【Pre-sales】 EOS C50
As low as HK$25,800.00
The EOS C50 sets a new benchmark for compact cinema cameras. Offering professional-grade image quality in the most portable Cinema EOS body to date, it’s designed for filmmakers ready to elevate their craft.
From dynamic location shoots to compact studio environments, its lightweight form factor adapts effortlessly — making the EOS C50 an ideal entry point into the world of professional video production.
The pre-sales period for the EOS C50 is from 3 Oct to 24 Nov 2025. Expected delivery date for first round pre-sales will be 25th Nov 2025, stocks of first round pre-sales are sold out, expected delivery date for second round will be 20th Dec 2025.
Upon purchase one EOS C50 body and one selected RF lens at the same time on or before 31st December 2025 to enjoy extra HK$2,000 off. Each EOS C50 body is eligible for maximum $2,000 discount.
*Thankful Week Canon Online Store e-Coupon is not applicable to EOS C50.
Movie Performance
- Open Gate recording using the entire CMOS sensor
- Internal RAW recording at up to 7K 60P & oversampled 4K video
- High frame rate recording at up to 4K 120P
- Dynamic range: up to 16 stops for Super 35 format and up to 15+ stops for Full-frame format.
- Base ISO support at 2 levels (ISO800/6400*1)
- AF performance improvements*2 (animals (birds), eye AF left/right priority added)
Photo Performance
- 32-Megapixel still photos
- High sensitivity shooting up to ISO 64,000 (standard)
- Approx. 40 shots/sec. high-speed continuous with electronic shutter
- Pre-continuous shooting
- AFperformanceimprovements*3 (Auto setting, animals (horses), vehicle priority, eye AF left/right priority added)
*1 For Canon Log 2/Canon Log 3/Raw recording
*2 Improvements over EOS C400/C80
*3 Improvements over EOS R5 C, which is in the same product category
Open Gate Recording
The EOS C50 is the first Cinema EOS camera to feature Open Gate recording. Featuring a Full-frame (3:2) sensor mode, filmmakers can utilise the entire sensor area for stunning high-resolution recordings, especially beneficial with anamorphic lenses. This capability unlocks limitless creative possibilities for post-production, allowing users to easily edit and output both horizontal and vertical videos from the same footage. Embrace an era where you can have even more artistic freedom.
Simultaneous Recording During RAW Recording
The EOS C50 features dual CFexpress and SD card slots, supporting simultaneous recording* even in RAW. 7K RAW can be saved to CFexpress while XF-AVC, XF-HEVC S, XF-AVC S, or proxy files can be recorded to SD. Different formats, resolutions, and colour sampling can be assigned for backup, distribution, or quicker edit-ready files — streamlining workflows and reducing turnaround time.
*During slow-motion recording, simultaneous recording may not be possible depending on the shooting frame rate.
File Format & Resolution
Simultaneously record in different formats and resolutions — for example, MXF for broadcast, MP4 for online use, or 7K for future archiving.
Progressive & Interlace
Record Progressive and Interlaced in combination, such as UHD 60P and FHD 60i.
Proxy Recording
Simultaneously record 422 10-bit data for online editing and 420 10/8-bit data for offline editing.
Intra & L-GOP
Simultaneously record Intra and L-GOP according to the purpose, such as archiving and online use.
Simultaneous Crop Recording
4K DCI / UHD and 2K DCI / FHD crop recording can be performed simultaneously. This allows you to capture both the full image (17:9, 16:9, etc.) and a cropped section — such as vertical or square — simultaneously. The cropped frame can also be shifted horizontally to the desired position, with recording available in different formats for added flexibility.
Recording Resolution Combinations
Recording Format Combinations
Spectacular 4K Image Quality with 7K Oversampling
Achieve crystal clear high definition 4K video with up to 7K* readout oversampling 4K 4:2:2 10-bit high-resolution recording through oversampling for even higher-resolution visual capabilities.
*For up to 30p. Image quality will differ when oversampling at 60p/50p
Dual Pixel CMOS AF II
The EOS C50 features Dual Pixel CMOS AF II, offering high-speed, high-precision autofocus across up to 100%100%1 of the frame. This ensures reliable subject tracking anywhere in the scene, giving you more freedom in framing and composition.
