EOS R6 Mark III

32.5MP Full Frame CMOS Sensor

The EOS R6 Mark III is equipped with Canon's newly developed 32.5MP Full Frame CMOS Sensor, which supports high-speed image processing with a High Speed DIGIC X digital image processor to deliver high-quality images.
The standard ISO range for EOS R6 Mark III is 100 - 64000 and is expandable to ISO 102400 to capture clear, low-noise images even in low light environments.
The increased resolution of EOS R6 Mark III makes it ideal for portrait and landscape photography. Moreover, images maintain high resolution even when cropped, making it useful in settings with faraway subjects such as sports and wildlife.

40 FPS High Speed Shooting

Even with the increased pixel count from approx. 24.2M to approx. 32.5M, high-speed drive equivalent to the EOS R6 Mark II is achieved. EOS R6 Mark III supports high speed continuous shooting up to approx. 40FPS¹ with AF / AE using Electronic Shutter², while the mechanical shutter / electronic first curtain shutter shoot continuously up to 12 FPS⁶.
Electronic shutter is useful for shooting wildlife and in theaters, concert halls, golf tournaments, and other situations where shutter noise is unwanted⁷.

Pre-continuous shooting

EOS R6 Mark III newly supports the Pre-continuous shooting function³ , which lets users capture continuous still photos from the previous 20 shots immediately before fully-pressing the shutter button. This provides peace of mind with less risk of failed shots when shooting difficult subjects that photographers in the past had to rely on their intuition and experience to capture. Users can choose from RAW/C-RAW/JPEG/HEIF recording formats. This feature can also be registered as a customized button to call it up only when needed.

Boost in Maximum Burst

EOS R6 Mark III enables a higher number of continuous shots with high-speed drive performance thanks to enhanced buffer. Maximum burst up to approx. 330 JPEGs or approx. 150 RAW⁸ is possible during 40FPS² High-speed continuous shooting+. EOS R6 Mark III offers higher pixel count and longer continuous shooting time, letting users capture moments without fail.

In-Body Image Stabilizer with 8.5-stop shake compensation

EOS R6 Mark III features improved 5-axis In-Body Image Stabilization which provides up to 8.5-stop shake compensation at center and 7.5-stop shake compensation at peripheral⁹. Improvements in the camera’s algorithm make it possible to suppress even the subtle blurs that can occur at fast shutter speeds (around 1/focal length). This lets users capture detailed still photos that fully utilize the lens’s high resolution, even with scenes like indoor portraits.
Peripherical coordinated control is also supported with compatible lens.

Creative Imaging Functions

Special Scene Mode: Smooth Skin

The Smooth Skin Special Scene Mode, a first for the EOS R series Full Frame mirrorless camera, uses a new Smooth Skin processing algorithm.
Compared to the same feature on previous models, it preserves natural and smooth skin texture while concealing blemishes and pores, making skin look more beautiful. This enables a synergy effect with the generous bokeh and three-dimensional style unique to full-frame sensors to provide even more beautiful portraits

Smooth Skin effect “3”

Picture Style: Standard

HDR Mode [Moving Subjects]

In addition to the conventional HDR PQ (Single shot) and HDR mode [Dynamic range] priority (3 shots composite), EOS R6 Mark III also includes [Moving Subjects]¹⁰ option in HDR Mode. People, animals, and vehicles, which were difficult to shoot because the subject moved between frames while shooting three shots, can be captured while a wide range of gradations is expressed through a single shot, even in scenes with a wide dynamic range and a large difference in brightness.

HDR Mode: [Moving Subjects] shooting

High Precision AF Tracking

EOS R6 Mark III features the renowned Dual Pixel CMOS AF II, providing up to 100％ AF coverage area¹¹ with 1,053 frame zones. Enhanced algorithm improves AF stability over the EOS R6 Mark II for people and animal.

“Grabs” subject quickly and easily

If AF is started when the subject is close, the camera appropriately detects the subject and focus position as if it were “grabbing” onto the subject. Also, tracking is enabled from various AF area settings (1-point, spot, flexible zone, etc.).

Continues “grabbing” and following subject even if it moves

The EOS R6 Mark III can continue tracking so that the AF keeps working even if there is camera shake or subject movement within the screen. In sports, the camera can follow the original subject even when different subjects cross.

More stable tracking performance

Improved AF tracking performance even subject change posture or brightness change by applying deep learning technology to extract subject features during subject tracking, which applies to animals, vehicles and any other subjects selected by user.

Advanced Subject Recognition

EOS R6 Mark III features AF algorithm developed using Deep Learning technology for high performance Subject Recognition and AF tracking of people, animals¹² and vehicles¹³. Enhanced algorithm improves AF stability over the EOS R6 Mark II for people and animal.

Subject to detect	Features
Auto	Auto Subject Detection detects and selects people, animals or vehicles as subject automatically. Users can take photos of people, animals, and vehicles without considering the camera settings.
People	Supports eye / face / head / body detection, Right Eye priority or Left Eye priority also available with Eye Detection AF.
Animals	Supports detection of dogs, cats, bird and horses (racing horses, zebra and ponies, etc) even with riders¹². Right Eye priority or Left Eye priority also available with Eye Detection AF.
Vehicles	Vehicle Detection covers train (high speed trains, conventional trains and steam locomotives) and airplane (jet planes and helicopters) in addition to motorsports (automobiles and motorcycles)¹³. With Spot detection setting, the driver cab of high-speed train or cockpit of airplane can be detected.

Register People Priority

EOS R6 Mark III newly features Register People Priority. By registering up to 10 people in the camera in advance, it becomes possible to detect a specific person preferentially with the same performance as the EOS R3 even when there are multiple people in the AF area/point⁴. The feature is available when shooting movies as well as still photos, and is effective for group scenes, press conferences, and other such settings.

Whole Area Tracking Servo AF

EOS R6 Mark III’s Whole Area Tracking Servo AF is possible from any one of the 8 AF Area modes, including 1-point AF or Flexible Zone AF, for flexible AF operability. If AF is started when the subject is close, the camera appropriately detects the subject and focus position as if it were “grabbing” onto the subject.
Tracking subject can be switched during AF or continuous shooting. Whole Area Tracking Servo AF can be turned on or off during AF or continuous shooting.
For users who prefer stay focused on the set AF area without tracking, 4 AF areas with Whole Area Tracking AF OFF have been added to EOS R6 Mark III.

Focus Preset

Focus preset function has up until now been only available on fast super-telephoto lenses, but it can now be assigned to any of the camera buttons or the lens function button (L.Fn) and used with all RF lenses that support AF.

