\u003c\/h2\u003e\u003cdiv\u003e\u003cdiv\u003e\u003cdiv\u003e\u003ciframe allowfullscreen=\\\"\\\" frameborder=\\\"0\\\" src=\\\"https:\/\/www.youtube.com\/embed\/WiSOOD2VRyg?autoplay=0\\\"\u003e\u003c\/iframe\u003e\u003c\/div\u003e\u003c\/div\u003e\u003c\/div\u003e\u003ch2\u003e\u003cstrong\u003e\u003cspan\u003eDiscover the Power.Unleash Your Passion\u003c\/span\u003e\u003c\/strong\u003e\u003c\/h2\u003e\u003cdiv\u003e\u003cdiv\u003e\u003cdiv\u003e\u003ciframe allowfullscreen=\\\"\\\" frameborder=\\\"0\\\" src=\\\"https:\/\/www.youtube.com\/embed\/4Sen26UkHos?autoplay=0\\\"\u003e\u003c\/iframe\u003e\u003c\/div\u003e\u003c\/div\u003e\u003c\/div\u003e\u003c\/div\u003e\"\n        }\n      ]\n    }\n  ],\n  \"footnotes\": \"\u003cdiv\u003e\u003chr\/\u003e\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eCompatibility Information：\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\\n\u003cul\u003e\\n\u003cli\u003e\u003cspan\u003e\u003ca href=\\\"https:\/\/hk.canon\/en\/consumer\/web\/ef-lenses-supporting-max-continuous-shooting-speed\\\" rel=\\\"noopener\\\" tabindex=\\\"0\\\" target=\\\"_blank\\\"\u003eEF lenses compatible to Max. Continuous shooting Speed\u003c\/a\u003e\u003cbr\/\u003e\u003c\/span\u003e\u003c\/li\u003e\\n\u003cli\u003e\u003cspan\u003e\u003ca href=\\\"https:\/\/hk.canon\/en\/consumer\/web\/eos-r-series-dual-pixel-cmos-af-lens-and-af-area\\\" rel=\\\"noopener\\\" tabindex=\\\"0\\\" target=\\\"_blank\\\"\u003eEOS R6 Mark III Dual Pixel CMOS AF Area and Lens Compatibility Table\u003c\/a\u003e\u003cbr\/\u003e\u003c\/span\u003e\u003c\/li\u003e\\n\u003cli\u003e\u003cspan\u003e\u003ca href=\\\"https:\/\/hk.canon\/en\/consumer\/web\/eos-r-focus-breathing-correction-compatible-lens-list\\\" rel=\\\"noopener\\\" tabindex=\\\"0\\\" target=\\\"_blank\\\"\u003eList of Lenses Compatible with [Focus Breathing]\u003c\/a\u003e\u003cbr\/\u003e\u003c\/span\u003e\u003c\/li\u003e\\n\u003cli\u003e\u003cspan\u003e\u003ca href=\\\"https:\/\/hk.canon\/en\/consumer\/web\/eos-r-focus-bracketing-compatible-lens-list\\\" rel=\\\"noopener\\\" tabindex=\\\"0\\\" target=\\\"_blank\\\"\u003eList of Lenses Compatible with EOS R-Series [Focus Bracketing]\u003c\/a\u003e\u003cbr\/\u003e\u003c\/span\u003e\u003c\/li\u003e\\n\u003cli\u003e\u003cspan\u003e\u003ca href=\\\"https:\/\/hk.canon\/en\/consumer\/web\/lenses-compatible-with-eos-r-electronic-ft-mf\\\" rel=\\\"noopener\\\" tabindex=\\\"0\\\" target=\\\"_blank\\\"\u003eList of Lenses Compatible with [Electronic full-time MF]\u003c\/a\u003e\u003cbr\/\u003e\u003c\/span\u003e\u003c\/li\u003e\\n\u003cli\u003e\u003cspan\u003e\u003ca href=\\\"https:\/\/hk.canon\/en\/consumer\/web\/panning-mode-lens-compatibility-table\\\" rel=\\\"noopener\\\" tabindex=\\\"0\\\" target=\\\"_blank\\\"\u003eList of Lenses Compatible with Panning Mode\u003c\/a\u003e\u003cbr\/\u003e\u003c\/span\u003e\u003c\/li\u003e\\n\u003cli\u003e\u003cspan\u003e\u003ca href=\\\"https:\/\/hk.canon\/en\/consumer\/web\/eos-r5-r6-series-power-compatibility\\\" rel=\\\"noopener\\\" tabindex=\\\"0\\\" target=\\\"_blank\\\"\u003ePower Source \/ Battery Grip Compatibility of Functionality\u003c\/a\u003e\u003c\/span\u003e\u003c\/li\u003e\\n\u003c\/ul\u003e\u003chr\/\u003e\u003cdiv\u003e\u003cdiv\u003e\u003cdiv\u003e\u003cp\u003e\u003cspan\u003e\u003csup\u003e1\u003c\/sup\u003e Continuous shooting speed may be slower depending on subject\/shooting conditions or the camera setup or the lens