Powered by deep learning, the camera now recognises people, cats, dogs, and birds2, with advanced eye detection (right/left priority) as well as face, head, and body3 tracking. Whether filming portraits or fast-moving animals, autofocus remains smooth, accurate and reliable.
*1 Supported only with compatible lenses that cover up to 90% x 100% of the AF area. Subject and scene conditions may limit AF frame movement.
*2 Detection of animals other than dogs, cats and birds are not supported.
*3 When eyes, face, or head are hidden during AF tracking, the body is detected and tracking continues.
High Frame Rates
The EOS C50 supports high frame rates of up to 2K at 180p and 4K at 120p, allowing you to capture smooth, slow-motion footage. Perfect for sports, music videos, or dramatic moments by turning fast action into fluid, cinematic sequences.
Recording is available in 4:2:2 10-bit, ensuring rich colour and flexibility in post-production. AF/AE functionality is also supported at up to 2K 150p and 4K 120p, giving you reliable focus and exposure even during high-speed shooting.
*When 2K 120-180P is selected in Full-frame mode, the angle of view is cropped by approx. 12%.
Expanding Your Vision with Canon Log
Dual-Base ISO
The EOS C50 features Dual-Base ISO with Auto Selection, automatically switching between ISO 400 and ISO 3200 depending on the scene. This ensures the highest signal-to-noise ratio while maintaining a wide dynamic range.Users can also manually select the base ISO* to match lighting conditions. Adapting ISO to scene brightness helps suppress noise for cleaner recordings
*C-Log 2/3 & RAW: ISO 800 / 6400. BT.709 Std: ISO 160 / 1250
Anamorphic Lens Support
Anamorphic lenses feature an elongated rear element that compresses the widescreen image to about half its width. This unique design creates distinctive flare and bokeh effects that standard lenses cannot replicate. When connected to an LCD monitor or via HDMI, desqueezed video can be displayed by selecting the desired magnification (OFF / 2.0x / 1.8x / 1.5x / 1.3x) from the menu. Metadata settings can also be configured independently of the chosen desqueeze ratio, giving users greater flexibility in post-production.
Canon Log 2
Delivering characteristics closer to traditional film, preserving detail in medium-to-dark areas. With a wider linear output range, it offers greater flexibility in exposure control during editing, maintaining image quality while minimising colour shifts when brightness changes. The Canon Log 2 integrates seamlessly into film-style production environments based on Cineon-Log.
Canon Log 3
Canon Log 3 is renowned for its ease of use, making it simple to achieve cinematic results with only basic grading. By tightening dark areas, it reduces noise while retaining a broad dynamic range. Balanced and versatile, Canon Log 3 is ideal for creators who want faster turnaround without compromising expressive image quality.
Image Stabilisation
The camera’s Movie Digital IS works with its five-axis system to reduce shake, delivering stable footage even when using lenses without optical IS1, non-communicating lenses, or anamorphic lenses. When paired with an IS-equipped lens, Coordinated Control2 between the camera’s electronic IS and the lens’s optical IS via RF mount communication provides even greater blur reduction.
*1 Using a telephoto lens that does not have image stabilisation (IS), subject blur may be noticeable. This can be improved by using a faster shutter speed.
*2 Coordinated control is enabled when using an RF lens with in-lens IS.
*3 When a lens with Dynamic IS is mounted, the correction range is expanded, particularly at the wide-angle end, and the correction effect is enhanced during movie recording.
*4 When using Movie Digital IS, the shooting range becomes narrower. The image will also become grainy as it will be enlarged.
Professional Interfaces
This fantastic camera is equipped with a TIME CODE terminal, perfect for seamless multi-camera setups. It also features two XLR terminals and a handy audio control dial for that professional audio input you desire. Plus, its multi-function shoe adds even more versatility. With built-in Wi-Fi, you can effortlessly operate and monitor the camera from your smartphone or computer, giving you incredible flexibility and control over your creative vision.
Heat Management
The EOS C50 is built to perform under pressure, combining durability with an advanced heat-dissipating design. By redesigning internal airflow and adding a front air intake, cooling efficiency has been significantly enhanced compared to the EOS R5 C. Even with its compact form, this design ensures stable operation during extended shoots, delivering the durability and reliability professionals demand — all while upholding the trusted standards of the Cinema EOS line.
