{"product_id":"eos-r6-v","title":"EOS R6 V","description":"\u003cscript type=\"application\/json\" id=\"canon-product-data\"\u003e\n{\n  \"version\": \"1.0\",\n  \"sections\": [\n    {\n      \"type\": \"tab\",\n      \"title\": \"Introduction\",\n      \"banner_src\": \"https:\/\/canonhk.myshopify.com\/cdn\/shop\/files\/product_ml_eos-r6-v_01_banner.jpg\",\n      \"blocks\": [\n        {\n          \"type\": \"flow\",\n          \"content\": \"\u003ch2\u003e\u003cspan\u003e\u003cstrong\u003eEOS R6 V\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h2\u003e\u003cp\u003e\u003cspan\u003eThe EOS R6 V, the first Full Frame camera in EOS V series, is a video-centric interchangeable lens camera designed for social media content creators looking to expand their visual expression. It features a high-speed, high-resolution 32.5‑megapixel Canon full-frame CMOS sensor and supports up to 7K Open Gate RAW \/ MP4 video recording. This allows creators greater flexibility when reframing horizontal footage into vertical formats, enabling more precise composition without the need for reshooting, and delivering enhanced creative freedom.\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan\u003eThe EOS R6 V adopts a flat and linear body design purpose-built for video production while minimising protrusions. The camera is equipped with 5-axis In-Body Image Stabilization (IBIS) and a built-in cooling fan, making it well-suited for long-duration interviews, live streaming, and long form recording. To support the workflows of the new generation of content creators, the EOS R6 V offers Canon Log 2 \/ 3, Custom Picture profiles, custom LUT support, Waveform Monitor display, 4-channel audio recording, and a standard HDMI Type A terminal.\u003c\/span\u003e\u003c\/p\u003e\u003cdiv\u003e\u003cdiv\u003e\u003cdiv\u003e\u003ciframe allowfullscreen=\\\"\\\" frameborder=\\\"0\\\" src=\\\"https:\/\/www.youtube.com\/embed\/5YQUQ9AEfVM?autoplay=0\\\"\u003e\u003c\/iframe\u003e\u003c\/div\u003e\u003c\/div\u003e\u003c\/div\u003e\"\n        }\n      ]\n    },\n    {\n      \"type\": \"tab\",\n      \"title\": \"Body Design\",\n      \"banner_src\": \"https:\/\/canonhk.myshopify.com\/cdn\/shop\/files\/product_ml_eos-r6-v_02_banner.jpg\",\n      \"blocks\": [\n        {\n          \"type\": \"flow\",\n          \"content\": \"\u003ch2\u003e\u003cspan\u003e\u003cstrong\u003eA body thoroughly designed with video-centric creators in mind\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h2\u003e\"\n        },\n        {\n          \"type\": \"flow\",\n          \"content\": \"\u003ch2\u003e\u003cspan\u003e\u003cstrong\u003eFlat and linear body design\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h2\u003e\u003cp\u003e\u003cspan\u003eEOS R6 V features a flat and linear design with minimal protrusions, making attachment of rigs, gimbals, and other accessories easier and enabling versatile customization to fit shooting styles. Its profile has also been reduced to ensure less interference for adjusting the pitch angle when mounted on a gimbal. And its grip is large and easy to hold, providing comfort even when shooting handheld.\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cimg src=\\\"https:\/\/canonhk.myshopify.com\/cdn\/shop\/files\/product_ml_eos-r6-v_02_body_design.jpg\\\"\/\u003e\u003c\/p\u003e\"\n        },\n        {\n          \"type\": \"flow\",\n          \"content\": \"\u003chr\u003e\u003ch2\u003e\u003cspan\u003e\u003cstrong\u003eTripod socket for vertical shooting\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h2\u003e\u003cp\u003e\u003cspan\u003eEOS R6 V is equipped with a standard tripod socket for vertical shooting, making it ideal for shooting short movies for smartphone viewing or vertical digital signage. And when shooting vertically using a gimbal, it enables simple vertical setup without having to prepare a separate rig for mounting. \u003cbr\/\u003e\u003c\/span\u003e\u003c\/p\u003e\u003cimg src=\\\"https:\/\/canonhk.myshopify.com\/cdn\/shop\/files\/product_ml_eos-r6-v_02_verticle_tripod_socket.jpg\\\"\/\u003e\u003cp\u003e\u003cspan\u003eIn addition, the UI automatically switches to horizontal display when shooting in vertical orientation for easier viewing and operation.\u003c\/span\u003e\u003c\/p\u003e\u003cdiv\u003e\u003cdiv\u003e\u003cdiv\u003e\u003ciframe allowfullscreen=\\\"\\\" frameborder=\\\"0\\\" src=\\\"https:\/\/www.youtube.com\/embed\/NNeMqpNC6jg?autoplay=0\\\"\u003e\u003c\/iframe\u003e\u003c\/div\u003e\u003c\/div\u003e\u003c\/div\u003e\"\n        },\n        {\n          \"type\": \"flow\",\n          \"content\": \"\u003chr\u003e\u003ch2\u003e\u003cspan\u003e\u003cstrong\u003eZoom lever\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h2\u003e\u003cp\u003e\u003cspan\u003eEOS R6 V is equipped with a power zoom lever that enables zoom operations while maintaining a firm grip on the camera. Smooth power zooming is possible when used in combination with compatible lenses \u003csup\u003e1\u003c\/sup\u003e such as the RF20-50mm F4 L IS USM PZ, or during digital zoom. The zoom speed can be selected from two levels, [Fast] or [Slow], and within each, the speed level can be adjusted across 15 steps.\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan\u003eIn addition to power zoom, the zoom lever can be used to magnify or reduce images during playback or to switch between main tabs when displaying the menu.\u003c\/span\u003e\u003c\/p\u003e\u003cimg src=\\\"https:\/\/canonhk.myshopify.com\/cdn\/shop\/files\/product_ml_eos-r6-v_02_PZ_lever.jpg\\\"\/\u003e\u003cdiv\u003e\u003cdiv\u003e\u003cdiv\u003e\u003ciframe allowfullscreen=\\\"\\\" frameborder=\\\"0\\\" src=\\\"https:\/\/www.youtube.com\/embed\/gD2FWaGz6SQ?autoplay=0\\\"\u003e\u003c\/iframe\u003e\u003c\/div\u003e\u003c\/div\u003e\u003c\/div\u003e\"\n        },\n        {\n          \"type\": \"flow\",\n          \"content\": \"\u003chr\u003e\u003ch2\u003e\u003cspan\u003e\u003cstrong\u003e2 Movie Shooting Buttons\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h2\u003e\u003cp\u003e\u003cspan\u003eEOS R6 V features large movie shooting buttons in two positions on the front and top. The front movie recording button lets users start and stop recordings from the front of the camera. It’s also convenient for selfies and vertical shooting, including reviews and vlogs.\u003cbr\/\u003e\u003c\/span\u003e\u003c\/p\u003e\u003cimg src=\\\"https:\/\/canonhk.myshopify.com\/cdn\/shop\/files\/product_ml_eos-r6-v_02_Record_button.jpg\\\"\/\u003e\"\n        },\n        {\n          \"type\": \"flow\",\n          \"content\": \"\u003chr\u003e\u003ch2\u003e\u003cspan\u003e\u003cstrong\u003e12 Customizable buttons\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h2\u003e\u003cp\u003e\u003cspan\u003eEOS R6 V features new “WB” button, “LIVE” button and Quick Control Dial 2 with cross keys added. A total of 12 buttons is customizable with Customized Control Menu. Functions can be assigned to Buttons 1-7, the Up \/ Left \/ Right \/ Down buttons, and the SET button for shooting. Additionally, functions can be assigned to Buttons 4 \/ 6 \/ 7 and the SET button for playback.\u003c\/span\u003e\u003c\/p\u003e\u003cimg src=\\\"https:\/\/canonhk.myshopify.com\/cdn\/shop\/files\/product_ml_eos-r6-v_02_customize_buttons.jpg\\\"\/\u003e\u003cimg src=\\\"https:\/\/canonhk.myshopify.com\/cdn\/shop\/files\/product_ml_eos-r6-v_02_customize_buttons_menu_En.jpg\\\"\/\u003e\"\n        },\n        {\n          \"type\": \"flow\",\n          \"content\": \"\u003chr\u003e\u003ch2\u003e\u003cspan\u003e\u003cstrong\u003eIn-Body Image Stabilizer with 7.5-stop shake compensation\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h2\u003e\u003cp\u003e\u003cspan\u003eEOS R6 V features 5-axis In-Body Image Stabilization which provides up to 7.5-stop shake compensation at center and 7-stop shake compensation at peripheral \u003csup\u003e2\u003c\/sup\u003e, provides greater blur reduction through coordinated control when used with an RF lens with an in-lens image stabilization mechanism. And coordinated control with Movie digital IS provides even greater reduction for major camera shake blur.\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan\u003eThis enables shooting with powerful shake correction without a gimbal or other special equipment, even in situations with significant camera shake, such as shooting while walking.\u003c\/span\u003e\u003c\/p\u003e\u003cimg src=\\\"https:\/\/canonhk.myshopify.com\/cdn\/shop\/files\/product_ml_eos-r6-v_02_IBIS_En.jpg\\\"\/\u003e\"\n        },\n        {\n          \"type\": \"flow\",\n          \"content\": \"\u003chr\u003e\u003ch2\u003e\u003cspan\u003e\u003cstrong\u003eSubject Tracking IS\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h2\u003e\u003cp\u003e\u003cspan\u003eEOS R6 V features Subject tracking IS\u003csup\u003e3\u003c\/sup\u003e to help stabilizing subject position to keep main subject in frame. The subject can be kept in the center of the frame or at a designated position while walking and shooting, making it easy to track the subject even during outdoor sports activities.\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cimg src=\\\"https:\/\/canonhk.myshopify.com\/cdn\/shop\/files\/product_ml_eos-r6-v_02_Subject_tracking_EN.jpg\\\"\/\u003e\u003c\/p\u003e\"\n        },\n        {\n          \"type\": \"flow\",\n          \"content\": \"\u003chr\u003e\u003ch2\u003e\u003cspan\u003e\u003cstrong\u003eInternal cooling fan\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h2\u003e\u003cp\u003e\u003cspan\u003eA cooling fan is installed inside the EOS R6 V body to cool the camera’s internal temperature and extend movie recording\/streaming time. Outside air is drawn in through the intake hole on the bottom of the camera, and the heat from the image processor and memory is transferred to the duct plate for efficient cooling. This allows creators to shoot and stream movies for longer periods without interruption.\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan\u003eEOS R6 V is designed with multiple graphite sheets and heat-dissipation sheets to efficiently transfer heat from the main board to the outside through the cooling fan. By utilizing a structure that transfers heat from the CMOS sensor throughout the entire camera, the design allows for efficient heat dissipation from areas other than the duct.\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan\u003eAlso, warning icons are shown when the camera’s internal temperature rises in order to prevent issues such as sudden stops in shooting due to increased temperatures. When [Standby: low res.: On] is selected from the menu, display framerate and image quality are temporarily changed while in movie shooting standby, reducing power consumption and extending recording time. A warning indicator is also displayed to prevent low-temperature burn in handheld shooting.