used, etc. Refer to \u003ca href=\\\"https:\/\/cam.start.canon\/en\/C022\/\\\" rel=\\\"noopener\\\" tabindex=\\\"0\\\" target=\\\"_blank\\\"\u003eAdvanced User Guide\u003c\/a\u003e for details. Continuous shooting speed is slower when flicker is detected, even if anti-flicker shooting is off. For information on lenses that support the maximum continuous shooting speed, please refer to \u003ca href=\\\"https:\/\/hk.canon\/en\/consumer\/web\/ef-lenses-supporting-max-continuous-shooting-speed\\\" rel=\\\"noopener\\\" tabindex=\\\"0\\\" target=\\\"_blank\\\"\u003eCanon Website\u003c\/a\u003e.\u003cbr\/\u003e\u003csup\u003e2\u003c\/sup\u003e Depending on the nature of subject or shooting conditions, rolling shutter image distortion may occur.\u003cbr\/\u003e\u003csup\u003e3\u003c\/sup\u003e Only available when Electronic shutter and High-speed Continuous Shooting+ is set. Not available when the shutter speed is slower than 1\/30 sec. Other restrictions apply.\u003cbr\/\u003e\u003csup\u003e4\u003c\/sup\u003e Due to factors such as face brightness, size, facial expression, movement, and blockage of part of the face, the detection accuracy may decrease.\u003cbr\/\u003e\u003csup\u003e5\u003c\/sup\u003e When shooting 4K DCI\/UHD Fine 30p\/25p and set to ISO 800.\u003cbr\/\u003e\u003csup\u003e6\u003c\/sup\u003e Continuous shooting speed may be slower depending on subject\/shooting conditions or the battery type\/condition or use of battery grip or the camera setup or the lens used, etc. Refer to \u003ca href=\\\"https:\/\/cam.start.canon\/en\/C022\/\\\" rel=\\\"noopener\\\" tabindex=\\\"0\\\" target=\\\"_blank\\\"\u003eAdvanced User Guide\u003c\/a\u003e for details. For information on lenses that support the maximum continuous shooting speed with servo AF, please refer to \u003ca href=\\\"https:\/\/hk.canon\/en\/consumer\/web\/ef-lenses-supporting-max-continuous-shooting-speed\\\" rel=\\\"noopener\\\" tabindex=\\\"0\\\" target=\\\"_blank\\\"\u003eCanon Website\u003c\/a\u003e.\u003cbr\/\u003e\u003csup\u003e7\u003c\/sup\u003e Sounds other than the shutter (aperture, focus lens drive sound, and electronic sound, etc.) may be generated.\u003cbr\/\u003e\u003csup\u003e8\u003c\/sup\u003e Maximum burst as measured under conditions conforming to Canon testing standards (One-shot AF, High-speed continuous shooting+, ISO 100, Picture Style: Standard, 325GB CFexpress card, and room temperature: 23°C).\u003cbr\/\u003e\u003csup\u003e9\u003c\/sup\u003e Based on the CIPA 2024 standard. Yaw\/pitch\/roll correction performance when using electronic shutter and RF24-105mm F2.8L IS USM Z (focal length: 105mm).\u003cbr\/\u003e\u003csup\u003e10\u003c\/sup\u003e The lowest sensitivity is ISO 800. Shooting in RAW is not available. Mechanical shutter cannot be selected. When Electronic shutter is set, distortion in the subject may be noticeable due to rolling shutter distortion.\u003cbr\/\u003e\u003csup\u003e11\u003c\/sup\u003e Only when a lens compatible with the focusing area of 90% x 100% (horizontal x vertical) is attached to the camera while the Whole Area AF is active or the subject is detected by the setting other than Whole Area AF. Depending on the conditions of the scene or the subject, this setting may not respond as intended. For details on compatible lenses, please refer to \u003ca href=\\\"https:\/\/hk.canon\/en\/consumer\/web\/eos-r-series-dual-pixel-cmos-af-lens-and-af-area\\\" rel=\\\"noopener\\\" tabindex=\\\"0\\\" target=\\\"_blank\\\"\u003eCanon Website\u003c\/a\u003e.