Versatile, Compact & Lightweight Design
Designed with a flat, streamlined body and minimal protrusions, the EOS C50 seamlessly integrates into any setup. Its light and compact form makes it easy to shoot handheld, on a gimbal, or even on a drone, giving you the freedom to build the setup that suits your creative vision.
The included handle unit not only supports high-quality audio recording with an external mic, but also opens up dynamic shooting angles — from low to unconventional perspectives. As a Cinema EOS camera, the EOS C50 is can be rigged up for a full production shoot as well.
Handheld
Gimbal
Drone
Full Production
Custom Control at Your Fingertips
The EOS C50 puts precision in your hands with 14 assignable buttons, each thoughtfully positioned for quick, instinctive access while filming. With approximately 100 customisable functions available, you can adapt the camera to match your workflow.
This level of personalisation transforms the compact body into a tool built entirely around you, empowering the filmmaker in you.
Recording & Zoom Features
The EOS C50 provides creators with smooth, accurate zoom control through both the camera body and the handle unit. Equipped with dedicated zoom levers and speed adjustment options, it enables users to fine-tune zooming for various shooting styles — from quick punch-ins to smooth, cinematic moves. When paired with compatible lenses*, it provides precise, professional-grade zooming in a compact form.
For added convenience, REC buttons are placed on both the camera body and the handle, allowing users to start and stop recording from different positions depending on their grip or shooting angle. Tally lamps on the front, back, and handle clearly indicate recording status, ensuring confidence on set and smoother operation during shoots.
*The following lenses are supported as of September 2025:
RF-S14-30mm F4-6.3 IS STM PZ
Lenses with PZ-E1 or PZ-E2/PZ-E2B Power Zoom Adapter attached
Cine-Servo lenses
Compact Servo lenses
Professional Audio
The handle unit is equipped with two standard XLR 3-pin terminals, enabling professional-grade audio capture. Dedicated physical dials make it easy to fine-tune recording levels on the fly, giving creators precise control over their sound. In total, the EOS C50 supports four audio inputs — two XLR inputs on the handle, plus the camera’s internal stereo mic and an additional MIC terminal. This flexibility enables you to seamlessly combine multiple sources, ensuring full-bodied, high-quality audio recordings for any production setup.
Two 3-pin XLR Inputs
Two XLR terminals with 48V phantom power are built into the handle, enabling high-quality recording with compatible condenser microphones. An additional MIC terminal on the body expands flexibility, allowing connection to a wide range of microphone types.
Audio Control Dials
Audio control dials are conveniently placed on the top handle. Independent dials for channels 1 and 2 allow for precise and intuitive fine-tuning of recording levels with ease.
Optimised Vertical UI Operability
The EOS C50’s user interface is optimised for vertical shooting, allowing users to adjust menus and LCD brightness settings with the same ease as in horizontal orientation. Additional menu buttons and recording start/stop touch controls are available in vertical mode, giving creators faster access and smoother operation.
Both menu layouts and brightness adjustments adapt automatically, ensuring a consistent and intuitive shooting experience, whether filming in vertical or horizontal format.
Communication Support
IP streaming
The EOS C50 supports IP streaming via Wi-Fi or Ethernet*, delivering high-resolution video (up to 60P/50P) directly to PCs, decoders, or video sites.
With built-in UVC/UAC support, it ensures smooth and reliable livestreaming for events, broadcasts, online productions, and professional workflows that demand consistent quality.
Virtual Production Support
The RF mount system enables high-speed communication for frame-by-frame metadata output, simplifying video composition and ensuring seamless integration of camera footage and CG.
Plugins for Unreal Engine and Adobe After Effects enable the direct import of metadata into workflows, providing accurate, efficient, and streamlined support for both real-time and post-VFX compositing.
XC Protocol
The EOS C50 can be controlled remotely over Wi-Fi or Ethernet* using the XC protocol, supporting multi-camera operation via hardware controllers such as the RC-IP1000 and RC-IP100, as well as the Remote Camera Controller Application on a computer and Canon Multi-Camera Control on smart devices.