\u003c\/span\u003e\u003c\/p\u003e\u003cimg src=\\\"https:\/\/canonhk.myshopify.com\/cdn\/shop\/files\/product_ml_eos-r6-v_02_cooling_fan.jpg\\\"\/\u003e\u003cimg src=\\\"https:\/\/canonhk.myshopify.com\/cdn\/shop\/files\/product_ml_eos-r6-v_02_fan_intake.jpg\\\"\/\u003e\u003cp\u003e\u003cspan\u003eThe intake hole is placed slightly higher than the bottom of the camera for a structure that prevents blockage to the opening even when using a tripod. \u003cbr\/\u003e\u003c\/span\u003e\u003c\/p\u003e\"\n        },\n        {\n          \"type\": \"flow\",\n          \"content\": \"\u003ch2\u003e\u003cspan\u003e\u003cstrong\u003eExtended Movie Recording Time\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h2\u003e\u003cp\u003e\u003cspan\u003eAt a room temperature of 23°C, continuous recording of 4K DCI 120p (with the fan speed set to low) is possible taking heat-related limitations into account. Even in a 30°C environment, 4K DCI 120p and 7K Open Gate (MP4) recording are possible for 120 minutes or longer without stopping due to overheating.\u003c\/span\u003e\u003c\/p\u003e\"\n        },\n        {\n          \"type\": \"grid\",\n          \"cols\": 0,\n          \"items\": [\n            \"\u003ch3\u003e\u003cspan\u003e\u003cstrong\u003eMovie Continuous Recording Time\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h3\u003e\u003ctable\u003e\u003ctbody\u003e\u003ctr\u003e\u003ctd class=\\\"canon-table-head\\\" rowspan=\\\"6\\\" style=\\\"min-width: 150px;\\\"\u003e\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eMovie recording quality\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\u003c\/td\u003e\u003ctd class=\\\"canon-table-head\\\" colspan=\\\"12\\\" style=\\\"min-width: 250px;\\\"\u003e\u003cp align=\\\"center\\\"\u003e\u003cspan\u003e\u003cstrong\u003eAvailable continuous recording time\u003csup\u003e4\u003c\/sup\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003ctr\u003e\u003ctd colspan=\\\"8\\\"\u003e\u003cp align=\\\"center\\\"\u003e\u003cspan\u003e23℃\u003c\/span\u003e\u003c\/p\u003e\u003c\/td\u003e\u003ctd colspan=\\\"4\\\"\u003e\u003cp align=\\\"center\\\"\u003e\u003cspan\u003e30℃\u003c\/span\u003e\u003c\/p\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003ctr\u003e\u003ctd colspan=\\\"12\\\"\u003e\u003cp align=\\\"center\\\"\u003e\u003cspan\u003eAuto power off temperature\u003c\/span\u003e\u003c\/p\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003ctr\u003e\u003ctd colspan=\\\"4\\\"\u003e\u003cp align=\\\"center\\\"\u003e\u003cspan\u003eStandard\u003c\/span\u003e\u003c\/p\u003e\u003c\/td\u003e\u003ctd colspan=\\\"4\\\"\u003e\u003cp align=\\\"center\\\"\u003e\u003cspan\u003eHigh\u003c\/span\u003e\u003c\/p\u003e\u003c\/td\u003e\u003ctd colspan=\\\"4\\\"\u003e\u003cp align=\\\"center\\\"\u003e\u003cspan\u003eHigh\u003c\/span\u003e\u003c\/p\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003ctr\u003e\u003ctd colspan=\\\"12\\\"\u003e\u003cp align=\\\"center\\\"\u003e\u003cspan\u003eFan rotation speed\u003c\/span\u003e\u003c\/p\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003ctr\u003e\u003ctd\u003e\u003cp align=\\\"center\\\"\u003e\u003cspan\u003eStop\u003c\/span\u003e\u003c\/p\u003e\u003c\/td\u003e\u003ctd\u003e\u003cp align=\\\"center\\\"\u003e\u003cspan\u003eLow\u003c\/span\u003e\u003c\/p\u003e\u003c\/td\u003e\u003ctd\u003e\u003cp align=\\\"center\\\"\u003e\u003cspan\u003eMedium\u003c\/span\u003e\u003c\/p\u003e\u003c\/td\u003e\u003ctd\u003e\u003cp align=\\\"center\\\"\u003e\u003cspan\u003eHigh\u003c\/span\u003e\u003c\/p\u003e\u003c\/td\u003e\u003ctd\u003e\u003cp align=\\\"center\\\"\u003e\u003cspan\u003eStop\u003c\/span\u003e\u003c\/p\u003e\u003c\/td\u003e\u003ctd\u003e\u003cp align=\\\"center\\\"\u003e\u003cspan\u003eLow\u003c\/span\u003e\u003c\/p\u003e\u003c\/td\u003e\u003ctd\u003e\u003cp align=\\\"center\\\"\u003e\u003cspan\u003eMedium\u003c\/span\u003e\u003c\/p\u003e\u003c\/td\u003e\u003ctd\u003e\u003cp align=\\\"center\\\"\u003e\u003cspan\u003eHigh\u003c\/span\u003e\u003c\/p\u003e\u003c\/td\u003e\u003ctd\u003e\u003cp align=\\\"center\\\"\u003e\u003cspan\u003eStop\u003c\/span\u003e\u003c\/p\u003e\u003c\/td\u003e\u003ctd\u003e\u003cp align=\\\"center\\\"\u003e\u003cspan\u003eLow\u003c\/span\u003e\u003c\/p\u003e\u003c\/td\u003e\u003ctd\u003e\u003cp align=\\\"center\\\"\u003e\u003cspan\u003eMedium\u003c\/span\u003e\u003c\/p\u003e\u003c\/td\u003e\u003ctd\u003e\u003cp align=\\\"center\\\"\u003e\u003cspan\u003eHigh\u003c\/span\u003e\u003c\/p\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003ctr\u003e\u003ctd\u003e\u003cp\u003e\u003cspan\u003e7K RAW 59.94 fps , Light (RAW) + 2K Proxy Standard LGOP\u003c\/span\u003e\u003c\/p\u003e\u003c\/td\u003e\u003ctd\u003e\u003cp align=\\\"center\\\"\u003e\u003cspan\u003e~33mins\u003c\/span\u003e\u003c\/p\u003e\u003c\/td\u003e\u003ctd colspan=\\\"3\\\"\u003e\u003cp align=\\\"center\\\"\u003e\u003cspan\u003e120mins or more\u003c\/span\u003e\u003c\/p\u003e\u003c\/td\u003e\u003ctd\u003e\u003cp align=\\\"center\\\"\u003e\u003cspan\u003e~37mins\u003c\/span\u003e\u003c\/p\u003e\u003c\/td\u003e\u003ctd colspan=\\\"3\\\"\u003e\u003cp align=\\\"center\\\"\u003e\u003cspan\u003e120mins or more\u003c\/span\u003e\u003c\/p\u003e\u003c\/td\u003e\u003ctd\u003e\u003cp align=\\\"center\\\"\u003e\u003cspan\u003e~25mins\u003c\/span\u003e\u003c\/p\u003e\u003c\/td\u003e\u003ctd\u003e\u003cp align=\\\"center\\\"\u003e\u003cspan\u003e~33mins\u003c\/span\u003e\u003c\/p\u003e\u003c\/td\u003e\u003ctd\u003e\u003cp align=\\\"center\\\"\u003e\u003cspan\u003e~40mins\u003c\/span\u003e\u003c\/p\u003e\u003c\/td\u003e\u003ctd\u003e\u003cp align=\\\"center\\\"\u003e\u003cspan\u003e~52mins\u003c\/span\u003e\u003c\/p\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003ctr\u003e\u003ctd\u003e\u003cp\u003e\u003cspan\u003e7K Open Gate (MP4) 29.97 fps, \u003cbr\/\u003eStandard LGOP\u003c\/span\u003e\u003c\/p\u003e\u003c\/td\u003e\u003ctd\u003e\u003cp align=\\\"center\\\"\u003e\u003cspan\u003e~36mins\u003c\/span\u003e\u003c\/p\u003e\u003c\/td\u003e\u003ctd colspan=\\\"3\\\"\u003e\u003cp align=\\\"center\\\"\u003e\u003cspan\u003eNo restrictions due to overheating\u003c\/span\u003e\u003c\/p\u003e\u003c\/td\u003e\u003ctd\u003e\u003cp align=\\\"center\\\"\u003e\u003cspan\u003e120mins or more\u003c\/span\u003e\u003c\/p\u003e\u003c\/td\u003e\u003ctd colspan=\\\"3\\\"\u003e\u003cp align=\\\"center\\\"\u003e\u003cspan\u003eNo restrictions due to overheating\u003c\/span\u003e\u003c\/p\u003e\u003c\/td\u003e\u003ctd\u003e\u003cp align=\\\"center\\\"\u003e\u003cspan\u003e~51mins\u003c\/span\u003e\u003c\/p\u003e\u003c\/td\u003e\u003ctd colspan=\\\"3\\\"\u003e\u003cp align=\\\"center\\\"\u003e\u003cspan\u003e120mins or more\u003c\/span\u003e\u003c\/p\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003ctr\u003e\u003ctd\u003e\u003cp\u003e\u003cspan\u003e4K DCI 119.9 fps, \u003cbr\/\u003eStandard LGOP\u003c\/span\u003e\u003c\/p\u003e\u003c\/td\u003e\u003ctd\u003e\u003cp align=\\\"center\\\"\u003e\u003cspan\u003e~40mins\u003c\/span\u003e\u003c\/p\u003e\u003c\/td\u003e\u003ctd colspan=\\\"3\\\"\u003e\u003cp align=\\\"center\\\"\u003e\u003cspan\u003eNo restrictions due to overheating\u003c\/span\u003e\u003c\/p\u003e\u003c\/td\u003e\u003ctd\u003e\u003cp align=\\\"center\\\"\u003e\u003cspan\u003e~75mins\u003c\/span\u003e\u003c\/p\u003e\u003c\/td\u003e\u003ctd colspan=\\\"3\\\"\u003e\u003cp align=\\\"center\\\"\u003e\u003cspan\u003eNo restrictions due to overheating\u003c\/span\u003e\u003c\/p\u003e\u003c\/td\u003e\u003ctd\u003e\u003cp align=\\\"center\\\"\u003e\u003cspan\u003e~40mins\u003c\/span\u003e\u003c\/p\u003e\u003c\/td\u003e\u003ctd colspan=\\\"3\\\"\u003e\u003cp align=\\\"center\\\"\u003e\u003cspan\u003e120mins or more\u003c\/span\u003e\u003c\/p\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003ctr\u003e\u003ctd\u003e\u003cp\u003e\u003cspan\u003e4K DCI Fine 59.94 fps, \u003cbr\/\u003eStandard LGOP\u003c\/span\u003e\u003c\/p\u003e\u003c\/td\u003e\u003ctd\u003e\u003cp align=\\\"center\\\"\u003e\u003cspan\u003e~33mins\u003c\/span\u003e\u003c\/p\u003e\u003c\/td\u003e\u003ctd colspan=\\\"3\\\"\u003e\u003cp align=\\\"center\\\"\u003e\u003cspan\u003e120mins or more\u003c\/span\u003e\u003c\/p\u003e\u003c\/td\u003e\u003ctd\u003e\u003cp align=\\\"center\\\"\u003e\u003cspan\u003e~38mins\u003c\/span\u003e\u003c\/p\u003e\u003c\/td\u003e\u003ctd colspan=\\\"3\\\"\u003e\u003cp align=\\\"center\\\"\u003e\u003cspan\u003e120mins or more\u003c\/span\u003e\u003c\/p\u003e\u003c\/td\u003e\u003ctd\u003e\u003cp align=\\\"center\\\"\u003e\u003cspan\u003e~26mins\u003c\/span\u003e\u003c\/p\u003e\u003c\/td\u003e\u003ctd\u003e\u003cp align=\\\"center\\\"\u003e\u003cspan\u003e~35mins\u003c\/span\u003e\u003c\/p\u003e\u003c\/td\u003e\u003ctd\u003e\u003cp align=\\\"center\\\"\u003e\u003cspan\u003e~44mins\u003c\/span\u003e\u003c\/p\u003e\u003c\/td\u003e\u003ctd\u003e\u003cp align=\\\"center\\\"\u003e\u003cspan\u003e~60mins\u003c\/span\u003e\u003c\/p\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003ctr\u003e\u003ctd\u003e\u003cp\u003e\u003cspan\u003e4K DCI 59.94 fps, \u003cbr\/\u003eStandard LGOP\u003c\/span\u003e\u003c\/p\u003e\u003c\/td\u003e\u003ctd colspan=\\\"8\\\"\u003e\u003cp align=\\\"center\\\"\u003e\u003cspan\u003eNo restrictions due to overheating\u003c\/span\u003e\u003c\/p\u003e\u003c\/td\u003e\u003ctd colspan=\\\"4\\\"\u003e\u003cp align=\\\"center\\\"\u003e\u003cspan\u003e120mins or more\u003c\/span\u003e\u003c\/p\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003ctr\u003e\u003ctd\u003e\u003cp\u003e\u003cspan\u003e4K DCI Fine 29.97 fps, \u003cbr\/\u003eStandard LGOP\u003c\/span\u003e\u003c\/p\u003e\u003c\/td\u003e\u003ctd colspan=\\\"8\\\"\u003e\u003cp align=\\\"center\\\"\u003e\u003cspan\u003eNo restrictions due to overheating\u003c\/span\u003e\u003c\/p\u003e\u003c\/td\u003e\u003ctd colspan=\\\"4\\\"\u003e\u003cp align=\\\"center\\\"\u003e\u003cspan\u003e120mins or more\u003c\/span\u003e\u003c\/p\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003ctr\u003e\u003ctd\u003e\u003cp\u003e\u003cspan\u003e4K DCI 29.97 fps, \u003cbr\/\u003eStandard LGOP\u003c\/span\u003e\u003c\/p\u003e\u003c\/td\u003e\u003ctd colspan=\\\"8\\\"\u003e\u003cp align=\\\"center\\\"\u003e\u003cspan\u003eNo restrictions due to overheating\u003c\/span\u003e\u003c\/p\u003e\u003c\/td\u003e\u003ctd colspan=\\\"4\\\"\u003e\u003cp align=\\\"center\\\"\u003e\u003cspan\u003e120mins or more\u003c\/span\u003e\u003c\/p\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003ctr\u003e\u003ctd\u003e\u003cp\u003e\u003cspan\u003e2K DCI 179.8 fps, \u003cbr\/\u003eStandard LGOP\u003c\/span\u003e\u003c\/p\u003e\u003c\/td\u003e\u003ctd colspan=\\\"8\\\"\u003e\u003cp align=\\\"center\\\"\u003e\u003cspan\u003eNo restrictions due to overheating\u003c\/span\u003e\u003c\/p\u003e\u003c\/td\u003e\u003ctd colspan=\\\"4\\\"\u003e\u003cp align=\\\"center\\\"\u003e\u003cspan\u003e120mins or more\u003c\/span\u003e\u003c\/p\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/tbody\u003e\u003c\/table\u003e\"\n          ]\n        },\n        {\n          \"type\": \"flow\",\n          \"content\": \"\u003chr\u003e\u003ch2\u003e\u003cspan\u003e\u003cstrong\u003eDual Card Slots\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h2\u003e\u003cp\u003e\u003cspan\u003eEOS R6 V is equipped with dual card slots supporting CFexpress 2.0 Type B card (VPG400) and SD \/ SDHC \/ SDXC (UHS-II) card with a variety of recording options for users to choose from based on their needs. CFexpress card support Internal recording of 7K RAW。