{"product_id":"rf20mm-f1-4-l-vcm","title":"RF20mm F1.4 L VCM","description":"\u003cscript type=\"application\/json\" id=\"canon-product-data\"\u003e\n{\n  \"version\": \"1.0\",\n  \"sections\": [\n    {\n      \"type\": \"tab\",\n      \"title\": \"Features\",\n      \"banner_src\": \"https:\/\/canonhk.myshopify.com\/cdn\/shop\/files\/RF_Lens_RF20L_VCM_RF20_1_4_L_VCM_Banner.jpg\",\n      \"blocks\": [\n        {\n          \"type\": \"flow\",\n          \"content\": \"\u003cdiv\u003e\u003cdiv\u003e\u003cdiv\u003e\u003c\/div\u003e\u003c\/div\u003e\u003chr\/\u003e\u003ch2\u003e\u003cspan\u003e\u003cstrong\u003eF1.4 RF Prime Lens Series Designed for Hybrid Shooting\u003cbr\/\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h2\u003e\u003cp\u003e\u003cspan\u003eWith the growing popularity of social media, the boundaries between photo and movie shooting are becoming increasingly blurred, there is also an increasing demand from professionals and content creators for photo\/movie hybrid shooting. In respond to the demands of creators who go back and forth between photos and video, Canon thus introduced the Ultra-fast F1.4 RF Prime Lens series for hybrid shooting. \u003cbr\/\u003eWith their classic 14mm\/20mm\/24mm\/35mm\/50mm\/85mm focal length, ultra-fast f\/1.4 aperture, high image quality and common exterior and operability, the Ultra-fast F1.4 Hybrid RF Prime Lens series would empower next generation hybrid content creators to explore different possibilities. \u003c\/span\u003e\u003c\/p\u003e\u003cimg src=\\\"https:\/\/canonhk.myshopify.com\/cdn\/shop\/files\/RF_Lens_RF14L_VCM_F1_4L_VCM_series_202602.jpg\\\"\/\u003e\u003chr\/\u003e\u003ch2\u003e\u003cspan\u003e\u003cstrong\u003eThe Expressive Power of 20mm F1.4 Aperture\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h2\u003e\u003cp\u003e\u003cspan\u003eUltra wide-angle lenses have a greater depth of field than standard or telephoto lenses, and are generally used to shoot pan-focus-like images that are in focus from up close to far away. The combination of a 20mm field of view and a large f\/1.4 aperture of RF20mm F1.4 L VCM captures a wider view of the world than the naked eye, and by adding a rich element of bokeh you can create images that make the theme stand out dynamically. \u003cbr\/\u003eWith a 20 mm field of view at 94\u003csup\u003eo\u003c\/sup\u003e, user can capture a whole large structure head-on, or user can create a powerful composition that pulls in the viewer by simply angling the lens a little.\u003cbr\/\u003eTherefore, the 20mm focal length is suitable for a wide range of photography such as snapshot, architecture, landscapes and starscapes.\u003c\/span\u003e\u003c\/p\u003e\u003cimg src=\\\"https:\/\/canonhk.myshopify.com\/cdn\/shop\/files\/RF_Lens_RF20L_VCM_RF20_1_4_L_VCM_20mm_01.jpg\\\"\/\u003e\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eEOS R5 Mark II • ISO400 • 1\/1000s • f\/9\u003cbr\/\u003e\u003cspan\u003eImage has been adjusted from RAW data using Digital Photo Professional\u003c\/span\u003e\u003c\/span\u003e\u003cbr\/\u003e\u003c\/strong\u003e\u003c\/p\u003e\u003cimg src=\\\"https:\/\/canonhk.myshopify.com\/cdn\/shop\/files\/RF_Lens_RF20L_VCM_RF20_1_4_L_VCM_20mm_02b.jpg\\\"\/\u003e\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eEOS R5 Mark II • ISO100 • 1\/2500s • f\/1.6\u003cbr\/\u003e\u003cspan\u003eImage has been adjusted from RAW data using Digital Photo Professional\u003c\/span\u003e\u003c\/span\u003e\u003cbr\/\u003e\u003c\/strong\u003e\u003c\/p\u003e\u003ch2\u003e\u003cspan\u003e\u003cstrong\u003eUltra-Fast F1.4 Aperture\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h2\u003e\u003cp\u003e\u003cspan\u003eWith a large aperture of f\/1.4, the depth of field of RF20mm F1.4 L VCM becomes extremely shallow even as a wide-angle lens, giving image a rich bokeh effect.  This lets creator creates images where the subject appears to emerge from the background. \u003cbr\/\u003eWhen shooting in dark places, the images become clear, deep and impressive since there is no need to increase the sensitivity. The ultra-fast f\/1.4 aperture also allows for faster shutter speeds to help prevent subject blurs. The lens effectively suppresses chromatic aberration near the focus peak, and provides both the smooth, rich bokeh expressions and high resolution of a f\/1.4 maximum aperture.\u003c\/span\u003e\u003c\/p\u003e\u003cimg src=\\\"https:\/\/canonhk.myshopify.com\/cdn\/shop\/files\/RF_Lens_RF20L_VCM_RF20_1_4_L_VCM_Fast_Aperture_01.jpg\\\"\/\u003e\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eEOS R5 Mark II • ISO400 • 1\/80s • f\/1.4\u003c\/span\u003e\u003cbr\/\u003e\u003c\/strong\u003e\u003c\/p\u003e\u003cimg src=\\\"https:\/\/canonhk.myshopify.com\/cdn\/shop\/files\/RF_Lens_RF20L_VCM_RF20_1_4_L_VCM_Fast_Aperture_02.jpg\\\"\/\u003e\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eEOS R5 Mark II • ISO100 • 1\/160s • f\/1.6\u003c\/span\u003e\u003cbr\/\u003e\u003c\/strong\u003e\u003c\/p\u003e\u003chr\/\u003e\u003ch2\u003e\u003cspan\u003e\u003cstrong\u003eHigh Mobility Design\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h2\u003e\u003cp\u003e\u003cspan\u003eThe Ultra-fast F1.4 Hybrid RF Prime Lens series adopts the same high mobility design as the RF35mm F1.4 L VCM with a length of 99.3mm and a diameter of 76.5mm.  