Enhanced Manual Focus Operability

EOS R6 Mark III offers a new feature that cancels magnified view by half-pressing the shutter release button without having to press the magnify button when returning to full-screen view from magnified view in manual focus. This way, users can quickly proceed to shooting after magnifying to adjust focus or check the subject.

Reproduce the Focus Skill of Professionals

EOS R6 Mark III’s Movie Servo AF features the focusing acceleration/deceleration algorithm found in the Cinema EOS C400/C80 that recreates the deliberate focus control of professional camera operators. This uses autofocus to replicate the smooth focusing work of an expert focus operator, responding to the visual expression needs of creatives.

Movie Servo AF Speed and Tracking Style

With the EOS R6 Mark III, the AF specifications are designed to be common with the EOS C50, and Movie Servo AF speed can be adjusted to ten levels from slow to fast to suit the situation and subject movement, making shooting smoother and more accurate. Subject switching sensitivity can also be customized to five levels.

The Movie Servo AF speed can be adjusted in a range of 1–10 to cope with shooting style.

Set how easily the focus switches if a new subject is detected during movie recording.

Track after focusing

When Movie servo AF is enabled, the focus ring of the lens¹⁴ can be used to temporarily switch to manual focus and switch subjects with focusing control at the user’s desired speed. When lens focus ring operation is completed, the lens will maintain focus on the subject in focus and resume tracking¹⁵.
Combined use is also possible with the Subject to detect (People/Animals/Vehicles/Auto) set via the menu and Eye detection features. This allows switching of the main subject using just lens operation and without using the camera buttons or touch screen while in Movie servo AF mode, improving operability during movie shooting.

New COLOR button

The new color mode button (COLOR) lets users swiftly select from three available color modes: Picture style, Color Filter and Custom Picture¹⁶.

Color Filter

The Color Filter feature, a first for the EOS R series Full Frame mirrorless camera, allows users to easily apply 14-type of Color Filter¹⁷ effects while checking the actual color and atmosphere of the image with the viewfinder or monitor. Even those without knowledge of color grading can create impressive video or images (without RAW development) using only the camera. This feature is useful for simple projects, events, social media posts, and other uses where instant delivery is needed, and it allows users to craft images according to their own imaginations, even straight out of camera.
Canon’s amazing color tones can be applied to easily provide the experience of being a true creator with creative expressive capabilities

StoryTeal&Orange

StoryBlue

AccentRed

14-Type of Color Filter

Custom Picture (CP)

In addition to existing Picture Style and Color Filter, the EOS R6 Mark III also includes Custom Picture, a common feature with the Cinema EOS series, for the first time. 6 CP Presets (Canon 709 / Canon Log 2 / Canon Log 3 / PQ / HLG / BT.709 Standard) are provided and 14 User setting are provided for users to select the best gamma and color space for their intended use.
For example, users can select BT.709-based settings and HDR settings that can be used straight out of camera (SOOC) without the need for color grading, enabling imaging that is compatible with the Cinema EOS series.
As a feature unique to Custom Picture, it is possible to configure knee, black gamma, detailed color and contrast, and other settings.

Includes Canon Log 2 for the First Time

In addition to Canon Log 3, Canon Log 2 has also been added to EOS R6 Series for the first time in EOS R6 Mark III.
Canon Log 2 and Canon Log 3 are gammas designed with grading in mind. Canon Log 2 provides a wide dynamic range of 15+ stops⁵.
Users can choose the one that fits their workflow and post-production imaging needs.

Canon Log 2 prioritizes details in dark areas

Canon Log 2 has characteristics closer to film and preserves details in dark in medium to dark areas than Canon Log 3. It also enables linear output over a wider range, enabling exposure control (editing) while preserving details and minimizing color changes when brightness is changed. This Log is highly compatible with production settings that are created based on Cinema-Log, such as film production.

Canon Log 3 enables noise reduction in dark areas

Canon Log 3 is known for its ease of handling, helping users craft images even with simple grading to adjust tones. By tightening the dark areas, it generates less noise compared to Canon Log 2, enabling reduced noise in dark areas while maintaining a wide dynamic range.

Applying LUT (Look File) in Camera

LUTs (Look Up Table) are color presets that respond to specific needs of image creators trying to achieve a distinctive visual beauty and color creation.
Apply an LUT of choice to movies shot with the EOS R6 Mark III with Look File settings to convert it to a desired color style.
LUTs set in Look File settings can be recorded in movies as well as displayed on the LCD monitor, making post-shoot grading more efficient. This streamlines grading work, which can be a challenge for entry-level videographers, and allows users to upgrade their visual works.

Now, Canon’s official Canon LUT Library website provides 41 varieties of LUTs designed for movie editing software, useful for converting colors and other aspects. Users can also download the files onto a smartphone using Camera Connect and apply them immediately on-set.

Open Gate Recording

The EOS R6 Mark III is the first EOS R series Full Frame mirrorless camera to feature 7K Open Gate video recording. Open Gate recording using the sensor’s full 3:2 angle of view allows the recording of 7K 30p Open Gate RAW at 6960×4640 pixels or MP4 at 6912×4608 pixels¹⁸. This enables higher-resolution recording with a wide angle of view for improved video quality.
With the ability to reframe in both horizontal and vertical formats in a single shot, 7K's high resolution flexibly meets the needs of crafting cinematic widescreen films or social-ready vertical edits.

A Variety of Movie Recording Formats

Internal recording of 7K 60p RAW

In addition to 7K 30p Open Gate RAW recording, EOS R6 Mark III allows internal recording of 7K 60p RAW (Light) movies to a CFexpress card at up to 60 fps with DCI aspect ratio (17:9).

Footage can be developed in Cinema RAW Development or Digital Photo Professional and can be edited with NLE software using a plugin.

A 2K DCI MP4 Proxy movie or new 4K DCI Fine MP4 sub movie can be recorded simultaneously.

Oversampled 4K DCI / UHD Fine 60p MP4

EOS R6 Mark III supports non-cropped oversampled 4K DCI / UHD Fine 60p MP4 as well as non-cropped 7K oversampled 4K DCI / UHD 30p MP4¹⁹. The oversampling process helps reduce moiré, false colors, and noise in the footage.

3.5K oversampled 2K DCI / FHD 60p MP4

The EOS R6 Mark III adds support for the 2K DCI (2048 x 1080) format, allowing recording of non-cropped 3.5K oversampled 2K DCI / FHD MP4 video up to 60p. The oversampling process helps reduce moiré, false colors, and noise in the footage.

4K 120p & 2K DCI / FHD 180p MP4

For normal 4K recording, the EOS R6 Mark III can capture up to 4K DCI / UHD MP4 video up to 120p with audio support²⁰, and up to 2K DCI/FHD MP4 video up to 180p²¹ with audio support²⁰.