The dual card slots can be utilized in a variety of ways, including separate recording of still photos\/movies, main\/proxy recording for movies, main\/sub recording, relay recording, and recording to multiple cards.\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cimg src=\\\"https:\/\/canonhk.myshopify.com\/cdn\/shop\/files\/product_ml_eos-r6-v_02_dual_cardslot.jpg\\\"\/\u003e\u003c\/p\u003e\"\n        },\n        {\n          \"type\": \"flow\",\n          \"content\": \"\u003chr\u003e\u003ch2\u003e\u003cspan\u003e\u003cstrong\u003eTally Lamp\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h2\u003e\u003cp\u003e\u003cspan\u003eEOS R6 V includes a tally lamp that allows operators to check recording status and lets performers, crew members, and other people nearby see when movie recording has started or stopped. The lamp lights during movie recording, letting users check the camera status even during remote control.\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan\u003eMoreover, Recording emphasis function supports display a red frame around the screen during movie recording, letting operators know recording status visually and reducing recording mistakes.\u003c\/span\u003e\u003c\/p\u003e\u003cimg src=\\\"https:\/\/canonhk.myshopify.com\/cdn\/shop\/files\/product_ml_eos-r6-v_02_tally_lamp.jpg\\\"\/\u003e\"\n        },\n        {\n          \"type\": \"flow\",\n          \"content\": \"\u003chr\u003e\u003ch2\u003e\u003cspan\u003e\u003cstrong\u003eHDMI Type-A output terminal\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h2\u003e\u003cp\u003e\u003cspan\u003eEOS R6 V features a highly versatile HDMI Type-A output terminal that offers stability in connection. HDMI output terminal is now placed near the center of the rotation axis for shooting with screen tilted up or down even with a cable connected. Even when shooting with output to a monitor or recorder or with USB power supply, users can shoot with a full view of the vari-angle screen\u003c\/span\u003e\u003c\/p\u003e\u003cimg src=\\\"https:\/\/canonhk.myshopify.com\/cdn\/shop\/files\/product_ml_eos-r6-v_02_hdmi_port.jpg\\\"\/\u003e\"\n        },\n        {\n          \"type\": \"flow\",\n          \"content\": \"\u003chr\u003e\u003ch2\u003e\u003cspan\u003e\u003cstrong\u003eDust- and water-resistant magnesium alloy body\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h2\u003e\u003cp\u003e\u003cspan\u003eThe EOS R6 V features an exterior primarily constructed from lightweight, high-strength polycarbonate resin. Its chassis and top cover are made of magnesium alloy—identical to that used in the EOS R6 Mark III—offering superior impact resistance, durability, electromagnetic shielding, and excellent heat dissipation. The camera body weighs approximately 598 g, or about 688 g when including the battery and memory card.\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan\u003eSealing materials have been incorporated into the connecting parts for the battery compartment and card slot, achieving dust- and water-resistant performance\u003csup\u003e5\u003c\/sup\u003e. Even the dial rotating axis and other areas where sealing materials are difficult to use have been designed with greater precision to minimize gaps between parts. The cooling fan also features a dust- and water-resistant structure\u003csup\u003e5\u003c\/sup\u003e, supporting use in outdoor environments.\u003c\/span\u003e\u003c\/p\u003e\u003cimg src=\\\"https:\/\/canonhk.myshopify.com\/cdn\/shop\/files\/product_ml_eos-r6-v_02_mgAlloy_body_ref.jpg\\\"\/\u003e\u003cimg src=\\\"https:\/\/canonhk.myshopify.com\/cdn\/shop\/files\/product_ml_eos-r6-v_02_sealing_En.jpg\\\"\/\u003e\"\n        },\n        {\n          \"type\": \"flow\",\n          \"content\": \"\u003chr\u003e\u003ch2\u003e\u003cspan\u003e\u003cstrong\u003eVariety of Power Supply systems\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h2\u003e\u003cp\u003e\u003cspan\u003eThe EOS R6 V uses the high-capacity LPE6P battery \u003csup\u003e6\u003c\/sup\u003e, enabling approximately 70 minutes of continuous 4K DCI Fine 60p MP4 recording\u003csup\u003e7\u003c\/sup\u003e. It also supports a variety of power supply options, including USB power delivery via the USB Power Adapter PDE2, as well as power supply using the DC Coupler DRE6P with the PDE2. This allows users to flexibly select the most suitable power setup according to different shooting scenarios and styles.\u003c\/span\u003e\u003c\/p\u003e\u003cimg src=\\\"https:\/\/canonhk.myshopify.com\/cdn\/shop\/files\/product_ml_eos-r6-v_02_LP-E6P.jpg\\\"\/\u003e\"\n        }\n      ]\n    },\n    {\n      \"type\": \"tab\",\n      \"title\": \"Comprehensive Video Specification\",\n      \"banner_src\": \"https:\/\/canonhk.myshopify.com\/cdn\/shop\/files\/product_ml_eos-r6-v_03_banner.jpg\",\n      \"blocks\": [\n        {\n          \"type\": \"flow\",\n          \"content\": \"\u003ch2\u003e\u003cspan\u003e\u003cstrong\u003e32.5MP Full Frame CMOS Sensor\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h2\u003e\u003cp\u003e\u003cspan\u003eEOS R6 V is equipped with Canon's 32.5MP Full Frame CMOS Sensor, which works together with DIGIC X image processor to deliver rich image capability while Open Gate support enables full utilization of the 7K sensor. It also supports Dual Pixel CMOS AF II, Canon’s exclusive on-sensor phase-detection autofocus system, which enables all pixels to be used for both phase-detection AF and imaging.\u003c\/span\u003e\u003c\/p\u003e\u003cimg src=\\\"https:\/\/canonhk.myshopify.com\/cdn\/shop\/files\/product_ml_eos-r6-v_03_cmos_x_digicx_En.jpg\\\"\/\u003e\"\n        },\n        {\n          \"type\": \"flow\",\n          \"content\": \"\u003chr\u003e\u003ch2\u003e\u003cspan\u003e\u003cstrong\u003e7K Open Gate Recording\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h2\u003e\u003cp\u003e\u003cspan\u003eEOS R6 V feature 7K Open Gate video recording. Open Gate recording using the sensor’s full 3:2 angle of view allows the recording of 7K 30p Open Gate RAW at 6960×4640 pixels or MP4 at 6912×4608 pixels\u003csup\u003e8\u003c\/sup\u003e. This enables higher-resolution recording with a wide angle of view for improved video quality.\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan\u003eWith the ability to reframe in both horizontal and vertical formats in a single shot, 7K's high resolution flexibly meets the needs of crafting cinematic widescreen films or social-ready vertical edits.\u003c\/span\u003e\u003c\/p\u003e\u003cdiv\u003e\u003cdiv\u003e\u003cdiv\u003e\u003ciframe allowfullscreen=\\\"\\\" frameborder=\\\"0\\\" src=\\\"https:\/\/www.youtube.com\/embed\/sYMBdDDsm1c?autoplay=0\\\"\u003e\u003c\/iframe\u003e\u003c\/div\u003e\u003c\/div\u003e\u003c\/div\u003e\"\n        },\n        {\n          \"type\": \"flow\",\n          \"content\": \"\u003chr\u003e\u003ch2\u003e\u003cspan\u003e\u003cstrong\u003eA Variety of Movie Recording Formats\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h2\u003e\u003cimg src=\\\"https:\/\/canonhk.myshopify.com\/cdn\/shop\/files\/product_ml_eos-r6-v_03_Charly_R6_V.jpg\\\"\/\u003e\"\n        },\n        {\n          \"type\": \"grid\",\n          \"cols\": 4,\n          \"items\": [\n            \"\u003ch3\u003e\u003cspan\u003e\u003cstrong\u003eInternal recording of 7K 60p RAW\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h3\u003e\u003cimg src=\\\"https:\/\/canonhk.myshopify.com\/cdn\/shop\/files\/product_ml_eos-r6-v_03_7K_RAW_EN.jpg\\\"\/\u003e\u003cp\u003e\u003cspan\u003eIn addition to 7K 30p Open Gate RAW recording, EOS R6 Mark III allows internal recording of 7K 60p RAW (Light) movies to a CFexpress card at up to 60 fps with DCI aspect ratio (17:9).\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan\u003eFootage can be developed in Cinema RAW Development or Digital Photo Professional and can be edited with NLE software using a plugin.\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan\u003eA 2K DCI MP4 Proxy movie or new 4K DCI Fine MP4 sub movie can be recorded simultaneously.\u003c\/span\u003e\u003c\/p\u003e\",\n            \"\u003ch3\u003e\u003cspan\u003e\u003cstrong\u003eOversampled 4K DCI \/ UHD Fine 60p MP4\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h3\u003e\u003cimg src=\\\"https:\/\/canonhk.myshopify.com\/cdn\/shop\/files\/product_ml_eos-r6-v_03_4K_Oversampling_EN.jpg\\\"\/\u003e\u003cp\u003e\u003cspan\u003eEOS R6 V supports non-cropped oversampled 4K DCI \/ UHD Fine 60p MP4 as well as non-cropped 7K oversampled 4K DCI \/ UHD 30p MP4\u003csup\u003e9\u003c\/sup\u003e. The oversampling process helps reduce moiré, false colors, and noise in the footage.\u003c\/span\u003e\u003c\/p\u003e\",\n            \"\u003ch3\u003e\u003cspan\u003e\u003cstrong\u003e3.5K oversampled 2K DCI \/ FHD 60p MP4\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h3\u003e\u003cimg src=\\\"https:\/\/canonhk.myshopify.com\/cdn\/shop\/files\/product_ml_eos-r6-v_03_2K_Oversampling_EN.jpg\\\"\/\u003e\u003cp\u003e\u003cspan\u003eEOS R6 V adds support for the 2K DCI (2048 x 1080) format, allowing recording of non-cropped 3.5K oversampled 2K DCI \/ FHD MP4 video up to 60p. The oversampling process helps reduce moiré, false colors, and noise in the footage.\u003c\/span\u003e\u003c\/p\u003e\",\n            \"\u003ch3\u003e\u003cspan\u003e\u003cstrong\u003e4K 120p \u0026 2K DCI \/ FHD 180p MP4\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h3\u003e\u003cimg src=\\\"https:\/\/canonhk.myshopify.com\/cdn\/shop\/files\/product_ml_eos-r6-v_03_4K_120p_EN.jpg\\\"\/\u003e\u003cimg src=\\\"https:\/\/canonhk.myshopify.com\/cdn\/shop\/files\/product_ml_eos-r6-v_03_2K_180p_EN.jpg\\\"\/\u003e\u003cp\u003e\u003cspan\u003eFor normal 4K recording, the EOS R6 V can capture up to 4K DCI \/ UHD MP4 video up to 120p with audio support\u003csup\u003e10\u003c\/sup\u003e, and up to 2K DCI\/FHD MP4 video up to 180p\u003csup\u003e11\u003c\/sup\u003e with audio support\u003csup\u003e10\u003c\/sup\u003e.\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan\u003eIt also supports cropped 4K DCI \/ UHD 60p MP4 video and 2K DCI \/ FHD MP4 video up to 120p with audio support\u003csup\u003e10\u003c\/sup\u003e.\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan\u003eVideos recorded at frame rates above 60p will play back at normal speed in-camera. These movies can be used as slow-motion footage during post-editing, while also producing movies that play at normal speed.  