\u003cbr\/\u003e\u003csup\u003e12\u003c\/sup\u003e Effectiveness varies depending on the subject. In some cases, dogs, cats, horses or birds may not be detected, while some animals other than dogs, cats, horses or birds may be detected.\u003cbr\/\u003e\u003csup\u003e13\u003c\/sup\u003e The vehicle detection may not function for some subjects. Or, subjects, which are not automobile, motorcycle, train, airplane or helicopter, may be detected as vehicles. Spot detection may not work properly depending on the subject. The camera may also operate spot-detecting areas that are neither a driver nor rider helmet, as well as neither a train driver cab nor an aircraft cockpit.\u003cbr\/\u003e\u003csup\u003e14\u003c\/sup\u003e Compatible lenses: RF lenses with Electronic full-time MF, RF lenses compatible with electronic manual focusing (only when Movie servo AF is paused; excluding RF5.2mm F2.8 L DUAL FISHEYE).\u003cbr\/\u003e\u003csup\u003e15\u003c\/sup\u003e Subject selection and tracking of selected subject may not be possible if the subject has no difference in depth, is not in focus on the screen, or is moving.\u003cbr\/\u003e\u003csup\u003e16 \u003c\/sup\u003eNot available in still image shooting.\u003cbr\/\u003e\u003csup\u003e17\u003c\/sup\u003e Not available in Basic Zone. Photo: Cannot be used with RAW \/ C-RAW or, HDR shooting (PQ). Movie: Cannot be used with RAW movie, HDMI RAW output, HDR shooting (PQ) or Time-lapse movies.\u003cbr\/\u003e\u003csup\u003e18\u003c\/sup\u003e Supports RAW movie and XF-HEVC S recording only. There is slight cropping when recording in MP4.\u003cbr\/\u003e\u003csup\u003e19\u003c\/sup\u003e There are differences in image quality between 4K Fine 60p and 4K Fine 30p MP4.\u003cbr\/\u003e\u003csup\u003e20\u003c\/sup\u003e Audio is recorded and movie is played back at actual speed except when shooting with “Slow \u0026amp; Fast Motion Movies Mode”.\u003cbr\/\u003e\u003csup\u003e21\u003c\/sup\u003e When 180p\/150p is selected, there is cropping at about 1.13x compared to 120p or less.\u003cbr\/\u003e\u003csup\u003e22\u003c\/sup\u003e Sound is not recorded.\u003cbr\/\u003e\u003csup\u003e23\u003c\/sup\u003e Not available when recording movies at 100p or higher.\u003cbr\/\u003e\u003csup\u003e24\u003c\/sup\u003e Not available with LPCM\/24bit\/4CH audio format. Operation noise of the in-lens image stabilization mechanism is not reduced.\u003cbr\/\u003e\u003csup\u003e25\u003c\/sup\u003e When recording 7K Open Gate RAW video, the proxy video resolution is 1920 × 1280.\u003cbr\/\u003e\u003csup\u003e26\u003c\/sup\u003e Cannot be used with RAW Movies, Open Gate Movies, movies at 100p or higher, S\u0026amp;F movies, time-lapse movies or HDMI RAW output.\u003cbr\/\u003e\u003csup\u003e27\u003c\/sup\u003e According to Canon testing conditions when using CFexpress cards and SD memory cards conforming to Canon testing standards. When using a screen, no communication, without power over USB, and under 23°C environment. When the ambient temperature is higher than \u0026lt;23°C \/ 73°F, the available time for continuous shooting will be shorter.\u003cbr\/\u003e\u003csup\u003e28 \u003c\/sup\u003e Coordinated control is enabled when using an RF lens with image stabilization.