It also supports cropped 4K DCI / UHD 60p MP4 video and 2K DCI / FHD MP4 video up to 120p with audio support²⁰.

Videos recorded at frame rates above 60p will play back at normal speed in-camera. These movies can be used as slow-motion footage during post-editing, while also producing movies that play at normal speed. Therefore, by recording a single movie, you can create both normal speed and slow-motion movies simultaneously.

Slow & Fast-Motion Movie Mode (S&F)

The new Slow & Fast-Motion Movie Mode²² lets users easily create emotion-filled images through techniques such as slowing down fast movements, compressing the passage of time, or capturing a subjective POV(Point Of View). Settings are enabled from 60x fast (NTSC) to 5x slow (NTSC) in 4K DCI / UHD, and from 60x fast (NTSC) to 7.5x slow (NTSC) in 2K DCI / Full HD.

HDMI Type-A & HDMI RAW

The EOS R6 Mark III features a highly versatile HDMI Type-A output terminal that offers stability in connection. When connected via HDMI with a compatible ATOMOS recorder, it offers Apple ProRes RAW external recording up to uncropped 7K 30p or 4.3K 60p (cropped). The ProRes RAW ensuring compatibility with post-production workflows. This makes utilization of EOS R6 Mark III easier in production-related uses.
A 2K DCI MP4 proxy data can also be recorded simultaneously to an SD card with the ProRes RAW, making post-production handling more efficient.

Select either Camera or HDMI for Menu Display and Playback

Users can now choose to have menu and playback screens output to either the camera or via HDMI during HDMI connection. This improves operability when using HDMI output.

EOS VR System Support

EOS R6 Mark III supports RF5.2mm F2.8 L DUAL FISHEYE in the EOS VR System, allowing users to shoot high-quality 3D 180^oVR videos. When shooting with the RF-S3.9mm F3.5 STM DUAL FISHEY, the camera saves the time-series inertial sensor information and other information as metadata in the movie file²³. The metadata helps shortening the time required for Digital Image Stabilization in EOS VR Utility and also improves effectiveness.

Professional File System

EOS R6 Mark III adopted the XF-AVC S/XF-HEVC S from Cinema EOS, a new professional-standard file system that enables workflows not possible with conventional DCF-compliant MP4.
It has common specifications with Cinema EOS, enabling processing using a common workflow in shoots that combine a mixture of cameras such as EOS and Cinema EOS, helping to streamline the editing process.

News ML-G2 standard News Metadata

News Metadata is a standard XML-based format that enables integrated presentation of news content, metadata, structures, and context. By adding metadata compatible with the NewsML-G2 standard to a movie file, it supports workflows for news TV broadcasters.
News Metadata editing and export can be done before shooting with a computer or after shooting using Content Transfer Professional.

LPCM 24-bit / 4-ch Audio Recording

New audio input features are included to enable 24-bit audio recording. It also supports 4-channel audio input, which enables combinations of external microphone input from Multi-function Shoe and built-in microphone or other external microphone connected to microphone input terminal for situations such as interview recording, simultaneous recording of ambient noise, live recording with separate mics for instruments and vocals.

Three Microphones Noise Reduction Technology

In addition to stereo microphones for audio input, the three microphones system in EOS R6 Mark III features a third internal mic that detects and reduces drive noise during autofocusing.
It also includes audio processing technology to reduce white noise (floor noise)²⁴.

Multiple Recording Methods

Simultaneous Proxy Recording

When shooting 7K Open Gate RAW, 7K DCI RAW or 4K DCI / UHD and 2K DCI / FHD MP4 up to 60fps, a lighter-sized 2K DCI / FHD proxy data for offline editing can be recorded simultaneously²⁵.
This helps to reduce lead times by transferring the lighter proxy movie to the editing team in advance via FTP transfer, image.canon transfer, or transfer to Frame.io via image.canon, making editing work more efficient.

Main / Sub Movie

While shooting the 7K RAW (Standard/Light) main movie to
Card 1, a sub movie (MP4 movie fixed to 4K DCI Fine) can be recorded to Card 2.
Separating recording for specific purposes lets users avoid having to convert RAW movies.

Relay Recording

New Relay recording allows continuous movie recording by automatically switching recording card when a card is full during recording²⁶.

Extended Movie Recording Time

The EOS R6 Mark III employs a heat dissipation structure that transfers heat from the sensor through the graphite sheet and aluminum back plate to the magnesium back cover.
The design also enables heat to be released from each board to the outside via the graphite sheet. This efficiently dissipates internal heat in movie recording and allows an extended recording time.

Movie Continuous Recording Time

Movie recording quality	Available continuous recording time²⁶
	Auto power off temperature
	Standard	High
7K RAW 59.94 fps, Light (RAW) + 2K Proxy Standard LGOP	Apporx. 23mins	Apporx. 23mins
4K DCI 119.9 fps, Standard LGOP	Apporx. 28mins	Apporx. 35mins
4K DCI FINE 59.94 fps, Standard LGOP	Apporx. 23mins	Apporx. 23mins
4K DCI 59.94 fps, Standard LGOP	No restrictions due to overheating	No restrictions due to overheating
4K DCI FINE 29.97 fps, Standard LGOP	No restrictions due to overheating	No restrictions due to overheating
4K DCI 29.97 fps, Standard LGOP	No restrictions due to overheating	No restrictions due to overheating
2K DCI 179.8 fps, Standard LGOP	Apporx. 120mins	Apporx. 120mins
Open Gate (MP4) 29.97 fps, Standard LGOP	Apporx. 24mins	Apporx. 36mins

Features Improving Efficiency

New Tally Lamp

EOS R6 Mark III newly includes a tally lamp that allows operators to check recording status and lets performers, crew members, and other people nearby see when movie recording has started or stopped. The lamp lights during movie recording, letting users check the camera status even during remote control.
Moreover, Recording emphasis function supports display a red frame around the screen during movie recording, letting operators know recording status visually and reducing recording mistakes.

Movie Digital IS

The EOS R6 Mark III provides greater blur reduction through coordinated control²⁸ when used with an RF lens with an in-lens image stabilization mechanism. And coordinated control with Movie digital IS²⁹ provides even greater reduction for major camera shake blur.
Moreover, the camera’s built-in five-axis image stabilization lets users shoot movies with less camera-shake blur even when using a lens without an optical IS system.
This enables shooting with powerful shake correction without a gimbal or other special equipment, even in situations with significant camera shake, such as shooting while walking.

Subject Tracking IS

Features Subject tracking IS³⁰ for the first time in EOS camera to help stabilizing subject position to keep main subject in frame. The subject can be kept in the center of the frame or at a designated position while walking and shooting, making it easy to track the subject even during outdoor sports activities.