Therefore, by recording a single movie, you can create both normal speed and slow-motion movies simultaneously.\u003c\/span\u003e\u003c\/p\u003e\"\n          ]\n        },\n        {\n          \"type\": \"flow\",\n          \"content\": \"\u003chr\u003e\u003ch2\u003e\u003cspan\u003e\u003cstrong\u003eSlow \u0026 Fast-Motion Movie Mode (S\u0026F)\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h2\u003e\u003cp\u003e\u003cspan\u003eThe Slow \u0026amp; Fast-Motion Movie Mode\u003csup\u003e12\u003c\/sup\u003e lets users easily create emotion-filled images through techniques such as slowing down fast movements, compressing the passage of time, or capturing a subjective POV(Point Of View). Settings are enabled from 60x fast (NTSC) to 5x slow (NTSC) in 4K DCI \/ UHD, and from 60x fast (NTSC) to 7.5x slow (NTSC) in 2K DCI \/ Full HD.\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cimg src=\\\"https:\/\/canonhk.myshopify.com\/cdn\/shop\/files\/product_ml_eos-r6-v_02_S_F_En.jpg\\\"\/\u003e\u003c\/p\u003e\"\n        },\n        {\n          \"type\": \"flow\",\n          \"content\": \"\u003chr\u003e\u003ch2\u003e\u003cspan\u003e\u003cstrong\u003eHDMI Type-A \u0026 HDMI RAW\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h2\u003e\u003cp\u003e\u003cspan\u003eEOS R6 V features a highly versatile HDMI Type-A output terminal that offers stability in connection. When connected via HDMI with a compatible ATOMOS recorder, it offers Apple ProRes RAW external recording up to uncropped 7K 30p or 4.3K 60p (cropped). The ProRes RAW ensuring compatibility with post-production workflows. This makes utilization of EOS R6 V easier in production-related uses.\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan\u003eA 2K DCI MP4 proxy data can also be recorded simultaneously to an SD card with the ProRes RAW, making post-production handling more efficient.\u003cbr\/\u003e\u003c\/span\u003e\u003c\/p\u003e\"\n        },\n        {\n          \"type\": \"flow\",\n          \"content\": \"\u003chr\u003e\u003ch2\u003e\u003cspan\u003e\u003cstrong\u003eMenu Display and Playback on camera or via HDMI\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h2\u003e\u003cp\u003e\u003cspan\u003eUsers can now choose to have menu and playback screens output to either the camera or via HDMI during HDMI connection. This improves operability when using HDMI output.\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cimg src=\\\"https:\/\/canonhk.myshopify.com\/cdn\/shop\/files\/product_ml_eos-r6-v_03_hdmi_display_En.jpg\\\"\/\u003e\u003c\/p\u003e\"\n        },\n        {\n          \"type\": \"flow\",\n          \"content\": \"\u003chr\u003e\u003ch2\u003e\u003cspan\u003e\u003cstrong\u003eEOS VR System Support\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h2\u003e\u003cp\u003e\u003cspan\u003eEOS R6 V supports RF5.2mm F2.8 L DUAL FISHEYE in the EOS VR System, allowing users to shoot high-quality 3D 180\u003csup\u003eo\u003c\/sup\u003eVR videos. When shooting with the RF5.2mm F2.8 L DUAL FISHEYE, the camera saves the time-series inertial sensor information and other information as metadata in the movie file\u003csup\u003e13\u003c\/sup\u003e. The metadata helps shortening the time required for Digital Image Stabilization in EOS VR Utility and also improves effectiveness.\u003cbr\/\u003e\u003cbr\/\u003e\u003c\/span\u003e\u003c\/p\u003e\u003cimg src=\\\"https:\/\/canonhk.myshopify.com\/cdn\/shop\/files\/product_ml_eos-r6-v_03_DualFishEye.jpg\\\"\/\u003e\"\n        },\n        {\n          \"type\": \"flow\",\n          \"content\": \"\u003chr\u003e\u003ch2\u003e\u003cspan\u003e\u003cstrong\u003eProfessional File System\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h2\u003e\u003cp\u003e\u003cspan\u003eEOS R6 V adopted the XF-AVC S\/XF-HEVC S from Cinema EOS, a new professional-standard file system that enables workflows not possible with conventional DCF-compliant MP4.\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan\u003eIt has common specifications with Cinema EOS, enabling processing using a common workflow in shoots that combine a mixture of cameras such as EOS and Cinema EOS, helping to streamline the editing process.\u003c\/span\u003e\u003c\/p\u003e\u003cimg src=\\\"https:\/\/canonhk.myshopify.com\/cdn\/shop\/files\/product_ml_eos-r6-v_03_File_Format_EN.jpg\\\"\/\u003e\"\n        },\n        {\n          \"type\": \"flow\",\n          \"content\": \"\u003chr\u003e\u003ch2\u003e\u003cspan\u003e\u003cstrong\u003eNews ML-G2 standard News Metadata\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h2\u003e\u003cp\u003e\u003cspan\u003eNews Metadata is a standard XML-based format that enables integrated presentation of news content, metadata, structures, and context. By adding metadata compatible with the NewsML-G2 standard to a movie file, it supports workflows for news TV broadcasters.\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan\u003eNews Metadata editing and export can be done before shooting with a computer or after shooting using Content Transfer Professional.\u003c\/span\u003e\u003c\/p\u003e\"\n        },\n        {\n          \"type\": \"flow\",\n          \"content\": \"\u003chr\u003e\u003ch2\u003e\u003cspan\u003e\u003cstrong\u003eLPCM 24-bit \/ 4-ch Audio Recording\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h2\u003e\u003cp\u003e\u003cspan\u003eNew audio input features are included to enable 24-bit audio recording. It also supports 4-channel audio input, which enables combinations of external microphone input from Multi-function Shoe and built-in microphone or other external microphone connected to microphone input terminal for situations such as interview recording, simultaneous recording of ambient noise, live recording with separate mics for instruments and vocals.\u003c\/span\u003e\u003c\/p\u003e\"\n        },\n        {\n          \"type\": \"flow\",\n          \"content\": \"\u003ch2\u003e\u003cspan\u003e\u003cstrong\u003eThree Microphones Noise Reduction Technology\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h2\u003e\u003cp\u003e\u003cspan\u003eIn addition to stereo microphones for audio input, the three microphones system in EOS R6 V features a third internal mic that detects and reduces drive noise during autofocusing.\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan\u003eIt also includes audio processing technology to reduce white noise (floor noise)\u003csup\u003e14\u003c\/sup\u003e.\u003c\/span\u003e\u003c\/p\u003e\"\n        },\n        {\n          \"type\": \"flow\",\n          \"content\": \"\u003chr\u003e\u003ch2\u003e\u003cspan\u003e\u003cstrong\u003eMultiple Recording Methods\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h2\u003e\"\n        },\n        {\n          \"type\": \"grid\",\n          \"cols\": 3,\n          \"items\": [\n            \"\u003ch3\u003e\u003cspan\u003e\u003cstrong\u003eSimultaneous Proxy Recording\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h3\u003e\u003cp\u003e\u003cspan\u003eWhen shooting 7K Open Gate RAW, 7K DCI RAW or 4K DCI \/ UHD and 2K DCI \/ FHD MP4 up to 60fps, a lighter-sized 2K DCI \/ FHD proxy data for offline editing can be recorded simultaneously\u003csup\u003e15\u003c\/sup\u003e.\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan\u003eThis helps to reduce lead times by transferring the lighter proxy movie to the editing team in advance via FTP transfer, image.canon transfer, or transfer to Frame.io via image.canon, making editing work more efficient.\u003c\/span\u003e\u003c\/p\u003e\",\n            \"\u003ch3\u003e\u003cspan\u003e\u003cstrong\u003eMain \/ Sub Movie\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h3\u003e\u003cp\u003e\u003cspan\u003eWhile shooting the 7K RAW (Standard\/Light) main movie to Card 1, a sub movie (MP4 movie fixed to 4K DCI Fine) can be recorded to Card 2.\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan\u003eSeparating recording for specific purposes lets users avoid having to convert RAW movies.\u003c\/span\u003e\u003c\/p\u003e\",\n            \"\u003ch3\u003e\u003cspan\u003e\u003cstrong\u003eRelay Recording\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h3\u003e\u003cp\u003e\u003cspan\u003eNew Relay recording allows continuous movie recording by automatically switching recording card when a card is full during recording\u003csup\u003e16\u003c\/sup\u003e. \u003cbr\/\u003e\u003c\/span\u003e\u003c\/p\u003e\"\n          ]\n        },\n        {\n          \"type\": \"flow\",\n          \"content\": \"\u003chr\u003e\u003ch2\u003e\u003cspan\u003e\u003cstrong\u003eFeatures Improving Efficiency\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h2\u003e\"\n        },\n        {\n          \"type\": \"flow\",\n          \"content\": \"\u003ch2\u003e\u003cspan\u003e\u003cstrong\u003eWaveform Monitor (WFM)\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h2\u003e\u003cp\u003e\u003cspan\u003eIn addition to False Color and Zebra display, EOS R6 V also includes Waveform Monitor common to professional production. Waveform monitor shows input signal brightness levels in real time (Line \/ RGB). This lets users shoot while constantly checking the brightness levels of the entire image. The waveform monitor can now be turned on or off using the button.\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cimg src=\\\"https:\/\/canonhk.myshopify.com\/cdn\/shop\/files\/product_ml_eos-r6-v_03_waveform_monitor.jpg\\\"\/\u003e\u003c\/p\u003e\"\n        },\n        {\n          \"type\": \"flow\",\n          \"content\": \"\u003ch2\u003e\u003cspan\u003e\u003cstrong\u003eMagnified Recording Display\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h2\u003e\u003cp\u003e\u003cspan\u003eMagnified recording display is added to EOS R6 V. Magnification display of 2x \/ 5x \/ 10x is supported\u003csup\u003e17\u003c\/sup\u003e during movie recording, allowing users to accurately check focus statusand change magnification rates and positions.\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cimg src=\\\"https:\/\/canonhk.myshopify.com\/cdn\/shop\/files\/product_ml_eos-r6-v_03_zoom_while_REC.jpg\\\"\/\u003e\u003c\/p\u003e\"\n        },\n        {\n          \"type\": \"flow\",\n          \"content\": \"\u003ch2\u003e\u003cspan\u003e\u003cstrong\u003eElectronic Level Display During Movie Shooting\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h2\u003e\u003cp\u003e\u003cspan\u003eElectronic level can now be displayed even during movie recording in EOS R6 V. Users can also select the size of the electronic level displayed on the LCD monitor.