The front filter diameter of 67 mm is also the same across the whole series, so the same filters can be used. They are easy to use when shooting and also compact and easy to store when carrying several lenses. The same exterior design of the Ultra-fast F1.4 Hybrid RF Prime Lens series also enhance efficiency during shooting, for example by reducing the need for readjustments after changing lenses when shooting videos using a gimbal.\u003c\/span\u003e\u003c\/p\u003e\u003cimg src=\\\"https:\/\/canonhk.myshopify.com\/cdn\/shop\/files\/RF_Lens_RF14L_VCM_F1_4L_VCM_Size_2026.jpg\\\"\/\u003e\u003cp\u003e\u003cspan\u003eSince the RF20mm F1.4 L VCM is designed to be compact enough to carry around every day, it weighs 519g only and does not feature any optical image stabilization. However, paired with an EOS R series camera equipped with In-Body Image Stabilization, up to 8.0-stop shake compensation at center and 5.0-stop in peripheral\u003csup\u003e3\u003c\/sup\u003e can be achieved.\u003c\/span\u003e\u003c\/p\u003e\u003cimg src=\\\"https:\/\/canonhk.myshopify.com\/cdn\/shop\/files\/RF_Lens_RF20L_VCM_RF20_1_4_L_VCM_mobility.jpg\\\"\/\u003e\u003chr\/\u003e\u003ch2\u003e\u003cspan\u003e\u003cstrong\u003eExtraordinary Image Quality at F1.4\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h2\u003e\u003cp\u003e\u003cspan\u003eRF20mm F1.4 L VCM’s newly developed 15 elements in 11 groups optical design takes full advantage of the large diameter mount and short back focus of RF Mount. Color aberration at wide open aperture is optimally corrected by a BR optical element, which has anomalous dispersion characteristics that greatly refract blue light, a Super UD lens and 2 UD lenses, while 2 GMo aspherical lens suppresses spherical aberration and image distortion. Together these lenses enable high image quality from the center to the edges, even at wide open f\/1.4 aperture. \u003c\/span\u003e\u003c\/p\u003e\u003cimg src=\\\"https:\/\/canonhk.myshopify.com\/cdn\/shop\/files\/RF_Lens_RF20L_VCM_RF20_1_4_L_VCM_IQ.jpg\\\"\/\u003e\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eEOS R5 Mark II • ISO100 • 1\/60s • f\/1.4\u003c\/span\u003e\u003cbr\/\u003e\u003c\/strong\u003e\u003c\/p\u003e\"\n        },\n        {\n          \"type\": \"grid\",\n          \"cols\": 4,\n          \"items\": [\n            \"\u003cimg src=\\\"https:\/\/canonhk.myshopify.com\/cdn\/shop\/files\/RF_Lens_RF_Lens_common_BR_Optics_En.jpg\\\"\/\u003e\",\n            \"\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eBR Lens \u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan\u003eBR lens consists of an optical material, namely Blue Spectrum Refractive Optics, developed for ideal chromatic aberration correction. Designed from its molecular structure, BR Optics possess anomalous dispersion characteristics that can greatly refract blue light (short wavelength spectrum). When combined with conventional convex and concave lenses, the BR optics helps converge all colors to a specific focal point and eliminate axial chromatic aberration and color blur thoroughly even at wide open aperture which are not correctable with conventional lens combinations. This makes possible a higher standard of color fringing correction to achieve superior imaging performance with exceptional contrast and details.\u003c\/span\u003e\u003c\/p\u003e\",\n            \"\u003cimg src=\\\"https:\/\/canonhk.myshopify.com\/cdn\/shop\/files\/RF_Lens_RF_Lens_common_Lens_technology_UD_Lens.jpg\\\"\/\u003e\",\n            \"\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eSuper UD Lens and UD Lens\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan\u003e1 Super UD lens and 2 UD lenses, together with the BR Lens, correct chromatic aberration effectively at wide open aperture.\u003c\/span\u003e\u003c\/p\u003e\",\n            \"\u003cimg src=\\\"https:\/\/canonhk.myshopify.com\/cdn\/shop\/files\/RF_Lens_RF_Lens_common_Lens_technology_Aspherical_Lens.jpg\\\"\/\u003e\",\n            \"\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eGMo Aspherical Lens\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan\u003e2 Glass-Molded (GMo) Aspherical lenses suppress spherical aberration and image distortion, achieving high-level image quality throughout the entire screen.