New Waveform Monitor (WFM)

In addition to False Color and Zebra display, EOS R6 Mark III also includes Waveform Monitor common to professional production. Waveform monitor shows input signal brightness levels in real time (Line / RGB). This lets users shoot while constantly checking the brightness levels of the entire image. The waveform monitor can now be turned on or off using the <INFO> button.

Magnified Recording Display

Magnified recording display is added to EOS R6 Mark III for the first time. Magnification display of 2x/5x/10x is supported³² during movie recording, allowing users to accurately check focus status. Viewfinder/monitor display is also supported, and magnification rates and positions can be changed.

Electronic Level Display During Movie Shooting

Electronic level can now be displayed even during movie recording in EOS R6 Mark III. Users can also select the size of the electronic level displayed on the LCD monitor.

Display of 2 Aspect Markers

The Aspect Marker allows users to display marker that matches the aspect ratio of playback during shooting. EOS R6 Mark III can now display 2 Aspect Markers simultaneously, for example, both 16:9 and 9:16 Aspect Markers can be displayed when recording Open Gate (3:2) video to make composition easier.

Naturally Switches White Balance

Features that assist in natural white balance settings when shooting movies have been expanded. For both auto and manual settings, white balance settings can be effortlessly changed when switching scenes. This enables video production that suits the intentions for the work and the creator‘s preferences.

Expanded auto white balance features

AWB response³²

When using AWB, speed of response to white balance can be adjusted to three levels.
It can be set according to the scene to switch gradually or quickly.

AWB Lock³²

This feature temporarily fixes white balance when AWB is set. When the user does not wish to change white balance, the customized button can be pressed to continue shooting without changing color tone.

Expanded manual white balance features

Shockless WB³²

When manually changing white balance settings (color temperature or pre-settings) while in standby when shooting movies, this feature smooths the transition between adjustments, letting users record natural images even with changes in scenes or light sources.

Switch color temperature³³

Up to four manual settings for color temperature (Kelvin value) can be stored. Users can also quickly call up color temperature settings registered to preferred buttons with button customization. Also available during still photo shooting.

0.5-inch 3.69M-dot OLED EVF

EOS R6 Mark III features a high precision 0.5-inch 3.69M-dot 0.76x OLED electronic viewfinder with up to 120FPS display frame rate.

OVF simulation view assist is provided to reproduce the view of an SLR optical viewfinder by displaying more natural highlights and dark gradations with HDR technology.

EOS R6 Mark III is also equipped with a high definition 3.0-inch 1.62M-dot side-opening Vari-angle Clear View II LCD Touch Monitor.

Camera Switches Design

Power switch is on the right side for swift operation immediately after holding the camera. Camera start up time is an Ultra-fast 0.6 sec³⁴.

Photo/Movie mode switching lever on the left side lets user quickly switches between photo and movie modes without operating the mode dial.

Enlarged Movie Shooting Button

The movie shooting button is made larger than the one on the EOS R6 Mark II for easier handheld movie shooting.

Instantly send images to a smartphone

Press the <M-Fn> button during image playback to directly display the [Send images to smartphone] screen. This is convenient for instantly sending favorite just-shot images to a smartphone for sharing on social media.

New Customized Control Menu

With the same Customized Control menu as the EOS R1 and EOS R5 Mark II, dials and buttons can be customized for ease of use and flexibility.

Customize buttons for playback

[Customize buttons] has now been divided into [Customize buttons for shooting] and [Customize buttons for playback], this allows the user to assign different functions to the same buttons for shooting and playback.

Dual Card Slots

Dual card slots supporting CFexpress 2.0 Type B card (VPG400) and SD / SDHC / SDXC (UHS-II) card with a variety of recording options for users to choose from based on their needs.

Multi-function Shoe

EOS R6 Mark III adopts the next generation multi-function shoe with communication capabilities and power supply³⁵ functionality. Compatible with various accessories, such as Speedlite EL-5, Multi-function Shoe Directional Stereo Microphone DM-E1D and Speedlite Transmitter ST-E10.

High Power Battery

EOS R6 Mark III is powered by high-power Battery Pack LP-E6P³⁶. It features a higher maximum continuous discharge current of 6.0A, allowing for higher performance and functionality in EOS R6 Mark III.
Improved power consumption design of EOS R6 Mark III bring battery life up to 620 shots.

EOS R6 Mark III also supports battery charging and power supplying via USB-C terminal.

Reliable Body Design

EOS R6 Mark III’s high precision shutter unit comes with a 500,000-cycle durability³⁷.

EOS R6 Mark III features a rigid and lightweight Magnesium Alloy chassis and back cover with dust and water resistant³⁸ design. The body weights 609g only (699g with battery and memory card).

Environmental Protection

Canon is working to reduce the amount of plastic materials used in product packaging.

In EOS R6 Mark III, the product and other items are wrapped in bags that use plant-derived non-woven fabrics and paper materials. This reduces the amount of plastic used in packaging, thereby reducing our impact on the environment.

To meet the need for Professional Workflow

Supports high speed and stable 5GHz Wi-Fi (IEEE802.11ac) wireless network.
Built-in Bluetooth® low energy technology for easy Smartphone connection, GPS information acquisition, remote control from smartphone and continuous shooting with Wireless Remote Controller BR-E1.
Built-in USB-C (USB 3.2 Gen 2) digital terminal for 10Gbps high-speed transmission.
Wired connection to Camera Connect App with full function is support for iPhone³⁹ and Android^TM smartphone.
High-speed transfer of movie and still photo files using FTP Transfer or using Content Transfer Professional⁴⁰ via a 5G / LTE device.

USB (UVC/UAC) Streaming

With UVC/UAC support on EOS R6 Mark III’s USB 3.2 Gen 2 Terminal (10Gbps), the camera is recognized as a high-quality webcam, offering stable, sharp video with minimal setup.
When connected to a computer via USB (UVC/UAC), live streaming is available in 4K 30p, 4K 60p, FHD 60p, or FHD 30p⁴¹, Smooth skin video is also supported.

This setup is ideal for creators, educators, and professionals who want clean, up to 4K streams without the clutter. Plus, with USB power delivery⁴², the camera can keep running for hours, making it perfect for long sessions or all-day events.

HDMI Streaming

Connect the EOS R6 Mark III to an HDMI switcher for a studio-ready livestream setup with pro-level control. Switch between cameras, screens, and visuals in real time, perfect for game streams, talk shows, or hybrid productions. The clean HDMI output ensures crisp, lag-free footage for a premium viewer.

This setup gives users the flexibility to scale their livestream to match their vision, from single-camera simplicity to full multi-cam control. With the EOS R6 Mark III’s professional Input/Output, it fits easily into both simple and advanced switcher workflows.