\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cimg src=\\\"https:\/\/canonhk.myshopify.com\/cdn\/shop\/files\/product_ml_eos-r6-v_03_Electronic_Level_Small-01.jpg\\\"\/\u003e\u003c\/p\u003e\"\n        },\n        {\n          \"type\": \"flow\",\n          \"content\": \"\u003ch2\u003e\u003cspan\u003e\u003cstrong\u003eDisplay of 2 Aspect Markers\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h2\u003e\u003cp\u003e\u003cspan\u003eThe Aspect Marker allows users to display marker that matches the aspect ratio of playback during shooting. EOS R6 V can now display 2 Aspect Markers simultaneously, for example, both 16:9 and 9:16 Aspect Markers can be displayed when recording Open Gate (3:2) video to make composition easier.\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cimg src=\\\"https:\/\/canonhk.myshopify.com\/cdn\/shop\/files\/product_ml_eos-r6-v_03_aspect_ratio.jpg\\\"\/\u003e\u003c\/p\u003e\"\n        },\n        {\n          \"type\": \"flow\",\n          \"content\": \"\u003ch2\u003e\u003cspan\u003e\u003cstrong\u003eNaturally Switches White Balance\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h2\u003e\u003cp\u003e\u003cspan\u003eFeatures that assist in natural white balance settings when shooting movies have been expanded. For both auto and manual settings, white balance settings can be effortlessly changed when switching scenes. This enables video production that suits the intentions for the work and the creator‘s preferences.\u003c\/span\u003e\u003c\/p\u003e\"\n        },\n        {\n          \"type\": \"grid\",\n          \"cols\": 4,\n          \"items\": [\n            \"\u003ch3\u003e\u003cspan\u003e\u003cstrong\u003eAWB response \u003csup\u003e18\u003c\/sup\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h3\u003e\u003cimg src=\\\"https:\/\/canonhk.myshopify.com\/cdn\/shop\/files\/product_ml_eos-r6-v_03_AWB_response_EN.jpg\\\"\/\u003e\u003cp\u003e\u003cspan\u003eWhen using AWB, speed of response to white balance can be adjusted to three levels.\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan\u003eIt can be set according to the scene to switch gradually or quickly.\u003c\/span\u003e\u003c\/p\u003e\",\n            \"\u003ch3\u003e\u003cspan\u003e\u003cstrong\u003eAWB Lock \u003csup\u003e18\u003c\/sup\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h3\u003e\u003cimg src=\\\"https:\/\/canonhk.myshopify.com\/cdn\/shop\/files\/product_ml_eos-r6-v_03_AWB_Lock_En.jpg\\\"\/\u003e\u003cp\u003e\u003cspan\u003eThis feature temporarily fixes white balance when AWB is set. When the user does not wish to change white balance, the customized button can be pressed to continue shooting without changing color tone.\u003c\/span\u003e\u003c\/p\u003e\",\n            \"\u003ch3\u003e\u003cspan\u003e\u003cstrong\u003eShockless WB \u003csup\u003e18\u003c\/sup\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h3\u003e\u003cimg src=\\\"https:\/\/canonhk.myshopify.com\/cdn\/shop\/files\/product_ml_eos-r6-v_03_Shockless_WB_EN.jpg\\\"\/\u003e\u003cp\u003e\u003cspan\u003eWhen manually changing white balance settings (color temperature or pre-settings) while in standby when shooting movies, this feature smooths the transition between adjustments, letting users record natural images even with changes in scenes or light sources.\u003c\/span\u003e\u003c\/p\u003e\",\n            \"\u003ch3\u003e\u003cspan\u003e\u003cstrong\u003eSwitch color temperature \u003csup\u003e19\u003c\/sup\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h3\u003e\u003cimg src=\\\"https:\/\/canonhk.myshopify.com\/cdn\/shop\/files\/product_ml_eos-r6-v_03_Switch_Color_Temp_EN.jpg\\\"\/\u003e\u003cp\u003e\u003cspan\u003eUp to four manual settings for color temperature (Kelvin value) can be stored. Users can also quickly call up color temperature settings registered to preferred buttons with button customization. Also available during still photo shooting.\u003c\/span\u003e\u003c\/p\u003e\"\n          ]\n        },\n        {\n          \"type\": \"flow\",\n          \"content\": \"\u003chr\u003e\u003ch2\u003e\u003cspan\u003e\u003cstrong\u003eEasy Live Streaming\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h2\u003e\"\n        },\n        {\n          \"type\": \"flow\",\n          \"content\": \"\u003ch2\u003e\u003cspan\u003e\u003cstrong\u003eLIVE button\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h2\u003e\u003cp\u003e\u003cspan\u003eEOS R6 V features new \\\"LIVE\\\" buttons, offers two flexible live streaming options: USB (UVC\/UAC) streaming and HDMI streaming. This allows users to freely conduct live broadcasts either with a single-camera setup or a multi-camera setup and also providing instant access to the Live streaming menu。\u003c\/span\u003e\u003c\/p\u003e\u003cimg src=\\\"https:\/\/canonhk.myshopify.com\/cdn\/shop\/files\/product_ml_eos-r6-v_03_Live_button_En.jpg\\\"\/\u003e\"\n        },\n        {\n          \"type\": \"flow\",\n          \"content\": \"\u003ch2\u003e\u003cspan\u003e\u003cstrong\u003eUSB (UVC\/UAC) Streaming\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h2\u003e\u003cp\u003e\u003cspan\u003eWith UVC\/UAC support on EOS R6 V’s USB 3.2 Gen 2 Terminal (10Gbps), the camera is recognized as a high-quality webcam, offering stable, sharp video with minimal setup.\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan\u003eWhen connected to a computer via USB (UVC\/UAC), live streaming is available in 4K 30p, 4K 60p, FHD 60p, or FHD 30p\u003csup\u003e20\u003c\/sup\u003e, Smooth skin video is also supported.\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan\u003eThis setup is ideal for creators, educators, and professionals who want clean, up to 4K streams without the clutter. Plus, with USB power delivery\u003csup\u003e21\u003c\/sup\u003e, the camera can keep running for hours, making it perfect for long sessions or all-day events. \u003cbr\/\u003e\u003cbr\/\u003e\u003c\/span\u003e\u003c\/p\u003e\u003cimg src=\\\"https:\/\/canonhk.myshopify.com\/cdn\/shop\/files\/product_ml_eos-r6-v_03_UVC_En.jpg\\\"\/\u003e\"\n        },\n        {\n          \"type\": \"flow\",\n          \"content\": \"\u003ch2\u003e\u003cspan\u003e\u003cstrong\u003eHDMI Streaming\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h2\u003e\u003cp\u003e\u003cspan\u003eConnect the EOS R6 V to an HDMI switcher for a studio-ready livestream setup with pro-level control. Switch between cameras, screens, and visuals in real time, perfect for game streams, talk shows, or hybrid productions. The clean HDMI output ensures crisp, lag-free footage for a premium viewer.\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan\u003eThis setup gives users the flexibility to scale their livestream to match their vision, from single-camera simplicity to full multi-cam control. With the EOS R6 V’s professional Input\/Output, it fits easily into both simple and advanced switcher workflows.\u003c\/span\u003e\u003c\/p\u003e\u003cimg src=\\\"https:\/\/canonhk.myshopify.com\/cdn\/shop\/files\/product_ml_eos-r6-v_03_HDMI_switcher_En.jpg\\\"\/\u003e\"\n        }\n      ]\n    },\n    {\n      \"type\": \"tab\",\n      \"title\": \"Versatile color expression\",\n      \"banner_src\": \"https:\/\/canonhk.myshopify.com\/cdn\/shop\/files\/product_ml_eos-r6-v_04_Banner.jpg\",\n      \"blocks\": [\n        {\n          \"type\": \"flow\",\n          \"content\": \"\u003ch2\u003e\u003cspan\u003e\u003cstrong\u003eNew COLOR button\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h2\u003e\u003cp\u003e\u003cspan\u003eEOS R6 V equipped with a color mode button (COLOR) which lets users swiftly select from three available color modes: Picture style, Color Filter and Custom Picture\u003csup\u003e22\u003c\/sup\u003e.\u003c\/span\u003e\u003c\/p\u003e\u003cimg src=\\\"https:\/\/canonhk.myshopify.com\/cdn\/shop\/files\/product_ml_eos-r6-v_04_Color_mode_En.jpg\\\"\/\u003e\"\n        },\n        {\n          \"type\": \"flow\",\n          \"content\": \"\u003ch2\u003e\u003cspan\u003e\u003cstrong\u003eColor Filter\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h2\u003e\u003cp\u003e\u003cspan\u003eThe Color Filter feature allows users to easily apply 14-type of Color Filter\u003csup\u003e23\u003c\/sup\u003e effects while checking the actual color and atmosphere of the image with the viewfinder or monitor. Even those without knowledge of color grading can create impressive video or images (without RAW development) using only the camera. This feature is useful for simple projects, events, social media posts, and other uses where instant delivery is needed, and it allows users to craft images according to their own imaginations, even straight out of camera.\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan\u003eCanon’s amazing color tones can be applied to easily provide the experience of being a true creator with creative expressive capabilities.\u003c\/span\u003e\u003c\/p\u003e\"\n        },\n        {\n          \"type\": \"grid\",\n          \"cols\": 3,\n          \"items\": [\n            \"\u003ch3\u003e\u003cspan\u003e\u003cstrong\u003eStoryTeal\u0026Orange\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h3\u003e\u003cimg src=\\\"https:\/\/canonhk.myshopify.com\/cdn\/shop\/files\/product_ml_eos-r6-v_04_Color_Filter_StoryTeal_Orange.jpg\\\"\/\u003e\u003cp\u003e\u003cspan\u003e*Picture for reference only.\u003c\/span\u003e\u003c\/p\u003e\",\n            \"\u003ch3\u003e\u003cspan\u003e\u003cstrong\u003eStoryBlue\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h3\u003e\u003cimg src=\\\"https:\/\/canonhk.myshopify.com\/cdn\/shop\/files\/product_ml_eos-r6-v_04_Color_Filter_StoryBlue.jpg\\\"\/\u003e\u003cp\u003e\u003cspan\u003e*Picture for reference only.\u003c\/span\u003e\u003c\/p\u003e\",\n            \"\u003ch3\u003e\u003cspan\u003e\u003cstrong\u003eAccentRed\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h3\u003e\u003cimg src=\\\"https:\/\/canonhk.myshopify.com\/cdn\/shop\/files\/product_ml_eos-r6-v_04_Color_Filter_AccentRed.jpg\\\"\/\u003e\u003cp\u003e\u003cspan\u003e*Picture for reference only.\u003c\/span\u003e\u003c\/p\u003e\"\n          ]\n        },\n        {\n          \"type\": \"flow\",\n          \"content\": \"\u003ch2\u003e\u003cspan\u003e\u003cstrong\u003e14-Type of Color Filter\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h2\u003e\u003cimg src=\\\"https:\/\/canonhk.myshopify.com\/cdn\/shop\/files\/product_ml_eos-r6-v_04_Color_Filter_EN.jpg\\\"\/\u003e\"\n        },\n        {\n          \"type\": \"flow\",\n          \"content\": \"\u003chr\u003e\u003ch2\u003e\u003cspan\u003e\u003cstrong\u003eCustom Picture (CP)\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h2\u003e\u003cp\u003e\u003cspan\u003eIn addition to existing Picture Style and Color Filter, the EOS R6 V also includes Custom Picture, a common feature with the Cinema EOS series. 6 CP Presets (Canon 709 \/ Canon Log 2 \/ Canon Log 3 \/ PQ \/ HLG \/ BT.709 Standard) are provided and 14 User setting are provided for users to select the best gamma and color space for their intended use.