\u003c\/span\u003e\u003c\/p\u003e\",\n            \"\u003cimg src=\\\"https:\/\/canonhk.myshopify.com\/cdn\/shop\/files\/RF_Lens_RF_Lens_common_Lens_technology_SWC.jpg\\\"\/\u003e\",\n            \"\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eSubwavelength Structure Coating (SWC) \u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan\u003eApplication of SWC (Subwavelength Structure Coating) at the first lens element to reduce lens flare common to wide angle lenses. Developed by Canon, this remarkable anti-reflection technology is achieved by adding innumerable nanometer-sized wedge-shaped structures smaller than the wavelength of visible light (380 to 780 nm) on the surface of the lens to control light reflection with a refractive index gradient.\u003c\/span\u003e\u003c\/p\u003e\",\n            \"\u003cimg src=\\\"https:\/\/canonhk.myshopify.com\/cdn\/shop\/files\/RF_Lens_RF_Lens_common_Lens_technology_ASC_EN.jpg\\\"\/\u003e\",\n            \"\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eAir Sphere Coating (ASC)\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan\u003eASC (Air Sphere Coating) with excellent anti-reflection effect is also incorporated to suppress the occurrence of flaring and ghosting to a higher degree.\u003c\/span\u003e\u003c\/p\u003e\"\n          ]\n        },\n        {\n          \"type\": \"flow\",\n          \"content\": \"\u003ch2\u003e\u003cspan\u003e\u003cstrong\u003eSharp Rendering of Point Light Sources\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h2\u003e\u003cp\u003e\u003cspan\u003eThe 2 optimally placed GMo aspheric lenses reduce sagittal coma flare and improves the image quality around the points when shooting point light sources images. Illuminations and starry skies are sharply captured all the way out to the corners of the image.\u003c\/span\u003e\u003c\/p\u003e\u003cimg src=\\\"https:\/\/canonhk.myshopify.com\/cdn\/shop\/files\/RF_Lens_RF20L_VCM_RF20_1_4_L_VCM_coma.jpg\\\"\/\u003e\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eEOS R5 Mark II • ISO1600 • 6s • f\/1.4  \u003cbr\/\u003e\u003cspan\u003eImage has been adjusted from RAW data using Digital Photo Professional\u003c\/span\u003e\u003c\/span\u003e\u003cbr\/\u003e\u003c\/strong\u003e\u003c\/p\u003e\u003ch2\u003e\u003cspan\u003e\u003cstrong\u003eClear Images Even in Backlight\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h2\u003e\u003cp\u003e\u003cspan\u003eIn dark places, or when the light itself is to be captured , the SWC (Subwavelength Structure Coating) and ASC (Air Sphere Coating) effectively reduces flare and ghosting even in backlit conditions to produce clear, high-contrast images. \u003cbr\/\u003eWhen the aperture is stopped down, the 11 aperture blades create a gorgeous glow while maintaining the smooth circular shape of the bokeh.\u003cbr\/\u003e\u003c\/span\u003e\u003c\/p\u003e\u003cimg src=\\\"https:\/\/canonhk.myshopify.com\/cdn\/shop\/files\/RF_Lens_RF20L_VCM_RF20_1_4_L_VCM_flare_resistance.jpg\\\"\/\u003e\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eEOS R5 Mark II • ISO100 • 1\/250s • f\/16\u003c\/span\u003e\u003cbr\/\u003e\u003c\/strong\u003e\u003c\/p\u003e\u003chr\/\u003e\u003ch2\u003e\u003cspan\u003e\u003cstrong\u003e0.19x Maximum Magnification\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h2\u003e\u003cp\u003e\u003cspan\u003eThe maximum magnification of the RF20mm F1.4 L VCM is 0.19x at a minimum focusing distance of 0.20m. Even at the minimum focusing distance, the high resolution is maintained from the center to the edges of the image for stunning close-ups.\u003c\/span\u003e\u003c\/p\u003e\u003cimg src=\\\"https:\/\/canonhk.myshopify.com\/cdn\/shop\/files\/RF_Lens_RF20L_VCM_RF20_1_4_L_VCM_MFD.jpg\\\"\/\u003e\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eEOS R5 Mark II · ISO100 · 1\/25s · f\/1.4\u003c\/span\u003e\u003cbr\/\u003e\u003c\/strong\u003e\u003c\/p\u003e\u003chr\/\u003e\u003ch2\u003e\u003cspan\u003e\u003cstrong\u003eHigh Speed and Quiet AF\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h2\u003e\u003ch2\u003e\u003cspan\u003e\u003cstrong\u003ePowerful VCM for actuation of Large Focus Lens Group\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h2\u003e\u003cp\u003e\u003cspan\u003eThe RF20mm F1.4 L VCM uses a rear-focusing system, and the focus lens group is actuated by a high-thrust VCM (Voice Coil Motor). \u003cbr\/\u003eUsing an actuator that can drive the heavy focus lens group at high speed and with high precision, enables both high image quality and high speed, smooth AF.