EOS R6 Mark III Product Features

Discover the Power.Unleash Your Passion

Compatibility Information：

¹ Continuous shooting speed may be slower depending on subject/shooting conditions or the camera setup or the lens used, etc. Refer to Advanced User Guide for details. Continuous shooting speed is slower when flicker is detected, even if anti-flicker shooting is off. For information on lenses that support the maximum continuous shooting speed, please refer to Canon Website.
² Depending on the nature of subject or shooting conditions, rolling shutter image distortion may occur.
³ Only available when Electronic shutter and High-speed Continuous Shooting+ is set. Not available when the shutter speed is slower than 1/30 sec. Other restrictions apply.
⁴ Due to factors such as face brightness, size, facial expression, movement, and blockage of part of the face, the detection accuracy may decrease.
⁵ When shooting 4K DCI/UHD Fine 30p/25p and set to ISO 800.
⁶ Continuous shooting speed may be slower depending on subject/shooting conditions or the battery type/condition or use of battery grip or the camera setup or the lens used, etc. Refer to Advanced User Guide for details. For information on lenses that support the maximum continuous shooting speed with servo AF, please refer to Canon Website.
⁷ Sounds other than the shutter (aperture, focus lens drive sound, and electronic sound, etc.) may be generated.
⁸ Maximum burst as measured under conditions conforming to Canon testing standards (One-shot AF, High-speed continuous shooting+, ISO 100, Picture Style: Standard, 325GB CFexpress card, and room temperature: 23°C).
⁹ Based on the CIPA 2024 standard. Yaw/pitch/roll correction performance when using electronic shutter and RF24-105mm F2.8L IS USM Z (focal length: 105mm).
¹⁰ The lowest sensitivity is ISO 800. Shooting in RAW is not available. Mechanical shutter cannot be selected. When Electronic shutter is set, distortion in the subject may be noticeable due to rolling shutter distortion.
¹¹ Only when a lens compatible with the focusing area of 90% x 100% (horizontal x vertical) is attached to the camera while the Whole Area AF is active or the subject is detected by the setting other than Whole Area AF. Depending on the conditions of the scene or the subject, this setting may not respond as intended. For details on compatible lenses, please refer to Canon Website.
¹² Effectiveness varies depending on the subject. In some cases, dogs, cats, horses or birds may not be detected, while some animals other than dogs, cats, horses or birds may be detected.
¹³ The vehicle detection may not function for some subjects. Or, subjects, which are not automobile, motorcycle, train, airplane or helicopter, may be detected as vehicles. Spot detection may not work properly depending on the subject. The camera may also operate spot-detecting areas that are neither a driver nor rider helmet, as well as neither a train driver cab nor an aircraft cockpit.
¹⁴ Compatible lenses: RF lenses with Electronic full-time MF, RF lenses compatible with electronic manual focusing (only when Movie servo AF is paused; excluding RF5.2mm F2.8 L DUAL FISHEYE).
¹⁵ Subject selection and tracking of selected subject may not be possible if the subject has no difference in depth, is not in focus on the screen, or is moving.
¹⁶Not available in still image shooting.
¹⁷ Not available in Basic Zone. Photo: Cannot be used with RAW / C-RAW or, HDR shooting (PQ). Movie: Cannot be used with RAW movie, HDMI RAW output, HDR shooting (PQ) or Time-lapse movies.
¹⁸ Supports RAW movie and XF-HEVC S recording only. There is slight cropping when recording in MP4.
¹⁹ There are differences in image quality between 4K Fine 60p and 4K Fine 30p MP4.
²⁰ Audio is recorded and movie is played back at actual speed except when shooting with “Slow & Fast Motion Movies Mode”.
²¹ When 180p/150p is selected, there is cropping at about 1.13x compared to 120p or less.
²² Sound is not recorded.
²³ Not available when recording movies at 100p or higher.
²⁴ Not available with LPCM/24bit/4CH audio format. Operation noise of the in-lens image stabilization mechanism is not reduced.
²⁵ When recording 7K Open Gate RAW video, the proxy video resolution is 1920 × 1280.
²⁶ Cannot be used with RAW Movies, Open Gate Movies, movies at 100p or higher, S&F movies, time-lapse movies or HDMI RAW output.
²⁷ According to Canon testing conditions when using CFexpress cards and SD memory cards conforming to Canon testing standards. When using a screen, no communication, without power over USB, and under 23°C environment. When the ambient temperature is higher than <23°C / 73°F, the available time for continuous shooting will be shorter.
²⁸ Coordinated control is enabled when using an RF lens with image stabilization.
²⁹ When Movie Digital IS is set to [On], the shooting area becomes narrower. When shooting using Open Gate, it cannot be used together with Movie digital IS.
³⁰ When Subject tracking IS is set, Movie digital IS, Movie auto level, Open Gate, and Digital Zoom are disabled. Cannot be used with RAW movies, movies at 100p or higher, S&F movies, time-lapse movies, live streaming, or HDMI RAW output. Image will be narrower than normal angle of view. Does not function in manual focus mode. Not available in Basic Zone (except Movie IS mode).
³¹ Cannot be used with 4K DCI/UHD movies at 100p or higher, time-lapse movies, digital zoom, live streaming or shooting with RF5.2mm F2.8 L DUAL FISHEYE. 5x and 10x magnification is not available when Open Gate MP4 is set.
³² Cannot be set in still image shooting and Basic Zone.
³³ Cannot be set in Basic Zone.
³⁴ Based on CIPA testing standards. When Password Request is set to [Off].
³⁵ Some accessories are not supported.
³⁶ Battery Pack LP-E6 cannot be used. When using the LP-E6NH/LP-E6N, the Wi-Fi functions and some accessories cannot be used. Continuous shooting speed may be reduced.
³⁷ Based on Canon testing standards. Shutter durability may vary depending on usage and environmental conditions.
³⁸ In order to maximize dust- and water-resistant performance, make sure that all camera openings (including battery compartment, card slot cover, and terminal cover) are tightly closed and Multi-Function Shoe cover is attached. Although it is designed to be dust- and water-resistant, Canon cannot guarantee that dust and water will not penetrate the camera.
³⁹ Requires a third-party MFi-compatible cable for wired connection to iPhone with Lightning connector.
⁴⁰ Subscription service.
⁴¹ When set to P / M / Smooth Skin movie modes. 4K 60p cannot be selected when Smooth skin movie mode is set. Fixed at FHD 30p when connected via USB2.0.
⁴² Requires USB Power Delivery support and 5V/1.5A or greater supply capacity. 4K 30p / 4K Crop 60p is not possible when power supplying.