\u003cbr\/\u003e\u003csup\u003e29\u003c\/sup\u003e When Movie Digital IS is set to [On], the shooting area becomes narrower. When shooting using Open Gate, it cannot be used together with Movie digital IS. \u003cbr\/\u003e\u003csup\u003e30\u003c\/sup\u003e When Subject tracking IS is set, Movie digital IS, Movie auto level, Open Gate, and Digital Zoom are disabled. Cannot be used with RAW movies, movies at 100p or higher, S\u0026amp;F movies, time-lapse movies, live streaming, or HDMI RAW output. Image will be narrower than normal angle of view. Does not function in manual focus mode. Not available in Basic Zone (except Movie IS mode).\u003cbr\/\u003e\u003csup\u003e31\u003c\/sup\u003e Cannot be used with 4K DCI\/UHD movies at 100p or higher, time-lapse movies, digital zoom, live streaming or shooting with RF5.2mm F2.8 L DUAL FISHEYE. 5x and 10x magnification is not available when Open Gate MP4 is set.\u003cbr\/\u003e\u003csup\u003e32\u003c\/sup\u003e Cannot be set in still image shooting and Basic Zone. \u003cbr\/\u003e\u003csup\u003e33\u003c\/sup\u003e Cannot be set in Basic Zone.\u003cbr\/\u003e\u003csup\u003e34\u003c\/sup\u003e Based on CIPA testing standards. When Password Request is set to [Off].\u003cbr\/\u003e\u003csup\u003e35\u003c\/sup\u003e Some accessories are not supported.\u003cbr\/\u003e\u003csup\u003e36\u003c\/sup\u003e Battery Pack LP-E6 cannot be used. When using the LP-E6NH\/LP-E6N, the Wi-Fi functions and some accessories cannot be used. Continuous shooting speed may be reduced. \u003cbr\/\u003e\u003csup\u003e37\u003c\/sup\u003e Based on Canon testing standards. Shutter durability may vary depending on usage and environmental conditions.\u003cbr\/\u003e\u003csup\u003e38\u003c\/sup\u003e In order to maximize dust- and water-resistant performance, make sure that all camera openings (including battery compartment, card slot cover, and terminal cover) are tightly closed and Multi-Function Shoe cover is attached. Although it is designed to be dust- and water-resistant, Canon cannot guarantee that dust and water will not penetrate the camera.\u003cbr\/\u003e\u003csup\u003e39\u003c\/sup\u003e Requires a third-party MFi-compatible cable for wired connection to iPhone with Lightning connector.\u003cbr\/\u003e\u003csup\u003e40\u003c\/sup\u003e Subscription service.\u003cbr\/\u003e\u003csup\u003e41\u003c\/sup\u003e When set to P \/ M \/ Smooth Skin movie modes. 4K 60p cannot be selected when Smooth skin movie mode is set. Fixed at FHD 30p when connected via USB2.0. \u003cbr\/\u003e\u003csup\u003e42\u003c\/sup\u003e Requires USB Power Delivery support and 5V\/1.5A or greater supply capacity. 4K 30p \/ 4K Crop 60p is not possible when power supplying.\u003c\/span\u003e\u003c\/p\u003e\u003c\/div\u003e\u003c\/div\u003e\u003c\/div\u003e\u003c\/div\u003e\"\n}\n\u003c\/script\u003e","brand":"Canon","offers":[{"title":"EOS R6 Mark III Body","offer_id":53603581460846,"sku":"7084C007AA01","price":19280.0,"currency_code":"HKD","in_stock":true},{"title":"EOS R6 Mark III with RF24-105mm F4-7.1 IS STM Kit Set","offer_id":53603581493614,"sku":"7084C023AA01","price":21680.0,"currency_code":"HKD","in_stock":true},{"title":"EOS R6 Mark III with RF24-105mm F4 L IS USM Kit Set","offer_id":53603581526382,"sku":"7084C015AA01","price":27480.0,"currency_code":"HKD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0983\/9771\/6846\/files\/01_eos_r6_mark_iii_front_body_1200.jpg?v=1775634106","url":"https:\/\/store.hk.canon\/en\/products\/eos-r6-mark-iii","provider":"Canon Online Store 網上商店","version":"1.0","type":"link"}