\u003c\/span\u003e\u003c\/p\u003e\u003cimg src=\\\"https:\/\/canonhk.myshopify.com\/cdn\/shop\/files\/RF_Lens_RF20L_VCM_RF20_1_4_L_VCM_actuator_EnV2.jpg\\\"\/\u003e\"\n        },\n        {\n          \"type\": \"grid\",\n          \"cols\": 2,\n          \"items\": [\n            \"\u003cimg src=\\\"https:\/\/canonhk.myshopify.com\/cdn\/shop\/files\/RF_Lens_RF_Lens_common_F1_4_L_VCM_Module_En.jpg\\\"\/\u003e\",\n            \"\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eVoice Coil Motor (VCM)\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan\u003e A Voice Coil Motor (VCM) is an actuator that converts electrical energy into kinetic energy using a magnetic field. The VCM used in the RF20mm F1.4 L VCM drives the focusing lens group fixed to the coil linearly by reciprocating the coil in the magnetic field created by the drive magnets.\u003c\/span\u003e\u003c\/p\u003e\u003cul\u003e\\n\u003cli\u003e\\n\u003cp\u003e\u003cspan\u003eThis product emits low level magnetic flux. If you use an implantable cardiac pacemaker or other medical device and feel abnormalities, please keep away from this product and consult your doctor. \u003c\/span\u003e\u003c\/p\u003e\\n\u003c\/li\u003e\\n\u003cli\u003e\\n\u003cp\u003e\u003cspan\u003eWhen the lens is not attached to the camera or the power switch of the camera is in the off status when the lens is attached, shaking the lens may cause the internal lens group to shift and noise may occur, but this is not a malfunction. Although the internal lens group shifts due to vibration such as when the lens is carried, this will not affect aspects such as performance.\u003c\/span\u003e\u003c\/p\u003e\\n\u003c\/li\u003e\\n\u003c\/ul\u003e\"\n          ]\n        },\n        {\n          \"type\": \"flow\",\n          \"content\": \"\u003ch2\u003e\u003cspan\u003e\u003cstrong\u003eAF control suitable for Servo AF and High-speed Continuous Shooting\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h2\u003e\u003cp\u003e\u003cspan\u003eThe RF20mm F1.4 L VCM’s VCM-driven rear focus system, in combination with the Dual Pixel Intelligent AF system on EOS R1\/R5 Mark II or the Dual Pixel CMOS AF II system, enables high speed and high precision AF during still photography. \u003cbr\/\u003eThe powerful VCM, which drives the heavy large-aperture lens group, is controlled by a high-performance microprocessor and matched with the AF algorithm of the camera body, allowing the camera to respond to changes in shooting style, such as high-speed continuous shooting with an electronic shutter, or regular use of Servo AF for subject detection. Combined with the outstanding AF speed, it is now even more convenient to “grab” a subject, keep hold of it, and follow it steadily.\u003c\/span\u003e\u003c\/p\u003e\u003cimg src=\\\"https:\/\/canonhk.myshopify.com\/cdn\/shop\/files\/RF_Lens_RF20L_VCM_RF20_1_4_L_VCM_still_AF_BTS.jpg\\\"\/\u003e\u003cimg src=\\\"https:\/\/canonhk.myshopify.com\/cdn\/shop\/files\/RF_Lens_RF20L_VCM_RF20_1_4_L_VCM_still_AF.jpg\\\"\/\u003e\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eEOS R5 Mark II • ISO640 • 1\/800s • f\/3.5\u003c\/span\u003e\u003cbr\/\u003e\u003c\/strong\u003e\u003c\/p\u003e\u003ch2\u003e\u003cspan\u003e\u003cstrong\u003eSmooth and quiet Movie Servo AF \u003c\/strong\u003e\u003c\/span\u003e\u003c\/h2\u003e\u003cp\u003e\u003cspan\u003eWhen shooting videos, the RF20mm F1.4 L VCM offers smooth and exceptionally quiet tracking of the subject’s movements as well as touch focus operations for high-quality video recording.\u003c\/span\u003e\u003c\/p\u003e\u003cdiv\u003e\u003cdiv\u003e\u003cdiv\u003e\u003ciframe allowfullscreen=\\\"\\\" frameborder=\\\"0\\\" src=\\\"https:\/\/www.youtube.com\/embed\/PJzFIh39jaw?autoplay=0\\\"\u003e\u003c\/iframe\u003e\u003c\/div\u003e\u003c\/div\u003e\u003c\/div\u003e\u003chr\/\u003e\u003ch2\u003e\u003cspan\u003e\u003cstrong\u003eFocus Breathing is Suppressed Optically\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h2\u003e\u003cp\u003e\u003cspan\u003eThe RF20mm F1.4 L VCM has a shorter focal length compared to previous F1.4 L VCM models, so the extension amount during focusing is smaller. As a result, focusing breathing could be suppressed optically even with VCM only. \u003cbr\/\u003eThis means that the lens can be used for shooting videos with extremely stable composition, even together with a camera body that does not feature any Focus Breathing Correction function. When paired with EOS R-series cameras supporting Focus Breathing Correction, the changes in the angle of view caused by focus movement can be further suppressed. \u003cbr\/\u003e\u003c\/span\u003e\u003c\/p\u003e\u003cdiv\u003e\u003cdiv\u003e\u003cdiv\u003e\u003ciframe allowfullscreen=\\\"\\\" frameborder=\\\"0\\\" src=\\\"https:\/\/www.youtube.com\/embed\/UwXIduY_q6Y?autoplay=0\\\"\u003e\u003c\/iframe\u003e\u003c\/div\u003e\u003c\/div\u003e\u003c\/div\u003e\u003chr\/\u003e\u003ch2\u003e\u003cspan\u003e\u003cstrong\u003eIncorporates Iris Ring for Hybrid Shooting\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h2\u003e\u003cp\u003e\u003cspan\u003eRF20mm F1.4 L VCM features an iris ring\u003csup\u003e1\u003c\/sup\u003e as found in RF35mm F1.4 L VCM and RF24-105mm F2.8 L IS USM Z etc., for consistent operability during movie shooting. With an approx. 