More Information

More Information
Camera type	Digital single-lens non-reflex AF/AE camera
Lens mount	Canon RF mount
Compatible lenses	Canon RF lens group (Including RF-S Lenses) *Using Mount Adapter EF-EOS R: Canon EF or EF-S lenses (excluding EF-M lenses)
Lens focal length	Same as the focal length indicated on the lens *Using Mount Adapter EF-EOS R: Canon EF or EF-S lenses (excluding EF-M lenses)
Image sensor type	Full Frame CMOS sensor
Image sensor size	Approx. 35.9 x 23.9 mm
Effective pixels	Max. approx. 32.5 megapixels Rounded to the nearest 100,000. Using RF and EF lenses. The effective pixel count may be lower with certain lenses and image processing.
Digital image processor	DIGIC X
Recording media	Equipped with double card slots (1)CFexpress 2.0 Type B memory card (VPG400 compatible; supports up to 8TB) (2)SD/SDHC/SDXC* memory card (*UHS-II compatible)
Recording image type	[Still photos] JPEG (8-bit), HEIF (10-bit), RAW (14-bit) and C-RAW (14-bit) [Movies] RAW (12-bit; .CRM) XF-HEVC S YCC422 10bit (.MP4) XF-HEVC S YCC420 10bit (.MP4) XF-AVC S YCC422 10bit (.MP4) XF-AVC S YCC420 8bit (.MP4) News Metadata* (.XML) When MP4 movie is recorded with [Add CP File: Enable*], “.CPF” file will be created.
Still photos pixel count	JPEG L (Large): 32.3megapixels (6960 x 4640), Approx. 10.4 MB JPEG M (Medium): Approx. 15.4megapixels (4800 x 3200), Approx. 5.4 MB JPEG S1 (Small 1): Approx. 8.1megapixels (3472 x 2320), Approx. 3.7 MB JPEG S2 (Small 2): Approx. 3.8megapixels (2400 x 1600), Approx. 1.8 MB HEIF L (Large): 32.3megapixels (6960 x 4640), Approx. 10.6 MB HEIF M (Medium): Approx. 15.4megapixels (4800 x 3200), Approx. 8.1 MB HEIF S1 (Small 1): Approx. 8.1megapixels (3472 x 2320), Approx. 4.0 MB HEIF S2 (Small 2): Approx. 3.8megapixels (2400 x 1600), Approx. 1.8 MB RAW: 32.3megapixels (6960 x 4640), Approx. 47.6MB C-RAW: 32.3megapixels (6960 x 4640), Approx. 20.6 MB Values for recorded pixels are rounded off to the nearest 100,000th. RAW images are generated at 3: 2, with information added about the specified aspect ratio, and JPEG/HEIF images are generated at the specified aspect ratio. *File size varies depending on shooting conditions (including 1.6x crop/aspect ratio, subject, ISO speed, Picture Style, and Custom Function).
Aspect Ratio	3:2, 1.6x (crop), 1:1, 4:3, 16:9 are available Angle of view of approx. 1.6 times the focal length.
Recording functions	Possible to set still photos and movie recorded separately (Movies are recorded to card 1 and still photos to card 2). [Still photos] Standard, auto switch card, record separately, record to multiple [Movie] Standard, Relay recording, main/ proxy, main/ sub, record to multiple
RAW+JPEG simultaneous recording	Yes. Simultaneous recording of any combination of RAW/C-RAW and JPEG/HEIF image-recording quality is supported.
File name	Still Photo: Preset code, User setting 1, User setting 2 Movie: Camera Index / Reel Number / Clip Number / User Defined customizable
Color space	Still Photo: sRGB, Adobe RGB Movie: BT.709, BT.2020, Cinema Gamut
Picture Style	Auto, Standard, Portrait, Landscape, Fine Detail, Neutral, Faithful, Monochrome, User Defined 1–3
Clarity	Can be set from -4 to +4
White balance setting	Auto (Ambience priority / White priority), Daylight, Shade, Cloudy, Tungsten light, White fluorescent light, Flash, Custom, Color temperature setting (approx. 2500–10000K) *Compatible with Speedlites color temperature transmission function.
Noise reduction	Long exposure noise reduction, High ISO speed noise reduction
Automatic image brightness correction	Auto Lighting Optimizer
Highlight tone priority	Yes
Lens aberration correction	Peripheral Illumination Correction, Distortion Correction, Focus Breathing Correction, Digital Lens Optimizer, Chromatic Aberration Correction and Diffraction Correction
Focusing method	Dual Pixel CMOS AF
Focusing operation	[Still photo shooting] AF operation: One-Shot AF, AI Focus AF, Servo AF Manual focus: Supported [Movie recording] AF operation: One-Shot AF, Movie Servo AF Manual focus: Supported
Number of AF zones available for automatic selection	Max. AF coverage: Approx. 100% (Horizontal), Approx. 100% (Vertical) Number of AF zone: [Still photos] Max. 1053zones (39 x 27) [Movie] Maximum 897zones (39 x 23) *May vary depending on settings
Selectable positions for AF point	Max. AF coverage: Horizontal: Approx. 90%, Vertical: Approx. 100% Number of positions: [Still photos] Max. 6097positions (91 x 67) [Movie] Max. 4641positions (91 x 51)^# *When set to [1-point AF] and selected using the Multi-controller. #When 4K DCI Fine / 4K DCI is set.
Focusing brightness range (in still photo shooting)	EV –6.5 to 21 (With an f/1.2 lens, center AF point, One-Shot AF, at room temperature : 23°C, ISO 100) Except RF lenses with a Defocus Smoothing (DS) coating
Focusing brightness range (in movie recording)	EV -4.0 to 21 (4K DCI/UHD 30p); EV -4.0 to 21 (2K DCI/FHD 30p) (With an f/1.2 lens, center AF point, One-Shot AF, at room temperature : 23°C, ISO 100, 29.97/ 25.00 fps) Except RF lenses with a Defocus Smoothing (DS) coating.
AF method	Spot AF, 1-Point AF, Expand AF Area: Up/Down/Left/Right, Expand AF Area: Around, Flexible Zone AF 1-3, Whole area AF *[Whole area tracking Servo AF] On / Off can be selected.
Eye detection AF	Supported and able to detect the eye of human or animal (dogs, cats, birds, horses) subjects; Left Eye/Right Priority *Subject eyes may not be detected correctly, depending on the subject and shooting conditions.
Subject recognition	People, Animal (dogs, cats, birds and horses), Vehicles (sports cars and motorcycles, trains, airplanes)
Touch and drag AF	Supported
Metering sensor	384-zone (24x16) metering using image sensor output signals Same applies when [1.6x (crop)] or [Movie cropping: Enable*] is set.