\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan\u003eFor example, users can select BT.709-based settings and HDR settings that can be used straight out of camera (SOOC) without the need for color grading, enabling imaging that is compatible with the Cinema EOS series.\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan\u003eAs a feature unique to Custom Picture, it is possible to configure knee, black gamma, detailed color and contrast, and other settings. \u003cbr\/\u003e\u003c\/span\u003e\u003c\/p\u003e\u003cimg src=\\\"https:\/\/canonhk.myshopify.com\/cdn\/shop\/files\/product_ml_eos-r6-v_04_Custom_Picture_EN.jpg\\\"\/\u003e\"\n        },\n        {\n          \"type\": \"flow\",\n          \"content\": \"\u003ch2\u003e\u003cspan\u003e\u003cstrong\u003eWide dynamic range of 15+ stops with Canon Log 2\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h2\u003e\u003cp\u003e\u003cspan\u003eIn addition to Canon Log 3, Canon Log 2 has also been added to EOS R6 V.\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan\u003eCanon Log 2 and Canon Log 3 are gammas designed with grading in mind. Canon Log 2 provides a wide dynamic range of 15+ stops\u003csup\u003e24\u003c\/sup\u003e.\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan\u003eUsers can choose the one that fits their workflow and post-production imaging needs.\u003c\/span\u003e\u003c\/p\u003e\u003cimg src=\\\"https:\/\/canonhk.myshopify.com\/cdn\/shop\/files\/product_ml_eos-r6-v_04_Canon_Log.jpg\\\"\/\u003e\u003cdiv\u003e\u003cdiv\u003e\u003cdiv\u003e\u003ciframe allowfullscreen=\\\"\\\" frameborder=\\\"0\\\" src=\\\"https:\/\/www.youtube.com\/embed\/Rp4ISF-CIOo?autoplay=0\\\"\u003e\u003c\/iframe\u003e\u003c\/div\u003e\u003c\/div\u003e\u003c\/div\u003e\"\n        },\n        {\n          \"type\": \"grid\",\n          \"cols\": 2,\n          \"items\": [\n            \"\u003ch3\u003e\u003cspan\u003e\u003cstrong\u003eCanon Log 2 prioritizes details in dark areas\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h3\u003e\u003cp\u003e\u003cspan\u003eCanon Log 2 has characteristics closer to film and preserves details in dark in medium to dark areas than Canon Log 3. It also enables linear output over a wider range, enabling exposure control (editing) while preserving details and minimizing color changes when brightness is changed. This Log is highly compatible with production settings that are created based on Cinema-Log, such as film production.\u003c\/span\u003e\u003c\/p\u003e\",\n            \"\u003ch3\u003e\u003cspan\u003e\u003cstrong\u003eCanon Log 3 enables noise reduction in dark areas\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h3\u003e\u003cp\u003e\u003cspan\u003eCanon Log 3 is known for its ease of handling, helping users craft images even with simple grading to adjust tones. By tightening the dark areas, it generates less noise compared to Canon Log 2, enabling reduced noise in dark areas while maintaining a wide dynamic range.\u003c\/span\u003e\u003c\/p\u003e\"\n          ]\n        },\n        {\n          \"type\": \"flow\",\n          \"content\": \"\u003chr\u003e\u003ch2\u003e\u003cspan\u003e\u003cstrong\u003eSupport 2 base ISO Settings\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h2\u003e\u003cp\u003e\u003cspan\u003eEOS R6 V supports two base ISO settings\u003csup\u003e25\u003c\/sup\u003e; for example, base ISO settings when shooting RAW with Canon Log 2 \/ Log 3 can be set to ISO800 and ISO6400. The base ISO automatically switches in tandem with ISO settings, the camera requires no user operation and enables shooting that maintains dynamic range while suppressing noise.\u003cbr\/\u003e\u003cbr\/\u003e\u003c\/span\u003e\u003c\/p\u003e\u003ctable\u003e\u003ctbody\u003e\u003ctr\u003e\u003ctd class=\\\"canon-table-head\\\" style=\\\"min-width: 250px;\\\"\u003e\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eGamma\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\u003c\/td\u003e\u003ctd class=\\\"canon-table-head\\\" style=\\\"min-width: 250px;\\\"\u003e\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eBase ISO\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003ctr\u003e\u003ctd\u003e\u003cp\u003e\u003cspan\u003eCanon Log 2、Canon Log 3\u003c\/span\u003e\u003c\/p\u003e\u003c\/td\u003e\u003ctd\u003e\u003cp\u003e\u003cspan\u003eISO 800\u003cbr\/\u003e ISO 6400\u003c\/span\u003e\u003c\/p\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003ctr\u003e\u003ctd\u003e\u003cp\u003e\u003cspan\u003eCanon 709、PQ、HLG\u003cbr\/\u003ePicture Style、Color Filter\u003c\/span\u003e\u003c\/p\u003e\u003c\/td\u003e\u003ctd\u003e\u003cp\u003e\u003cspan\u003eISO 400\u003cbr\/\u003e ISO 3200\u003c\/span\u003e\u003c\/p\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003ctr\u003e\u003ctd\u003e\u003cp\u003e\u003cspan\u003eBT.709 Standard\u003c\/span\u003e\u003c\/p\u003e\u003c\/td\u003e\u003ctd\u003e\u003cp\u003e\u003cspan\u003eISO 160\u003cbr\/\u003eISO 1250\u003c\/span\u003e\u003c\/p\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/tbody\u003e\u003c\/table\u003e\"\n        },\n        {\n          \"type\": \"flow\",\n          \"content\": \"\u003chr\u003e\u003ch2\u003e\u003cspan\u003e\u003cstrong\u003eApplying LUT (Look File) in Camera\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h2\u003e\u003cp\u003e\u003cspan\u003eLUTs (Look Up Table) are color presets that respond to specific needs of image creators trying to achieve a distinctive visual beauty and color creation.\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan\u003eApply an LUT of choice to movies shot with the EOS R6 V with Look File settings to convert it to a desired color style.\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan\u003eLUTs set in Look File settings can be recorded in movies as well as displayed on the LCD monitor, making post-shoot grading more efficient. This streamlines grading work, which can be a challenge for entry-level videographers, and allows users to upgrade their visual works.\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan\u003eNow, Canon’s official \u003ca href=\\\"https:\/\/color.ssw.imaging-saas.canon\/color\/en\/pc\/index.html\\\" rel=\\\"noopener\\\" tabindex=\\\"0\\\" target=\\\"_blank\\\"\u003eCanon LUT Library website\u003c\/a\u003e provides 41 varieties of LUTs designed for movie editing software, useful for converting colors and other aspects. Users can also download the files onto a smartphone using Camera Connect and apply them immediately on-set.\u003c\/span\u003e\u003c\/p\u003e\u003cimg src=\\\"https:\/\/canonhk.myshopify.com\/cdn\/shop\/files\/product_ml_eos-r6-v_04_Look_File_EN.jpg\\\"\/\u003e\"\n        }\n      ]\n    },\n    {\n      \"type\": \"tab\",\n      \"title\": \"Advanced AF\",\n      \"banner_src\": \"https:\/\/canonhk.myshopify.com\/cdn\/shop\/files\/product_ml_eos-r6-v_05_banner.jpg\",\n      \"blocks\": [\n        {\n          \"type\": \"flow\",\n          \"content\": \"\u003ch2\u003e\u003cspan\u003e\u003cstrong\u003eHigh Precision AF Tracking\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h2\u003e\u003cp\u003e\u003cspan\u003eEOS R6 V features the renowned Dual Pixel CMOS AF II, providing up to 100％ AF coverage area\u003csup\u003e26\u003c\/sup\u003e with 1,053 frame zones. If AF is started when the subject is close, the camera appropriately detects the subject and focus position as if it were “grabbing” onto the subject. Also, tracking is enabled from various AF area settings (1-point, spot, flexible zone, etc.).The EOS R6 V can continue tracking so that the AF keeps working even if there is camera shake or subject movement within the screen. In sports, the camera can follow the original subject even when different subjects cross.\u003c\/span\u003e\u003c\/p\u003e\"\n        },\n        {\n          \"type\": \"flow\",\n          \"content\": \"\u003chr\u003e\u003ch2\u003e\u003cspan\u003e\u003cstrong\u003eAdvanced Subject Recognition\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h2\u003e\u003cp\u003e\u003cspan\u003eEOS R6 V features AF algorithm developed using Deep Learning technology for high performance Subject Recognition and AF tracking of people, animals\u003csup\u003e27\u003c\/sup\u003e and vehicles\u003csup\u003e28\u003c\/sup\u003e. Improved AF tracking performance even subject change posture or brightness change by applying deep learning technology to extract subject features during subject tracking, which applies to animals, vehicles and any other subjects selected by user.\u003c\/span\u003e\u003c\/p\u003e\u003ctable\u003e\u003ctbody\u003e\u003ctr\u003e\u003ctd class=\\\"canon-table-head\\\" style=\\\"min-width: 250px;\\\"\u003e\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eSubject to detect\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\u003c\/td\u003e\u003ctd class=\\\"canon-table-head\\\" style=\\\"min-width: 250px;\\\"\u003e\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eFeatures\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003ctr\u003e\u003ctd\u003e\u003cp\u003e\u003cspan\u003eAuto\u003c\/span\u003e\u003c\/p\u003e\u003c\/td\u003e\u003ctd\u003e\u003cp\u003e\u003cspan\u003eAuto Subject Detection detects and selects people, animals or vehicles as subject automatically. Users can take photos of people, animals, and vehicles without considering the camera settings.\u003c\/span\u003e\u003c\/p\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003ctr\u003e\u003ctd\u003e\u003cp\u003e\u003cspan\u003ePeople\u003c\/span\u003e\u003c\/p\u003e\u003c\/td\u003e\u003ctd\u003e\u003cp\u003e\u003cspan\u003eSupports eye \/ face \/ head \/ body detection, Right Eye priority or Left Eye priority also available with Eye Detection AF.\u003c\/span\u003e\u003c\/p\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003ctr\u003e\u003ctd\u003e\u003cp\u003e\u003cspan\u003eAnimals\u003c\/span\u003e\u003c\/p\u003e\u003c\/td\u003e\u003ctd\u003e\u003cp\u003e\u003cspan\u003eSupports detection of dogs, cats, bird and horses (racing horses, zebra and ponies, etc) even with riders\u003csup\u003e27\u003c\/sup\u003e. Right Eye priority or Left Eye priority also available with Eye Detection AF.\u003c\/span\u003e\u003c\/p\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003ctr\u003e\u003ctd\u003e\u003cp\u003e\u003cspan\u003eVehicles\u003c\/span\u003e\u003c\/p\u003e\u003c\/td\u003e\u003ctd\u003e\u003cp\u003e\u003cspan\u003eVehicle Detection covers train (high speed trains, conventional trains and steam locomotives) and airplane (jet planes and helicopters) in addition to motorsports (automobiles and motorcycles)\u003csup\u003e28\/sup). With Spot detection setting, the driver cab of high-speed train or cockpit of airplane can be detected.