80\u003csup\u003eo\u003c\/sup\u003e rotation angle between f\/1.4 and f\/16, the iris ring supports 1\/32-stop aperture adjustment during movie shooting\u003csup\u003e4\u003c\/sup\u003e, user can intuitively control exposure adjustment and degree of background blurs (bokeh) while enjoying light smooth torque feeling without clicking of the iris ring. Since its direction of rotation is the same as that of CINEMA EOS SYSTEM cinema lenses, operability similar to that of cinema lens can be achieved.\u003c\/span\u003e\u003c\/p\u003e\u003cimg src=\\\"https:\/\/canonhk.myshopify.com\/cdn\/shop\/files\/RF_Lens_RF20L_VCM_RF20_1_4_L_VCM_iris_ring.jpg\\\"\/\u003e\u003ch3\u003e\u003cspan\u003e\u003cstrong\u003eNote for using the Iris Ring\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h3\u003e\"\n        },\n        {\n          \"type\": \"grid\",\n          \"cols\": 1,\n          \"items\": [\n            \"\u003cp\u003e\u003cspan\u003e1. Limitation of iris ring in photo \/ movie shooting mode:\u003c\/span\u003e\u003c\/p\u003e\\n\u003ctable\u003e\\n\u003ctbody\u003e\\n\u003ctr\u003e\\n\u003ctd class=\\\"canon-table-head\\\" style=\\\"min-width: 250px;\\\"\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/td\u003e\\n\u003ctd\u003e\u003cspan\u003e\u003cstrong\u003eEOS R3\/R5\/R6 Mark II\/R6\/R8\/R\/RP\/Ra\u003c\/strong\u003e\u003c\/span\u003e\u003cbr\/\u003e\u003cspan\u003e\u003cstrong\u003eEOS R7\/R10\/R50\/R100\u003c\/strong\u003e\u003c\/span\u003e\u003c\/td\u003e\\n\u003ctd\u003e\u003cspan\u003e\u003cstrong\u003eEOS C400\/C80\/C70\u003cbr\/\u003eEOS R5C\u003c\/strong\u003e\u003c\/span\u003e\u003c\/td\u003e\\n\u003ctd\u003e\u003cspan\u003e\u003cstrong\u003eEOS R camera released in 2024 2H or later (EOS R1\/R5 Mark II\/R6 Mark III\/ R50 V etc.)\u003c\/strong\u003e\u003c\/span\u003e\u003c\/td\u003e\\n\u003ctd\u003e\u003cspan\u003e\u003cstrong\u003eEOS C50\u003c\/strong\u003e\u003c\/span\u003e\u003c\/td\u003e\\n\u003c\/tr\u003e\\n\u003ctr\u003e\\n\u003ctd class=\\\"canon-table-head\\\" style=\\\"min-width: 250px;\\\"\u003e\u003cspan\u003e\u003cstrong\u003ePhoto \u003cbr\/\u003eShooting Mode\u003c\/strong\u003e\u003c\/span\u003e\u003c\/td\u003e\\n\u003ctd colspan=\\\"2\\\"\u003e\u003cspan\u003eThe iris ring cannot be used to set the aperture value.\u003c\/span\u003e\u003cbr\/\u003e\u003cspan\u003e\u003cbr\/\u003e\u003c\/span\u003e\u003c\/td\u003e\\n\u003ctd colspan=\\\"2\\\"\u003e\u003cspan\u003eThe iris ring can be used to set the aperture value.\u003c\/span\u003e\u003c\/td\u003e\\n\u003c\/tr\u003e\\n\u003ctr\u003e\\n\u003ctd class=\\\"canon-table-head\\\" style=\\\"min-width: 250px;\\\"\u003e\u003cspan\u003e\u003cstrong\u003eMovie \u003cbr\/\u003eShooting Mode\u003c\/strong\u003e\u003c\/span\u003e\u003c\/td\u003e\\n\u003ctd\u003e\u003cspan\u003eOperating the iris ring may make it hard for the autofocus to focus on the subject.\u003c\/span\u003e\u003c\/td\u003e\\n\u003ctd colspan=\\\"3\\\"\u003e\\n\u003cp\u003e\u003cspan\u003eNo limitations during movie shooting.\u003cbr\/\u003e(On EOS R5C\/C70, the firmware must be updated to the latest version.)\u003c\/span\u003e\u003c\/p\u003e\\n\u003c\/td\u003e\\n\u003c\/tr\u003e\\n\u003c\/tbody\u003e\\n\u003c\/table\u003e\\n\u003cp\u003e \u003c\/p\u003e\\n\u003cp\u003e\u003cspan\u003e2. When using the iris ring to set the aperture manually during movie shooting, the aperture changes in 1\/32 stops, regardless of the setting on the camera. Consequently, the actual aperture value may differ from the value displayed on the camera during movie shooting.\u003c\/span\u003e\u003c\/p\u003e\"\n          ]\n        },\n        {\n          \"type\": \"flow\",\n          \"content\": \"\u003chr\/\u003e\u003ch2\u003e\u003cspan\u003e\u003cstrong\u003eUnparalleled Operability and Reliability\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h2\u003e\"\n        },\n        {\n          \"type\": \"grid\",\n          \"cols\": 4,\n          \"items\": [\n            \"\u003cimg src=\\\"https:\/\/canonhk.myshopify.com\/cdn\/shop\/files\/RF_Lens_RF20L_VCM_RF20_1_4_L_VCM_rear_filter.jpg\\\"\/\u003e\",\n            \"\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eRear Filter Holder \u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan\u003eIn addition to the ø67mm threaded filter mount in front, the RF20mm F1.4 L VCM comes with a rear filter holder that can be used to install a gelatin filter behind the lens as well. \u003cbr\/\u003eBy attaching different types of filters in the front and back of the lens, creative possibilities with two filters can be explored. \u003c\/span\u003e\u003c\/p\u003e\",\n            \"\u003cimg src=\\\"https:\/\/canonhk.myshopify.com\/cdn\/shop\/files\/RF_Lens_RF20L_VCM_RF20_1_4_L_VCM_rings_En.jpg\\\"\/\u003e\",\n            \"\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eControl Ring\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan\u003eIncorporates control ring to adjust assigned settings such as ISO speed, shutter speed or aperture value directly from the lens.