Metering mode	[Still photo shooting] Evaluative metering, Partial metering (approx. 6.2% in the center of the screen), Spot metering (approx. 2.9% in the center of the screen), Center-weighted average [Movie recording] Evaluative metering
Metering Brightness Range (At 23°C, ISO 100)	[Still photo shooting] EV -3 to 20 [Movie recording] EV -1 to 20
Shooting mode	[Still photo shooting] Scene Intelligent Auto, Special Scene (Portrait, Smooth Skin, Group Photo, Landscape, Panoramic Shot, Sports, Kids, Panning, Close-up, Food, Night Portrait, Handheld Night Scene, HDR Backlight Control, Silent Shutter), Flexible-priority AE, Program AE, Shutter-priority AE, Aperture-priority AE, Manual exposure, Bulb exposure, Custom shooting modes (C1/C2/C3) [Movie recording] Scene Intelligent Auto, Special Scene Movie (Smooth Skin Movie, Movie for Close-up Demos, Movie IS Mode, HDR Movie), Movie Auto Exposure, Movie Shutter-Priority AE, Movie Aperture-Priority AE, Movie Manual Exposure, S&F Movie Auto Exposure, S&F Shutter-priority AE, S&F Aperture-priority AE, S&F Manual exposure, Custom shooting modes (C1/C2/C3)
ISO speed (Recommended Exposure Index)	[Manually set ISO speed in still photo shooting] Normal ISO Speed(in 1/3-stop or 1-stop increments): ISO 100-64000 Expanded ISO speed (equivalent): L (ISO 50), H (ISO 102400) [Manually set ISO speed in movie recording] Normal ISO Speed (in 1/3-stop or 1-stop increments): Custom Picture (Off): ISO 100-25600 Custom Picture (Canon 709 / PQ / HLG): ISO 400-25600 Custom Picture (Canon Log 2 / Canon Log 3): ISO 800-25600 Custom Picture (BT.709 Standard): ISO 160-25600 Expanded ISO speed (equivalent): Custom Picture (Off): H (ISO 32000/40000/51200/64000/102400) Custom Picture (Canon 709 / PQ / HLG): L (ISO 100/125/160/200/250/320); H (ISO 32000/40000/51200/64000/102400) Custom Picture (Canon Log 2 / Canon Log 3): L (ISO 100/125/160/200/250/320/400/500/640); H (ISO 32000/40000/51200/64000/102400) Custom Picture (BT.709 Standard): L (ISO 100/125); H (ISO 32000/40000/51200/64000/102400)
Other still photo shooting functions	Dual Pixel RAW, Pre-Continuous Shooting, HDR PQ shooting, HDR Mode, Anti-flicker shooting, High-Frequency Anti-Flicker Shooting, Multiple exposure, Focus bracketing, Depth Composition, Interval timer, Bulb timer
Shutter type	[Still photo shooting] Electronically-controlled focal-plane shutter /Rolling shutter, using the image sensor [Movie recording] Rolling shutter, using the image sensor
Shutter mode	Mechanical shutter, Electronic 1st curtain, Electronic shutter
Shutter speed	[Still photo shooting] When [Mechanical] or [Elec. 1st curtain] is set: 1/8000 sec. to 30 sec., Bulb When Electronic shutter is set: 1/16000* sec. to 30 sec., Bulb Up to 1/8000 sec. when set to HDR mode, focus bracketing, or same exposure for new aperture (ISO speed/Shutter speed, Shutter speed). 1/10000 and 1/12800 sec. can also be selected. [Movie recording] 1/8000–1/25¹² sec. Movies in Tv or M mode: 1/8000–1/8¹² sec. 1: In normal movie recording, the minimum speed varies depending on the recording mode and frame rate. *2: The minimum speed is 1/200 sec. (NTSC) / 1/160 sec. (PAL) when set to 179.8 or 150.0 fps, and 1/125 sec. (NTSC) / 1/100 sec. (PAL) when set to 119.9 or 100.0 fps.
X-sync speed	Mechanical shutter: 1/200 sec. Electronic 1st-curtain: 1/250 sec. Electronic shutter: Not supported
Shutter status at shutdown	Can be set as Closed or Open
Compatible external Speedlite	EL Speedlites for EOS Camera with 21-pin contact EL and EX series Speedlites for EOS Cameras with 5-pin contact (May requires Multi-Function Shoe Adapter AD-E1)
External flash settings	E-TTL II autoflash
PC terminal	No
In-body image stabilization	Yes 8.5-stop shake compensation at the center* 7.5-stop shake compensation at the peripheral * *Based on the CIPA 2024 standard. Yaw/pitch/roll image stabilization performance with electrinic shutter and RF24-105mm F2.8L IS USM Z(focal length: 105mm).
Drive Mode	Single shooting, High-speed continuous shooting +, High-speed continuous shooting, Low-speed continuous shooting, Self-timer: 10 sec., Self-timer: 2 sec., Self-timer: Continuous
Continuous Shooting Speed	[Electronic Shutter] High-speed continuous shooting +: Max. approx. 40FPS^* High-speed continuous shooting: Max. approx. 20FPS^* Low-speed continuous shooting: Max. approx. 5.0FPS [Electronic 1^st Curtain] High-speed continuous shooting +: Max. approx. 12FPS^* High-speed continuous shooting: Max. approx. 8.2FPS^{^} Low-speed continuous shooting: Max. approx. 3.0FPS [Mechanical Shutter] High-speed continuous shooting +: Max. approx. 12FPS^ High-speed continuous shooting: Max. approx. 6.2FPS^{^} Low-speed continuous shooting: Max. approx. 3.0FPS ^Continuous shooting speed may be slower depending on subject/shooting conditions or the camera setup or the battery type/condition or use of battery grip or the lens used, etc. ^{^}If flicker is detected, continuous shooting will slow down even when anti-flicker shooting is turned off.
Maximum burst for continuous shooting	JPEG Large/Fine: approx. 330 (CFexpress card) / approx. 330 (UHS-II SD card ) HEIF Large/Fine: approx. 300 (CFexpress card) / approx. 300 (UHS-II SD card *) RAW: approx. 150 (CFexpress card) / approx. 140 (UHS-II SD card*) C-RAW: approx. 280 (CFexpresscard) / approx. 280 (UHS-II SD card*) RAW + JPEG Large/Fine: approx. 150 (CFexpress card) / approx. 140 (UHS-II SD card*) RAW + HEIF Large/Fine: approx. 130 (CFexpress card) / approx. 130 (UHS-II SD card*) The above figures are based on electronic shutter, shot at approx. 40 fps. Maximum burst for CFexpress cards apply to 325 GB CFexpress cards conforming to Canon testing standards. **Maximum burst for SD cards applies to 128 GB UHS-II SD cards conforming to Canon testing standards. Maximum burst as measured under conditions conforming to Canon testing standards (One-shot AF, High-speed continuous shooting+, ISO 100, Picture Style: Standard, and room temperature: 23°C) Maximum burst vary depending on shooting conditions (including remaining battery level, battery temperature, cropping/aspect ratio, JPEG/HEIF image quality, subject, memory card brand, ISO speed, Picture Style, and Custom Function).