This ensures flexible and scalable production setups, making it ideal for live events, broadcasting, and studio environments where centralised control and efficiency are essential.
Multi-Function Shoe
Sporting a next-generation interface with high-speed communication interface, the Multi-Function Shoe supports various types of accessories by using power supply from the camera. The EOS C50 has two Multi-Function Shoe, one on the main body and another on the handle unit.
RF Mount
High-quality, richly expressive imaging is made possible by the use of RF lenses. Additionally, the RF mount's high-speed communication capabilities make operation intuitive and stress-free. The camera's movie Digital IS allows for stable filming with less camera shake, even when a lens without IS compatibility is attached, in addition to coordinating control between IS-compatible lenses and the camera's In-body Digital IS.
PL and EF lenses can be fully utilised with an adapter:
- Mount Adapter PL-RF
- Mount Adapter EF-EOS R
*mount adapters are optional accessories
To fully utilise EF/PL lens assets, this model is compatible with a range of mount adapters. For a wide range of visual capabilities, other PL-mount lenses can be attached in addition to Canon's official PL-mount cinema lenses.Using the four screws provided with the included lock plate, the adapter can be securely attached to the camera body. This gives users peace of mind, even when using an ultra-large diameter lens, because it prevents free-play between the camera and adapter.
Mount Adapter PL-RF
Drop-in Filter Mount Adapter EF-EOS R
with Drop-in Variable Neutral Density Filter
Mount Adapter EF-EOS R 0.71x
Drop-in Filter Mount Adapter EF-EOS R
with Drop-in Circular Polarizing Filter
Mount Adapter EF-EOS R
Control Ring Mount Adapter EF-EOS R
Extender RF 2x
Extender RF 1.4x
Specification
| Lens Mount | RF Mount | |
| Sensor | 35mm full-frame CMOS sensor | |
| Number of Pixels | Total pixels: approx. 34.2 megapixels | |
| Effective pixels: up to approx. 32.4 megapixels | ||
| ISO Sensitivity | 160-51,200 (Extended: 100-102,400) | |
| BASE ISO | 800 / 6400 / Auto-change | |
| (Ex.: Canon Log 2, Canon Log 3, RAW recording) | ||
| Sensor Mode | Full-frame 3:2, Full-frame, Super 35mm Crop, Super 16mm Crop | |
| ND filter | No | |
| Gamma | Canon Log 2, Canon Log 3, Canon 709, BT.709 Wide DR, BT.709 Standard, PQ, HLG | |
| Frame Rate | 7K (6960x4640) 29.97p / 25.00p (RAW) | |
| 7K (6960x3672) 59.94p / 50.00p (RAW) | ||
| 7K (6912x4608) 29.97p / 25.00p (XF-HEVC S) | ||
| 5K(5036x2656) 59.94p / 50.00p (RAW) | ||
| 2.5K(2524x1332) 59.94p / 50.00p (RAW) | ||
| 4K 59.94p/50.00p (XF-AVC/XF-HEVC S/XF-AVC S) | ||
| 2K 59.94p/50.00p (XF-AVC/XF-HEVC S/XF-AVC S) | ||
| Color Space | Cinema Gamut, BT.2020 Gamut, BT.709 Gamut | |
| White Balance | Auto, sunlight, tungsten, colour temperature (2000K to 15,000K), settings A/B | |
| Dynamic Range | 15+ stops (when set to Sensor mode: Full-frame) | |
| 16 stops (when set to Sensor mode: Super 35mm Crop) | ||
| AF | Dual Pixel CMOS AF II | |
| Recording format | Video Mode | Cinema RAW Light (CRM) / XF-AVC (MXF) / XF-AVC S (MP4) / XF-HEVC S (MP4) |
| Photo Mode | RAW / C-RAW / Dual Pixel RAW / HEIF / JPEG | |
| Slow & Fast Maximum Frame Rate* *When 2K 120-180P is selected in Full-frame mode, the angle of view is cropped by approx. 12%. |
Full-frame 3:2: 6960x4640 / 30P, 6912x4608 / 30P | |
| Full-frame: 6960x3672 / 60P, 4096x2160 / 120P, 2048x1080 / 180P | ||
| Super35mm Crop: 5036x2656 / 60P, 4096x2160 / 60P, 2048x1080/60P | ||
| Super16mm Crop: 2524x1332 / 150P, 2048x1080 / 150P | ||
| Recording Format (audio) | Linear PCM 24-bit/48kHz/4ch | |