\u003c\/span\u003e\u003c\/p\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/tbody\u003e\u003c\/table\u003e\"\n        },\n        {\n          \"type\": \"flow\",\n          \"content\": \"\u003chr\u003e\u003ch2\u003e\u003cspan\u003e\u003cstrong\u003eRegister People Priority\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h2\u003e\u003cp\u003e\u003cspan\u003eEOS R6 V features Register People Priority. By registering up to 10 people in the camera in advance, it becomes possible to detect a specific person preferentially with the same performance as the EOS R3 even when there are multiple people in the AF area\/point\u003csup\u003e29\u003c\/sup\u003e. The feature is available when shooting movies as well as still photos, and is effective for group scenes, press conferences, and other such settings.\u003c\/span\u003e\u003c\/p\u003e\u003cimg src=\\\"https:\/\/canonhk.myshopify.com\/cdn\/shop\/files\/product_ml_eos-r6-v_05_Register_People_En.jpg\\\"\/\u003e\u003cdiv\u003e\u003cdiv\u003e\u003cdiv\u003e\u003ciframe allowfullscreen=\\\"\\\" frameborder=\\\"0\\\" src=\\\"https:\/\/www.youtube.com\/embed\/ZcsEi2VyllI?autoplay=0\\\"\u003e\u003c\/iframe\u003e\u003c\/div\u003e\u003c\/div\u003e\u003c\/div\u003e\"\n        },\n        {\n          \"type\": \"flow\",\n          \"content\": \"\u003chr\u003e\u003ch2\u003e\u003cspan\u003e\u003cstrong\u003eReproduce the Focus Skill of Professionals\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h2\u003e\u003cp\u003e\u003cspan\u003eEOS R6 V’s Movie Servo AF features the focusing acceleration\/deceleration algorithm found in the Cinema EOS C400 \/ C80 that recreates the deliberate focus control of professional camera operators. This uses autofocus to replicate the smooth focusing work of an expert focus operator, responding to the visual expression needs of creatives.\u003c\/span\u003e\u003c\/p\u003e\u003cimg src=\\\"https:\/\/canonhk.myshopify.com\/cdn\/shop\/files\/product_ml_eos-r6-v_05_Focus_Algorithm_En.jpg\\\"\/\u003e\"\n        },\n        {\n          \"type\": \"flow\",\n          \"content\": \"\u003chr\u003e\u003ch2\u003e\u003cspan\u003e\u003cstrong\u003eMovie Servo AF Speed and Tracking Style\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h2\u003e\u003cp\u003e\u003cspan\u003eWith the EOS R6 V, the AF specifications are designed to be common with the EOS C50, and Movie Servo AF speed can be adjusted to ten levels from slow to fast to suit the situation and subject movement, making shooting smoother and more accurate. Subject switching sensitivity can also be customized to five levels.\u003c\/span\u003e\u003c\/p\u003e\"\n        },\n        {\n          \"type\": \"grid\",\n          \"cols\": 2,\n          \"items\": [\n            \"\u003ch3\u003e\u003cspan\u003e\u003cstrong\u003eMovie Servo AF speed\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h3\u003e\u003cimg src=\\\"https:\/\/canonhk.myshopify.com\/cdn\/shop\/files\/product_ml_eos-r6-v_05_Movie_Servo_AF_Speed_EN.jpg\\\"\/\u003e\u003cp\u003e\u003cspan\u003eThe Movie Servo AF speed can be adjusted in a range of 1–10 to cope with shooting style.\u003c\/span\u003e\u003c\/p\u003e\",\n            \"\u003ch3\u003e\u003cspan\u003e\u003cstrong\u003eSubject switching sensitivity\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h3\u003e\u003cimg src=\\\"https:\/\/canonhk.myshopify.com\/cdn\/shop\/files\/product_ml_eos-r6-v_05_Subjest_Switch_Sensitivity_EN.jpg\\\"\/\u003e\u003cp\u003e\u003cspan\u003eSet how easily the focus switches if a new subject is detected during movie recording.\u003c\/span\u003e\u003c\/p\u003e\"\n          ]\n        },\n        {\n          \"type\": \"flow\",\n          \"content\": \"\u003chr\u003e\u003ch2\u003e\u003cspan\u003e\u003cstrong\u003eTrack after focusing\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h2\u003e\u003cp\u003e\u003cspan\u003eWhen Movie servo AF is enabled, the focus ring of the lens\u003csup\u003e30\u003c\/sup\u003e can be used to temporarily switch to manual focus and switch subjects with focusing control at the user’s desired speed. When lens focus ring operation is completed, the lens will maintain focus on the subject in focus and resume tracking\u003csup\u003e31\u003c\/sup\u003e.\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan\u003eCombined use is also possible with the Subject to detect (People\/Animals\/Vehicles\/Auto) set via the menu and Eye detection features. This allows switching of the main subject using just lens operation and without using the camera buttons or touch screen while in Movie servo AF mode, improving operability during movie shooting.\u003c\/span\u003e\u003c\/p\u003e\u003cdiv\u003e\u003cdiv\u003e\u003cdiv\u003e\u003ciframe allowfullscreen=\\\"\\\" frameborder=\\\"0\\\" src=\\\"https:\/\/www.youtube.com\/embed\/vLEgXHYr8e4?autoplay=0\\\"\u003e\u003c\/iframe\u003e\u003c\/div\u003e\u003c\/div\u003e\u003c\/div\u003e\"\n        },\n        {\n          \"type\": \"flow\",\n          \"content\": \"\u003chr\u003e\u003ch2\u003e\u003cspan\u003e\u003cstrong\u003eAF for Close‑up Demos\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h2\u003e\u003cp\u003e\u003cspan\u003eAF for Close‑up Demos is an AF mode with close-range priority for focusing on the subject closest to the camera. It now offers an expanded settings range. In addition to the previous Movie for close-up demos mode or USB(UVC\/UAC) streaming, settings are now available for multiple shooting modes, including each Creative Zone during movie recording (P \/ Tv \/ Av \/ M \/ S\u0026amp;F \/ C1 \/ C2 \/ C3), and Smooth Skin movie.In creative zone shooting modes, users can take advantage of AF for close-up demos with Custom Picture and LUTs applied, flexibly adapting to the creator’s intents.\u003c\/span\u003e\u003c\/p\u003e\u003cimg src=\\\"https:\/\/canonhk.myshopify.com\/cdn\/shop\/files\/product_ml_eos-r6-v_05_AF_for_close_up_demos_En.jpg\\\"\/\u003e\u003cdiv\u003e\u003cdiv\u003e\u003cdiv\u003e\u003ciframe allowfullscreen=\\\"\\\" frameborder=\\\"0\\\" src=\\\"https:\/\/www.youtube.com\/embed\/Lm011CeDs2w?autoplay=0\\\"\u003e\u003c\/iframe\u003e\u003c\/div\u003e\u003c\/div\u003e\u003c\/div\u003e\"\n        }\n      ]\n    },\n    {\n      \"type\": \"tab\",\n      \"title\": \"Ultra-High Speed x High Image Quality\",\n      \"banner_src\": \"https:\/\/canonhk.myshopify.com\/cdn\/shop\/files\/product_ml_eos-r6-v_06_banner.jpg\",\n      \"blocks\": [\n        {\n          \"type\": \"flow\",\n          \"content\": \"\u003ch2\u003e\u003cspan\u003e\u003cstrong\u003e32.5MP Full Frame CMOS Sensor\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h2\u003e\u003cp\u003e\u003cspan\u003eEOS R6 V is equipped with Canon's 32.5MP Full Frame CMOS Sensor, which supports high-speed image processing with a High Speed DIGIC X digital image processor to deliver high-quality images.\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan\u003eThe standard ISO range for EOS R6 V is 100 - 64000 and is expandable to ISO 102400 to capture clear, low-noise images even in low light environments.\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan\u003eThe increased resolution of EOS R6 V makes it ideal for portrait and landscape photography. Moreover, images maintain high resolution even when cropped, making it useful in settings with faraway subjects such as sports and wildlife.\u003c\/span\u003e\u003c\/p\u003e\u003cimg src=\\\"https:\/\/canonhk.myshopify.com\/cdn\/shop\/files\/product_ml_eos-r6-v_06_CMOS.jpg\\\"\/\u003e\"\n        },\n        {\n          \"type\": \"flow\",\n          \"content\": \"\u003chr\u003e\u003ch2\u003e\u003cspan\u003e\u003cstrong\u003e40 FPS High Speed Shooting\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h2\u003e\u003cp\u003e\u003cspan\u003eEOS R6 V supports high speed continuous shooting up to approx. 40FPS\u003csup\u003e32\u003c\/sup\u003e with AF \/ AE using Electronic Shutter\u003csup\u003e33\u003c\/sup\u003e. Electronic shutter is useful for shooting wildlife and in theaters, concert halls, golf tournaments, and other situations where shutter noise is unwanted\u003csup\u003e34\u003c\/sup\u003e.\u003cbr\/\u003e\u003c\/span\u003e\u003c\/p\u003e\u003cimg src=\\\"https:\/\/canonhk.myshopify.com\/cdn\/shop\/files\/product_ml_eos-r6-v_06_40FPS.jpg\\\"\/\u003e\"\n        },\n        {\n          \"type\": \"flow\",\n          \"content\": \"\u003chr\u003e\u003ch2\u003e\u003cspan\u003e\u003cstrong\u003ePre-continuous shooting\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h2\u003e\u003cp\u003e\u003cspan\u003eEOS R6 V supports the Pre-continuous shooting function\u003csup\u003e35\u003c\/sup\u003e, which lets users capture continuous still photos from the previous 20 shots immediately before fully-pressing the shutter button. This provides peace of mind with less risk of failed shots when shooting difficult subjects that photographers in the past had to rely on their intuition and experience to capture. Users can choose from RAW\/C-RAW\/JPEG\/HEIF recording formats. This feature can also be registered as a customized button to call it up only when needed.\u003c\/span\u003e\u003c\/p\u003e\u003cimg src=\\\"https:\/\/canonhk.myshopify.com\/cdn\/shop\/files\/product_ml_eos-r6-v_06_Pre_continuous_shooting_En.jpg\\\"\/\u003e\"\n        }\n      ]\n    },\n    {\n      \"type\": \"tab\",\n      \"title\": \"Network \u0026 Connectivity\",\n      \"banner_src\": \"\",\n      \"blocks\": [\n        {\n          \"type\": \"flow\",\n          \"content\": \"\u003ch2\u003e\u003cspan\u003e\u003cstrong\u003eTo meet the need for Professional Workflow\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h2\u003e\u003cimg src=\\\"https:\/\/canonhk.myshopify.com\/cdn\/shop\/files\/product_ml_eos-r6-v_07_Network_Function_EN.jpg\\\"\/\u003e\u003cul\u003e\u003cli\u003e\u003cspan\u003eSupports high speed and stable 5GHz Wi-Fi (IEEE802.11ac) wireless network.\u003c\/span\u003e\u003c\/li\u003e\u003cli\u003e\u003cspan\u003eBuilt-in Bluetooth® low energy technology for easy Smartphone connection, GPS information acquisition, remote control from smartphone and continuous shooting with Wireless Remote Controller BR-E2\/BR-E1.\u003c\/span\u003e\u003c\/li\u003e\u003cli\u003e\u003cspan\u003eBuilt-in USB-C (USB 3.2 Gen 2) digital terminal for 10Gbps high-speed transmission.\u003c\/span\u003e\u003c\/li\u003e\u003cli\u003e\u003cspan\u003eWired connection to Camera Connect App with full function is support for iPhone\u003csup\u003e36\u003c\/sup\u003e and AndroidTM smartphone.\u003c\/span\u003e\u003c\/li\u003e\u003cli\u003e\u003cspan\u003eHigh-speed transfer of movie and still photo files using FTP Transfer or using Content Transfer Professional \u003csup\u003e37\u003c\/sup\u003evia a 5G \/ LTE device.