Movie recording size	RAW (Open Gate) : 6960×4640 RAW : 6960x3672 7K Open Gate MP4 : 6912x4608 4K DCI MP4 : 4096x2160 4K UHD MP4 : 3840x2160 2K DCI MP4 : 2048x1080 Full HD MP4 : 1920x1080
Movie compression	HDMI RAW: ProRes RAW^* RAW: Standard RAW / Light RAW XF-HEVC S YCC422 10bit: MPEG-H HEVC/H.265 (High Quality/Standard/Light Intra-frame; Standard Long GOP)^{^} XF-HEVC S YCC420 10bit: MPEG-H HEVC/H.265 (Standard Long GOP) XF-AVC S YCC422 10bit: MPEG-4 AVC/H.264 (High Quality/Standard/Light Intra-frame; Standard Long GOP)^{^} XF-AVC S YCC420 8bit: MPEG-4 AVC/H.264 (Standard Long GOP) ^*with compatible ATOMOS recorder ^{^}Available compression options depend on movie recording size and frame rate
Movie recording format / frame rate	RAW: 59.94^1 / 50.00^1 / 29.97 / 25.00 / 24.00 / 23.98fps 7K Open Gate: 29.97^2 / 25.00^2 / 24.00 / 23.98fps 4K DCI / UHD: 119.88^23/ 100.00^23 / 59.94 / 50.00 / 29.97 / 25.00 / 24.00 / 23.98fps 4K DCI / UHD Fine: 59.94 / 50.00 /29.97 / 25.00 / 24.00 / 23.98fps 2K DCI / FHD: 179.82^3 / 150.00^3 / 119.88^3/ 100.00^3/ 59.94 / 50.00 / 29.97 / 25.00 / 24.00 / 23.98fps ^1：Light RAW only. ^2：High Quality Intra cannot be selected. ^*3：Only exFAT-formatted cards can be used for recording (recording to FAT32-formatted cards is not possible).
Movie cropping	Supported
Sound recording format	LPCM / 24-bit / 4CH ACC / 16-bit / 2CH
Movie orientation information	Adding movie orientation information is supported
Time code	Supported* *User bit type supported.
Drop frame	Compatible with 179.82p/119.88p/59.94p/29.97p
Movie digital zoom	Supported
Movie digital IS	Supported* *Subject Tracking IS available
Sound recording	Built-in Stereo microphone, connect to Multi-function Shoe, external stereo microphone terminal provided
Other movie recording functions	Pre-Recording, HDR Movie Mode, Time-lapse Movie, Waveform Monitor, False Color, Zebra display, Electronic Level, DAF Focus guide, MF peaking, Tally Lamp, Recording Emphasis, Aspect Marker, Movie Auto Level, Magnified Recording Display, Movie self-timer
Viewfinder type	OLED color electronic viewfinder
Viewfinder screen size	0.5 inch
Viewfinder dot count	Approx. 3,690,000dots
Viewfinder magnification	Approx. 0.76x (with 50mm lens at infinity, -1m^-1)
Viewfinder coverage	Approx. 100% (at L image quality, an aspect ratio of 3:2, and approx. 23mm eyepoint)
Viewfinder eyepoint	Approx. 23mm (at -1 m^-1 from eyepiece lens end)
Viewfinder dioptric adjustment	Approx. –4.0 to +2.0 m^–1 (dpt)
LCD monitor type	Side-opening vari-angle Clear View II LCD touch monitor
LCD monitor size	3.0 inch (screen aspect ratio of 3:2)
LCD monitor resolution	Approx. 1,620,000dots
User interface magnification	Supported
Viewfinder/monitor color tone	Warm tone, Standard, Cool tone 1 , Cool tone 2. Fine-tuning viewfinder color tone is supported
In-camera image processing function	RAW processing, image resize, image cropping, HEIF to JPEG conversion
Frame grab from movies	Supported. Individual frames in 4K movies recorded with the camera can be saved as JPEG or HEIF still photos. Still photos are saved as JPEGs from normal movies, and as HEIF images from HDR Shooting (PQ) movies. Frame grabbing from RAW movies and Open Gate movies isare not available. The camera cannot frame grab still photos from movies recorded when [Custom Picture function: On] is set. In-camera resizing or cropping are not available for frame-grabbed still photos.
Custom function	Control Customization Menu and Custom Functions Menu
Custom shooting mode	Current camera settings can be registered to C1/C2/C3 shooting modes *Still images and movies settings can be registered separately
Digital terminal	Terminal Type: USB Type-C Transmission: Equivalent to USB 10Gbps (SuperSpeed Plus USB (USB 3.2 Gen 2) Applications: For UVC/UAC connection For computer/smartphone communication For in-camera charging and powering the camera with USB Power Adapter PD-E2
HDMI terminal	HDMI terminal (Type A) / CEC not supported
Ethernet terminal	No
External microphone input terminal	Compatible with Φ3.5 mm stereo mini plug
Headphone terminal	Compatible with Φ3.5 mm stereo mini plug, volume adjustable
Remote control terminal	E3 type terminal. Compatible with Remote Switch RS-80E3/RS-60E3 (optional)
Wireless remote control	Compatible with Wireless Controller BR-E1 (optional)
Wi-Fi compliance standards	IEEE 802.11b / g / n / a / ac
Wi-Fi transmission method	DS-SS modulation (IEEE 802.11b) OFDM modulation (IEEE 802.11g / n / a / ac)
Wi-Fi connection method	Camera access point, infrastructure
Bluetooth standards compliance	Bluetooth Specification Version 5.1 compliant (Bluetooth Low Energy technology)
Bluetooth transmission method	GFSK modulation
Communication mode	Connect to smartphone(tablet), Connect to Wireless Remote, Connect to EOS Utility, Upload to image.canon, Transfer images to FTP server
GPS function	Not supported. Geotag images with GPS Receiver GP-E2 (optional) or a Bluetooth-compatible smartphone
Battery pack	Compatible battery packs: LP-E6P; Quantity use: 1
USB battery charging and camera power	Using USB Power Adapter PD-E2 (optional)
AC power source	Using USB Power Adapter PD-E2 (optional) and DC Coupler DR-E6P (optional)
Dimensions (W x H x D)	138.4 x 98.4 x 88.4 mm *based on CIPA guideline
Weight (Approx.)	Approx. 699g (including battery pack and CFexpress card) Approx. 609g (body only)
Operating temperature	0 to 40°C
Operating humidity	85% or less

Product Information

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