\u003cbr\/\u003e\u003cbr\/\u003e\u003cstrong\u003e\u003cspan\u003eThe clicking sensation and sound of the control ring can be removed for silent control during photo shooting or video recording. This service is available at Canon Care Center (chargeable service).\u003c\/span\u003e\u003c\/strong\u003e\u003cbr\/\u003e\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eCustomizable Focus Ring\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan\u003eThe focus ring can be used as control ring\u003csup\u003e5\u003c\/sup\u003e by changing the setting of “Focus\/Control Ring”  on the compatible camera\u003csup\u003e6\u003c\/sup\u003e.\u003cbr\/\u003e\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eLens Function(L-Fn) Button\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan\u003eFeatures 1 Lens Function (L-Fn) Button at the left of the lens. In addition to the default AF OFF function, various shooting functions can also be customized to personal preferences\u003cbr\/\u003e\u003cbr\/\u003e\u003c\/span\u003e\u003c\/p\u003e\",\n            \"\u003cimg src=\\\"https:\/\/canonhk.myshopify.com\/cdn\/shop\/files\/RF_Lens_RF_Lens_common_Electronic_FullTime_MF_EN.png\\\"\/\u003e\",\n            \"\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eCompatible with Electronic full-time MF\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan\u003eLens is compatible with Electronic full-time MF\u003csup\u003e7\u003c\/sup\u003e,   focus can be adjusted manually with focus ring anytime during ONE SHOT AF or SERVO AF.\u003c\/span\u003e\u003c\/p\u003e\",\n            \"\u003cimg src=\\\"https:\/\/canonhk.myshopify.com\/cdn\/shop\/files\/RF_Lens_RF_Lens_common_Lens_technology_Fluorine_Coating_EN.png\\\"\/\u003e\",\n            \"\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eFluorine coating\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan\u003eFluorine coating on foremost lens surface helps prevent dust, oil, and water from sticking to the lens, makes cleaning much easier.\u003c\/span\u003e\u003c\/p\u003e\"\n          ]\n        },\n        {\n          \"type\": \"grid\",\n          \"cols\": 2,\n          \"items\": [\n            \"\u003cimg src=\\\"https:\/\/canonhk.myshopify.com\/cdn\/shop\/files\/RF_Lens_RF20L_VCM_RF20_1_4_L_VCM_DWR.jpg\\\"\/\u003e\",\n            \"\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eDust and water-resistance\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan\u003eControl ring, focus ring, iris ring, operation panel and lens mount are designed to be dust- and water-resistance\u003csup\u003e2\u003c\/sup\u003e.\u003c\/span\u003e\u003c\/p\u003e\"\n          ]\n        },\n        {\n          \"type\": \"flow\",\n          \"content\": \"\u003chr\/\u003e\u003ch2\u003e\u003cspan\u003e\u003cstrong\u003eEnvironmental Protection\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h2\u003e\u003cp\u003e\u003cspan\u003eCanon is working to reduce the amount of plastic materials used in product packaging.\u003cbr\/\u003eIn RF20mm F1.4 L VCM, by using packaging materials made from plant-based nonwoven fabric and cardboard to replace plastic tray and plastic bubble wrap, Canon reduces plastic waste and contributes to a reduction in environmental impact. \u003c\/span\u003e\u003c\/p\u003e\u003c\/div\u003e\"\n        }\n      ]\n    },\n    {\n      \"type\": \"tab\",\n      \"title\": \"Image Videos\",\n      \"banner_src\": \"\",\n      \"blocks\": [\n        {\n          \"type\": \"flow\",\n          \"content\": \"\u003cdiv\u003e\u003ch2\u003e\u003cspan\u003e\u003cstrong\u003eRF20mm F1.4 L VCM Image Video – Forest\u003cbr\/\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h2\u003e\u003cdiv\u003e\u003cdiv\u003e\u003cdiv\u003e\u003ciframe allowfullscreen=\\\"\\\" autoplay=\\\"true\\\" frameborder=\\\"0\\\" muted=\\\"true\\\" src=\\\"https:\/\/www.youtube.com\/embed\/PNpXOMUIsgA?autoplay=0\u0026amp;mute=1\\\"\u003e\u003c\/iframe\u003e\u003c\/div\u003e\u003c\/div\u003e\u003c\/div\u003e\u003ch2\u003e\u003cspan\u003e\u003cstrong\u003eRF20mm F1.4 L VCM Image Video – Ocean\u003cbr\/\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h2\u003e\u003cdiv\u003e\u003cdiv\u003e\u003cdiv\u003e\u003ciframe allowfullscreen=\\\"\\\" frameborder=\\\"0\\\" src=\\\"https:\/\/www.youtube.com\/embed\/kUf_5UgMsYk?autoplay=0\\\"\u003e\u003c\/iframe\u003e\u003c\/div\u003e\u003c\/div\u003e\u003c\/div\u003e\u003c\/div\u003e\"\n        }\n      ]\n    },\n    {\n      \"type\": \"tab\",\n      \"title\": \"Image Samples\",\n      \"banner_src\": \"\",\n      \"blocks\": [\n        {\n          \"type\": \"flow\",\n          \"content\": \"\u003cdiv\u003e\u003ch2\u003e\u003cspan\u003e\u003cstrong\u003eImage Samples\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h2\u003e\u003cimg src=\\\"https:\/\/canonhk.myshopify.com\/cdn\/shop\/files\/RF_Lens_RF20L_VCM_RF20_1_4_L_VCM_sample01.jpg\\\"\/\u003e\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eEOS R5 Mark II • ISO100 • 1\/8000s • f\/1.4\u003c\/span\u003e\u003cbr\/\u003e\u003c\/strong\u003e\u003c\/p\u003e\u003chr\/\u003e\u003cimg src=\\\"https:\/\/canonhk.myshopify.com\/cdn\/shop\/files\/RF_Lens_RF20L_VCM_RF20_1_4_L_VCM_sample02.jpg\\\"\/\u003e\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eEOS R5 Mark II • ISO100 • 1\/6s • f\/16\u003cbr\/\u003e\u003cspan\u003eImage has been adjusted from RAW data using Digital Photo Professional\u003c\/span\u003e\u003c\/span\u003e\u003cbr\/\u003e\u003c\/strong\u003e\u003c\/p\u003e\u003chr\/\u003e\u003cimg src=\\\"https:\/\/canonhk.myshopify.com\/cdn\/shop\/files\/RF_Lens_RF20L_VCM_RF20_1_4_L_VCM_sample03.jpg\\\"\/\u003e\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eEOS R5 Mark II • ISO1600 • 6s • f\/1.4\u003cbr\/\u003e\u003cspan\u003eImage has been adjusted from RAW data using Digital Photo Professional\u003c\/span\u003e\u003c\/span\u003e\u003cbr\/\u003e\u003c\/strong\u003e\u003c\/p\u003e\u003chr\/\u003e\u003cimg src=\\\"https:\/\/canonhk.myshopify.com\/cdn\/shop\/files\/RF_Lens_RF20L_VCM_RF20_1_4_L_VCM_sample04.jpg\\\"\/\u003e\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eEOS R5 Mark II • ISO400 • 1\/1000s • f\/9\u003cbr\/\u003e\u003cspan\u003eImage has been adjusted from RAW data using Digital Photo Professional\u003c\/span\u003e\u003c\/span\u003e\u003cbr\/\u003e\u003c\/strong\u003e\u003c\/p\u003e\u003chr\/\u003e\u003cimg src=\\\"https:\/\/canonhk.myshopify.com\/cdn\/shop\/files\/RF_Lens_RF20L_VCM_RF20_1_4_L_VCM_sample05.jpg\\\"\/\u003e\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eEOS R5 Mark II • ISO100 • 1\/60s • f\/1.4\u003c\/span\u003e\u003cbr\/\u003e\u003c\/strong\u003e\u003c\/p\u003e\u003chr\/\u003e\u003cimg src=\\\"https:\/\/canonhk.myshopify.com\/cdn\/shop\/files\/RF_Lens_RF20L_VCM_RF20_1_4_L_VCM_sample06.jpg\\\"\/\u003e\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eEOS R5 Mark II • ISO640 • 1\/40s • f\/4\u003c\/span\u003e\u003cbr\/\u003e\u003c\/strong\u003e\u003c\/p\u003e\u003chr\/\u003e\u003cimg src=\\\"https:\/\/canonhk.myshopify.com\/cdn\/shop\/files\/RF_Lens_RF20L_VCM_RF20_1_4_L_VCM_sample07.jpg\\\"\/\u003e\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eEOS R5 Mark II • ISO800 • 1\/800s • f\/3.2\u003c\/span\u003e\u003cbr\/\u003e\u003c\/strong\u003e\u003c\/p\u003e\u003chr\/\u003e\u003cimg src=\\\"https:\/\/canonhk.myshopify.com\/cdn\/shop\/files\/RF_Lens_RF20L_VCM_RF20_1_4_L_VCM_sample08.jpg\\\"\/\u003e\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eEOS R5 Mark II • ISO100 • 1\/1000s • f\/1.4\u003c\/span\u003e\u003cbr\/\u003e\u003c\/strong\u003e\u003c\/p\u003e\u003chr\/\u003e\u003cimg src=\\\"https:\/\/canonhk.myshopify.com\/cdn\/shop\/files\/RF_Lens_RF20L_VCM_RF20_1_4_L_VCM_sample09.jpg\\\"\/\u003e\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eEOS R5 Mark II • ISO100 • 1\/60s • f\/1.6\u003cbr\/\u003e\u003cspan\u003eImage has been adjusted from RAW data using Digital Photo Professional\u003c\/span\u003e\u003c\/span\u003e\u003cbr\/\u003e\u003c\/strong\u003e\u003c\/p\u003e\u003chr\/\u003e\u003cimg src=\\\"https:\/\/canonhk.myshopify.com\/cdn\/shop\/files\/RF_Lens_RF20L_VCM_RF20_1_4_L_VCM_sample10.jpg\\\"\/\u003e\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eEOS R5 Mark II • ISO800 • 1\/1250s • f\/5.6\u003cbr\/\u003e\u003cspan\u003eImage has been adjusted from RAW data using Digital Photo Professional\u003c\/span\u003e\u003c\/span\u003e\u003cbr\/\u003e\u003c\/strong\u003e\u003c\/p\u003e\u003chr\/\u003e\u003cimg src=\\\"https:\/\/canonhk.myshopify.com\/cdn\/shop\/files\/RF_Lens_RF20L_VCM_RF20_1_4_L_VCM_sample11.jpg\\\"\/\u003e\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eEOS R5 Mark II • ISO100 • 1\/125s • f\/1.4\u003c\/span\u003e\u003cbr\/\u003e\u003c\/strong\u003e\u003c\/p\u003e\u003chr\/\u003e\u003cimg src=\\\"https:\/\/canonhk.myshopify.com\/cdn\/shop\/files\/RF_Lens_RF20L_VCM_RF20_1_4_L_VCM_sample12.jpg\\\"\/\u003e\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eEOS R5 Mark II • ISO400 • 1\/125s • f\/1.4\u003c\/span\u003e\u003cbr\/\u003e\u003c\/strong\u003e\u003c\/p\u003e\u003chr\/\u003e\u003cdiv\u003e\u003cdiv\u003e\u003cdiv\u003e\u003ciframe allowfullscreen=\\\"\\\" frameborder=\\\"0\\\" src=\\\"https:\/\/www.youtube.com\/embed\/zGL6hCeZR8s?autoplay=0\\\"\u003e\u003c\/iframe\u003e\u003c\/div\u003e\u003c\/div\u003e\u003c\/div\u003e\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eTimelapse Video\u003c\/span\u003e\u003cbr\/\u003e\u003c\/strong\u003e\u003c\/p\u003e\u003c\/div\u003e\"\n        }\n      ]\n    }\n  ],\n  \"footnotes\": \"\u003cdiv\u003e\u003chr\/\u003e\u003cp\u003e\u003cspan\u003e\u003csup\u003e1\u003c\/sup\u003e The iris ring can be used to set the aperture value when shooting still images with EOS R5 Mark II or later EOS camera only. During movie shooting, when using the iris ring operation, focusing on a subject by autofocus may be difficult.