\u003c\/span\u003e\u003c\/li\u003e\u003c\/ul\u003e\"\n        }\n      ]\n    },\n    {\n      \"type\": \"tab\",\n      \"title\": \"Video Production\",\n      \"banner_src\": \"\",\n      \"blocks\": [\n        {\n          \"type\": \"flow\",\n          \"content\": \"\u003ch2\u003e\u003cspan\u003e\u003cstrong\u003eEOS R6 V Video Production\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h2\u003e\u003cdiv\u003e\u003cdiv\u003e\u003cdiv\u003e\u003ciframe allowfullscreen=\\\"\\\" frameborder=\\\"0\\\" src=\\\"https:\/\/www.youtube.com\/embed\/vbm2OFBc59E?autoplay=0\\\"\u003e\u003c\/iframe\u003e\u003c\/div\u003e\u003c\/div\u003e\u003c\/div\u003e\"\n        }\n      ]\n    }\n  ],\n  \"footnotes\": \"\u003cdiv\u003e\u003chr\/\u003e\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eCompatibility Information：\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\u003cul\u003e\u003cli\u003e\u003cspan\u003e\u003ca href=\\\"https:\/\/hk.canon\/en\/consumer\/web\/ef-lenses-supporting-max-continuous-shooting-speed\\\" rel=\\\"noopener\\\" tabindex=\\\"0\\\" target=\\\"_blank\\\"\u003eEF lenses compatible to Max. Continuous shooting Speed\u003c\/a\u003e\u003cbr\/\u003e\u003c\/span\u003e\u003c\/li\u003e\u003cli\u003e\u003cspan\u003e\u003ca href=\\\"https:\/\/hk.canon\/en\/consumer\/web\/eos-r-series-dual-pixel-cmos-af-lens-and-af-area\\\" rel=\\\"noopener\\\" tabindex=\\\"0\\\" target=\\\"_blank\\\"\u003eEOS R6 V Dual Pixel CMOS AF Area and Lens Compatibility Table\u003c\/a\u003e\u003cbr\/\u003e\u003c\/span\u003e\u003c\/li\u003e\u003cli\u003e\u003cspan\u003e\u003ca href=\\\"https:\/\/hk.canon\/en\/consumer\/web\/eos-r-focus-breathing-correction-compatible-lens-list\\\" rel=\\\"noopener\\\" tabindex=\\\"0\\\" target=\\\"_blank\\\"\u003eList of Lenses Compatible with [Focus Breathing]\u003c\/a\u003e\u003cbr\/\u003e\u003c\/span\u003e\u003c\/li\u003e\u003cli\u003e\u003cspan\u003e\u003ca href=\\\"https:\/\/hk.canon\/en\/consumer\/web\/eos-r-focus-bracketing-compatible-lens-list\\\" rel=\\\"noopener\\\" tabindex=\\\"0\\\" target=\\\"_blank\\\"\u003eList of Lenses Compatible with EOS R-Series [Focus Bracketing]\u003c\/a\u003e\u003cbr\/\u003e\u003c\/span\u003e\u003c\/li\u003e\u003cli\u003e\u003cspan\u003e\u003ca href=\\\"https:\/\/hk.canon\/en\/consumer\/web\/lenses-compatible-with-eos-r-electronic-ft-mf\\\" rel=\\\"noopener\\\" tabindex=\\\"0\\\" target=\\\"_blank\\\"\u003eList of Lenses Compatible with [Electronic full-time MF]\u003c\/a\u003e\u003cbr\/\u003e\u003c\/span\u003e\u003c\/li\u003e\u003c\/ul\u003e\u003chr\u003e\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eRemarks：\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan\u003e\u003csup\u003e1 \u003c\/sup\u003eLenses equipped with power zoom, or RF lenses with Power Zoom Adapter PZ-E2 \/ PZ-E2B attached.\u003cbr\/\u003e\u003csup\u003e2 \u003c\/sup\u003eBased on the CIPA 2024 standard. Yaw \/ pitch \/ roll correction performance when using electronic shutter and RF24-105mm F2.8L IS USM Z (focal length: 105mm).\u003cbr\/\u003e\u003csup\u003e3 \u003c\/sup\u003eWhen Subject tracking IS is set, Movie digital IS, Movie auto level, Open Gate, and Digital Zoom are disabled. Cannot be used with RAW movies, movies at 100p or higher, S\u0026amp;F movies, time-lapse movies, live streaming, or HDMI RAW output. Image will be narrower than normal angle of view.\u003cbr\/\u003e\u003csup\u003e4 \u003c\/sup\u003eAccording to Canon testing conditions when using CFexpress cards and SD memory cards conforming to Canon testing standards. When using a screen, no communication, without power over USB, and under 23°C environment. When the ambient temperature is higher than \u0026lt;23°C \/ 73°F, the available time for continuous shooting will be shorter.\u003cbr\/\u003e\u003csup\u003e5 \u003c\/sup\u003eIn order to maximize dust- and water-resistant performance, make sure that all camera openings (including battery compartment, card slot cover, and terminal cover) are tightly closed and Multi-Function Shoe cover is attached. Although it is designed to be dust- and water-resistant, Canon cannot guarantee that dust and water will not penetrate the camera.\u003cbr\/\u003e\u003csup\u003e6 \u003c\/sup\u003eBattery Pack LP-E6 cannot be used. When using the LP-E6NH\/LP-E6N, the Wi-Fi functions and some accessories cannot be used. Continuous shooting speed may be reduced.\u003cbr\/\u003e\u003csup\u003e7 \u003c\/sup\u003eWhen [Cooling fan settings] are set to [Fan: On] and [Fan rotation speed: Low] is set.\u003cbr\/\u003e\u003csup\u003e8 \u003c\/sup\u003eSupports RAW movie and XF-HEVC S recording only. There is slight cropping when recording in MP4.\u003cbr\/\u003e\u003csup\u003e9 \u003c\/sup\u003eThere are differences in image quality between 4K Fine 60p and 4K Fine 30p MP4.\u003cbr\/\u003e\u003csup\u003e10 \u003c\/sup\u003eAudio is recorded and movie is played back at actual speed except when shooting with “Slow \u0026amp; Fast Motion Movies Mode”.\u003cbr\/\u003e\u003csup\u003e11 \u003c\/sup\u003eWhen 180p\/150p is selected, there is cropping at about 1.13x compared to 120p or less.\u003cbr\/\u003e\u003csup\u003e12 \u003c\/sup\u003eSound is not recorded.\u003cbr\/\u003e\u003csup\u003e13 \u003c\/sup\u003eNot available when recording movies at 100p or higher.\u003cbr\/\u003e\u003csup\u003e14 \u003c\/sup\u003eNot available with LPCM\/24bit\/4CH audio format. Operation noise of the in-lens image stabilization mechanism is not reduced.\u003cbr\/\u003e\u003csup\u003e15 \u003c\/sup\u003eWhen recording 7K Open Gate RAW video, the proxy video resolution is 1920 × 1280. Cannot be used with RAW Movies, Open Gate Movies, movies at 100p or higher, S\u0026amp;F movies, time-lapse movies or HDMI RAW output.\u003cbr\/\u003e\u003csup\u003e16 \u003c\/sup\u003eCannot be used with RAW Movies, Open Gate Movies, movies at 100p or higher, S\u0026amp;F movies, time-lapse movies or HDMI RAW output.\u003cbr\/\u003e\u003csup\u003e17 \u003c\/sup\u003eCannot be used with 4K DCI\/UHD movies at 100p or higher, time-lapse movies, digital zoom, live streaming or shooting with RF5.2mm F2.8 L DUAL FISHEYE. 5x and 10x magnification is not available when Open Gate MP4 is set.\u003cbr\/\u003e\u003csup\u003e18 \u003c\/sup\u003eCannot be set in still image shooting and Basic Zone.\u003cbr\/\u003e\u003csup\u003e19 \u003c\/sup\u003eCannot be set in Basic Zone.\u003cbr\/\u003e\u003csup\u003e20 \u003c\/sup\u003eWhen set to P \/ M \/ Smooth Skin movie modes. 4K 60p cannot be selected when Smooth skin movie mode is set. Fixed at FHD 30p when connected via USB2.0.\u003cbr\/\u003e\u003csup\u003e21 \u003c\/sup\u003eRequires USB Power Delivery support and 5V\/1.5A or greater supply capacity. 4K 30p \/ 4K Crop 60p is not possible when power supplying.\u003cbr\/\u003e\u003csup\u003e22 \u003c\/sup\u003eNot available in still image shooting.\u003cbr\/\u003e\u003csup\u003e23 \u003c\/sup\u003eNot available in Basic Zone. Photo: Cannot be used with RAW \/ C-RAW or, HDR shooting (PQ). Movie: Cannot be used with RAW movie, HDMI RAW output, HDR shooting (PQ) or Time-lapse movies.\u003cbr\/\u003e\u003csup\u003e24 \u003c\/sup\u003eWhen shooting 4K DCI\/UHD Fine 30p\/25p and set to ISO 800.\u003cbr\/\u003e\u003csup\u003e25 \u003c\/sup\u003eBase ISO varies according to the gamma settings. Manual switching of base ISO is not enabled.\u003cbr\/\u003e\u003csup\u003e26 \u003c\/sup\u003eOnly when a lens compatible with the focusing area of 90% x 100% (horizontal x vertical) is attached to the camera while the Whole Area AF is active or the subject is detected by the setting other than Whole Area AF. Depending on the conditions of the scene or the subject, this setting may not respond as intended. For details on compatible lenses, please refer to \u003ca href=\\\"https:\/\/hk.canon\/en\/consumer\/web\/eos-r-series-dual-pixel-cmos-af-lens-and-af-area\\\" rel=\\\"noopener\\\" tabindex=\\\"0\\\" target=\\\"_blank\\\"\u003eCanon Website\u003c\/a\u003e.\u003cbr\/\u003e\u003csup\u003e27 \u003c\/sup\u003eEffectiveness varies depending on the subject. In some cases, dogs, cats, horses or birds may not be detected, while some animals other than dogs, cats, horses or birds may be detected.\u003cbr\/\u003e\u003csup\u003e28 \u003c\/sup\u003eThe vehicle detection may not function for some subjects. Or, subjects, which are not automobile, motorcycle, train, airplane or helicopter, may be detected as vehicles. Spot detection may not work properly depending on the subject. The camera may also operate spot-detecting areas that are neither a driver nor rider helmet, as well as neither a train driver cab nor an aircraft cockpit.\u003cbr\/\u003e\u003csup\u003e29 \u003c\/sup\u003eDue to factors such as face brightness, size, facial expression, movement, and blockage of part of the face, the detection accuracy may decrease.\u003cbr\/\u003e\u003csup\u003e30 \u003c\/sup\u003eCompatible lenses: RF lenses with Electronic full-time MF, RF lenses compatible with electronic manual focusing (only when Movie servo AF is paused; excluding RF5.2mm F2.8 L DUAL FISHEYE).\u003cbr\/\u003e\u003csup\u003e31 \u003c\/sup\u003eSubject selection and tracking of selected subject may not be possible if the subject has no difference in depth, is not in focus on the screen, or is moving.\u003cbr\/\u003e\u003csup\u003e32 \u003c\/sup\u003eDepending on the nature of subject or shooting conditions, rolling shutter image distortion may occur.\u003cbr\/\u003e\u003csup\u003e33 \u003c\/sup\u003eContinuous shooting speed may be slower depending on subject\/shooting conditions or the camera setup or the lens used, etc. Refer to \u003ca href=\\\"https:\/\/cam.start.canon\/en\/C022\/\\\" rel=\\\"noopener\\\" tabindex=\\\"0\\\" target=\\\"_blank\\\"\u003eAdvanced User Guide\u003c\/a\u003e for details. Continuous shooting speed is slower when flicker is detected, even if anti-flicker shooting is off. For information on lenses that support the maximum continuous shooting speed, please refer to \u003ca href=\\\"https:\/\/hk.canon\/en\/consumer\/web\/ef-lenses-supporting-max-continuous-shooting-speed\\\" rel=\\\"noopener\\\" tabindex=\\\"0\\\" target=\\\"_blank\\\"\u003eCanon Website\u003c\/a\u003e.\u003cbr\/\u003e\u003csup\u003e34 \u003c\/sup\u003eSounds other than the shutter (aperture, focus lens drive sound, and electronic sound, etc.) may be generated.\u003cbr\/\u003e\u003csup\u003e35 \u003c\/sup\u003eOnly available when Electronic shutter and High-speed Continuous Shooting+ is set. Not available when the shutter speed is slower than 1\/30 sec. Other restrictions apply.\u003cbr\/\u003e\u003csup\u003e36 \u003c\/sup\u003eRequires a third-party MFi-compatible cable for wired connection to iPhone with Lightning connector.\u003cbr\/\u003e\u003csup\u003e37 \u003c\/sup\u003eSubscription service.\u003c\/span\u003e\u003c\/p\u003e\u003c\/div\u003e\"\n}\n\u003c\/script\u003e","brand":"Canon Online Store 網上商店","offers":[{"title":"EOS R6 V Body","offer_id":53873843339630,"sku":"7250C007AA02","price":16180.0,"currency_code":"HKD","in_stock":true},{"title":"EOS R6 V with RF20-50mm F4 L IS USM PZ Lens Kit","offer_id":53873843306862,"sku":"7250C015AA02","price":24480.0,"currency_code":"HKD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0983\/9771\/6846\/files\/product_ml_eos-r6-v_08_front_RF20_50_F4_L_IS_USM_PZ.jpg?v=1780969608","url":"https:\/\/store.hk.canon\/en\/products\/eos-r6-v","provider":"Canon Online Store 網上商店","version":"1.0","type":"link"}