| AAC 16-bit/48kHz/2ch (XF-HEVC S / XF-AVC S) | ||
| Recording Media | CFexpress (Type B) x1 / SD (UHS-II) x1 | |
| LCD Monitor | 3-inch LCD 1.62 million dots, touch panel | |
| Viewfinder | No | |
| Level | Yes (Roll / Tilt) | |
| Multi-Function Shoe (21 pin) | Yes (with power contacts) | |
| Wi-Fi | Yes (Internal) | |
| Lens Port | No | |
| SDI Out | No | |
| MON. | No | |
| HDMI | Yes (Type-A) | |
| Audio Input | Yes (XLR x2) (AES/EBU not supported; when handle unit is attached) | |
| Ethernet | No (support available with standard Ethernet adapter and DR-E6P ) | |
| USB | Yes (USB Type-C) [HOST not supported/no power supply] | |
| MIC | Yes (Φ3.5mm stereo mini jack) | |
| Headphone | Yes (stereo) | |
| REMOTE A (φ2.5mm) | No | |
| REMOTE E3 terminal (Φ2.5mm) | Yes | |
| REMOTE N3 terminal | Yes (conversion adapter: RA-E3 required) | |
| TC (TIME CODE) | Yes (DIN terminal) [doubles as input/output] | |
| G-LOCK | No | |
| SYNC | No | |
| RET | No | |
| DC-IN | Yes (DR-E6P, DR-E6C) | |
| Battery | LP-E6P, LP-E6NH | |
| AC Adapter | No | |
| USB power adapter | PD-E2 *Rated output:DC 5V/3A, DC 9V/3A, DC 15V/3A, DC 20V/3.25A | |
| Operating Temperature | Guaranteed performance conditions: Approx. 0 ℃ to 40 ℃ | 85％ (relative humidity) | |
| Guaranteed operating conditions: Approx. -5 ℃ to 45 ℃ | 60％(relative humidity) | ||
| Dimensions (W x H x D) | Approx. 142 x 88 x 95mm | |
| Main Body Weight | Approx. 670 g | |
*Note: Some photos and visuals are simulated
- Prices, specifications, availability and terms of offers may change without notice.
- Products / Services may be manufactured by and/or supplied to us by third party manufacturers / suppliers for distribution / resale (non-Canon brand products).
- Prices above are recommended retail price in HKD and may change without prior notice.
| Superb image quality: |
| •Canon New Full-frame 32MP CMOS sensor provides high sensitivity and low noise image |
| •7K (6,960 x 4,640) Open Gate 30p 12-bit Cinema RAW Light |
| •7K (6,912 x 4,608) Open Gate 30p 10-bit XF HEVC S MP4 |
| •Full-frame 7K (6,960 x 3,672) 60p and Super 35mm 5K (5,036x2,656) 60p 12-bit Cinema RAW Light |
| •4K DCI (4,096 x 2,160) 60p XF-AVC MXF / XF-AVC S MP4 / XF-HEVC S MP4 |
| •2K DCI (2,048x1,080) 60p XF-AVC MXF / XF-AVC S MP4 / XF-HEVC S MP4 |
| •Slow & Fast recording up to 4K 120p1 and 2K 180p |
| •Support oversampling and debayering for high quality 4K video with less moiré2 |
| •Canon Log 2 & 3 Gamma selection to realize a wide dynamic range up to 15+ stops |
| •Support Canon 709, BT.709 Wide DR, HLG and PQ recording |
| •Support two switchable base ISO for the best dynamic range and S/N ratio depends on the scene |
| Exceptional Operability and Innovative Recording Mode: |
| •The smallest and lightest Cinema EOS camera, weighs only 670g |
| •New Simultaneous Crop Recording: Capture 4K full-frame (17:9 or 16:9) and cropped video (9:16 or 1:1) simultaneously with adjustable framing, making it easy to create vertical or square formats for social media to improving efficiency |
| • Anamorphic Lens Support |
| •Built-in Dual Pixel CMOS AF II with animal3 and body4 (people) detection for quick and accurate continuous AF function |
| •Support 5-axis electronic IS system5, provide more powerful image stabilization effect when paired with a compatible RF lens supported optical IS |
| •3-inch, 1,620,000-dot high-resolution LCD touch panel with a new LCD Luminance Boost feature, allowing focus point selection with a simple touch |
| •Supports Vertical Shooting UI for creating videos optimized for smart devices or digital signage |