\u003cbr\/\u003e\u003csup\u003e2\u003c\/sup\u003e With Dust-and-water-resistant EOS R series camera; however, it is not recommended for use under rain.\u003cbr\/\u003e\u003csup\u003e3\u003c\/sup\u003e CIPA 2024 Standard, Focal Length: 20mm, EOS R1 is used. In yaw\/pitch\/roll directions.\u003cbr\/\u003e\u003csup\u003e4\u003c\/sup\u003e Depends on camera setting, aperture value is displayed in 1\/2-stop or 1\/3-stop. The aperture value displayed on the camera may differ from the actual aperture value.\u003cbr\/\u003e\u003csup\u003e5\u003c\/sup\u003e When the focus ring is used as control ring, the original control ring is disabled.\u003cbr\/\u003e\u003csup\u003e6\u003c\/sup\u003e Not available on EOS R5 \/ EOS R6 \/ EOS R \/ EOS Ra \/ EOS RP.\u003cbr\/\u003e\u003csup\u003e7\u003c\/sup\u003e For EOS R camera supporting electronic full-time manual focus. Please refer to camera’s instruction manual for details.\u003cbr\/\u003e\u003c\/span\u003e\u003c\/p\u003e\u003chr\/\u003e\u003cp\u003e\u003cspan\u003eLens Diagram\u003c\/span\u003e\u003c\/p\u003e\u003cdiv\u003e\u003cdiv\u003e\u003cdiv\u003e\u003cimg src=\\\"https:\/\/canonhk.myshopify.com\/cdn\/shop\/files\/RF_Lens_RF20L_VCM_RF20_F1_4_L_VCM_Lens_Diagram.png\\\"\/\u003e\u003c\/div\u003e\u003c\/div\u003e\u003c\/div\u003e\u003chr\/\u003e\u003cp\u003e\u003cspan\u003eMTF Graph\u003c\/span\u003e\u003c\/p\u003e\u003cdiv\u003e\u003cdiv\u003e\u003cdiv\u003e\u003cimg src=\\\"https:\/\/canonhk.myshopify.com\/cdn\/shop\/files\/RF_Lens_RF20L_VCM_MTF_RF20_F1_4_L_VCM.png\\\"\/\u003e\u003c\/div\u003e\u003c\/div\u003e\u003c\/div\u003e\u003cimg src=\\\"https:\/\/canonhk.myshopify.com\/cdn\/shop\/files\/RF_Lens_MTF_Read_MTF_EN.png\\\"\/\u003e\u003chr\/\u003e\u003cp\u003e\u003cspan\u003e\u003cstrong\u003e[Note for RF20mm F1.4 L VCM]\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\\n\u003cul\u003e\\n\u003cli\u003e\u003cspan\u003eThe lens distortion correction on the camera is set to [Enable] automatically when in use.\u003c\/span\u003e\u003c\/li\u003e\\n\u003cli\u003e\u003cspan\u003e\u003cspan\u003eTo use this lens with EOS R, EOS Ra or EOS RP, please download the latest version of firmware from \u003c\/span\u003e\u003cspan\u003e\u003ca href=\\\"https:\/\/hk.canon\/en\/support\\\" rel=\\\"noopener\\\" tabindex=\\\"0\\\" target=\\\"_blank\\\"\u003e\u003cspan\u003eCanon website\u003c\/span\u003e\u003c\/a\u003e\u003c\/span\u003e\u003cspan\u003e and install on camera.\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\\n\u003cli\u003e\u003cspan\u003e\u003cspan\u003eTo display or edit images shot with this lens, it requires compatible camera applications. Please download the latest Digital Photo Professional and Picture Style Editor from the \u003c\/span\u003e\u003cspan\u003e\u003ca href=\\\"https:\/\/hk.canon\/en\/support\\\" rel=\\\"noopener\\\" style=\\\"color: rgb(0, 0, 0);\\\" tabindex=\\\"0\\\" target=\\\"_blank\\\"\u003e\u003cspan\u003eCanon website\u003c\/span\u003e\u003c\/a\u003e\u003c\/span\u003e\u003cspan\u003e. Please download Digital Photo Professional Express from App Store.\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\\n\u003cli\u003e\u003cspan\u003e\u003cspan\u003eMultiple exposure shooting is not supported when using with EOS R5 \/ EOS R6 \/ EOS R \/ EOS Ra \/ EOS RP\u003c\/span\u003e\u003cspan\u003e, it is also not possible to shoot multiple exposures with another lens using images shot with this lens.\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\\n\u003cli\u003e\u003cspan\u003e\u003cspan\u003eThe lens aberration information is stored in the metadata of the RAW images captured with EOS R5 Mark II or later EOS camera. When using third party image processing software that supports lens aberration information, this information can be utilized to enable peripheral illumination correction, distortion correction, and chromatic aberration correction.\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\\n\u003c\/ul\u003e\u003c\/div\u003e\"\n}\n\u003c\/script\u003e","brand":"Canon","offers":[{"title":"RF20mm F1.4 L VCM","offer_id":53604723032430,"sku":"7023C003AA01","price":12780.0,"currency_code":"HKD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0983\/9771\/6846\/files\/rf20_f1.4_l_vcm_side_1200_1.jpg?v=1775649557","url":"https:\/\/store.hk.canon\/en\/products\/rf20mm-f1-4-l-vcm","provider":"Canon Online Store 網上商店","version":"1.0","type":"link"}