| •Flat body design with multiple screw holes for easy accessory attachment, allowing users to customize the camera in various ways to suit their shooting styles |
| •Detachable handle unit equipped with two standard XLR 3-pin terminals for professional-quality audio recording |
| •New Zoom Lever6 in both camera and handle for zoom smoothly and accurately while maintaining a firm grip on the camera |
| •Supports three tally lamps that illuminate during recording, positioned at the camera front, camera back, and handle front, providing a clear visual indication of recording status |
| •Improved heat-dissipation performance with cooling fan for enhanced durability and reliability, ensuring it withstands professional use |
| Extra Functionality: |
| •Support dual memory card with CFexpress (Type B) and SD (UHS-II) card slot for 7K / 4K and Cinema RAW Light / XF-AVC or MP4 simultaneous recording |
| • HDMI Type A / Time Code |
| •Support 24-bit/48kHz 4-channel audio input |
| •Optional PL mount adaptor RF-PL for attaching PL lens |
| •Built in Wi-Fi & UVC supports IP streaming for online video streaming in real time |
| •Provide Cinema RAW Development software for RAW data preview and output |
| •Provide XF Utility software for XF-AVC video capture and playback |
| •Support EOS VR System, enables VR recording with a single sensor, providing a simple VR workflow without the need for post-shoot stitching |
| Exceptional Still-Image Performance: |
| •32MP full-frame sensor with standard ISO range 100-64,000 and expandable to ISO 102,400 |
| •Up to 40 fps7 (electronic shutter) high speed continuous shooting with AF/AE tracking |
| •Dual Pixel CMOS AF II with enhanced subject detection with horses, trains, and aircraft added along with automatic settings |
| •Support Register People Priority8 to detect a specific person registered preferentially even when there are multiple people in the AF area/point |
| •Support Eye AF (left eye/right eye priority) provide high-precision focusing when photographing people portrait photography |
| •Pre-continuous Shooting9 Up to 20 frames of RAW/HEIF/JPEG is provided. |
| 1When 2K 120-180P is selected in Full-frame mode, the angle of view is cropped by approx. 12%. When "Sensor Mode" is set to "Full Size" and the shooting frame rate exceeds 60P, the number of pixels read from the sensor decreases, which may make moire, false colors, and jaggies more visible. |
| 2When recording in XF-AVC, XF-HEVC S, or XF-AVC S, when sensor mode is set to full-frame and frame rate is 60P/50P or less |
| 3 Detection of animals other than dogs, cats and birds are not supported |
| 4When eyes, face, or head are hidden during AF tracking, the body is detected and tracking continues |
| 5When using Digital IS, the shooting range becomes narrower. The image will also become grainy as it will be enlarged |
| 6Support RF-S14-30mm F4-6.3 IS STM PZ, Lenses with PZ-E1 or PZ-E2/PZ-E2B Power Zoom Adapter attached, Cine-Servo lenses & Compact Servo lenses as of Sep 2025 |
| 7Continuous shooting speed may be slower depending on subject/shooting conditions or the camera setup or the lens used, etc. For information on lenses that support the maximum continuous shooting speed, please refer to Canon Website |
| 8Due to factors such as face brightness, size, facial expression, movement, and blockage of part of the face, the detection accuracy may decrease |
| 9Electronic shutter only. Not available when the shutter speed is slower than 0.5 sec. Other restrictions apply |
| -EOS C50 |
| -Mic holder/screws |
| -Handle Unit |
| -Body cap |
| -SS-1200 Shoulder strap |
| -Battery pack LP-E6P |
| -Battery charger LC-E6E |
